Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This lead to a large and drawn-out firefight between the Rangers and hundreds of Somali gunmen, leading to the destruction of two U.S. Black Hawk helicopters. This film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on Sgt. Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved. Written by
Matthew Patay: revised by Brady Schloz
The massive shoot of the "target building insert" sequence was intended to be among the first sequences shot in principal photography, due to its complex nature. However, negotiations to borrow four Black Hawk helicopters from the United States military were so arduous that an agreement was not reached until a month after shooting had commenced. Director Ridley Scott had prepared a rental of four Hueys from Germany that were ready to be painted black and work as substitutes in the event an agreement with the US Department of Defense could not be reached. Fortunately, the DOD was eventually satisfied that the film would portray the incident in a positive light, and shipped the helicopters to the location in two C-5 Galaxy transports. Ridley Scott says this was very fortunate for the film, since the title is "Black Hawk Down" and Hueys have no resemblance to Black Hawks. See more »
After the first Black Hawk has crashed, a lone soldier guarding the wreckage comes under fire by Somalis with RPGs. In a side-shot of one of the missiles flying past, you can see a wire in the air along its trajectory. See more »
Falling to Pieces
Written by Michael Bordin, Roddy Bottum, Bill Gould, James Martin and Mike Patton
Performed by Faith No More
Courtesy of Slash Records/London-Sire Records Ltd.
By Arrangement with Warner Special Products See more »
Black Hawk Down is first and foremost an immensely effective war film, but beyond that, its one of the most subtly differently made war films ever. Most war films usually either have a single hero through whom we see everything (i.e. Platoon), or present us with a squad of soldiers, all of whom are identifiable "types" (i.e. Saving Private Ryan). Black Hawk Down takes a different approach, instead giving us a very wide array of characters, none clearly singled out as a hero or type to command the audience's attention. The general effect is to create that feeling of a team army that George C. Scott so ardently expounded to us at the start of Patton. Furthering this feel of military professionalism, the film never cheapens itself by putting too much emotional weight into one moment. The plot moves ahead at a constant pace, cutting from location to location, without slowing down to focus too much on individual soldiers. The effect is of watching documentary footage of a real military operation gone wrong. While the effect of this scripting approach may produce some detachment among viewers on the first viewing, it makes the film all the better on subsequent viewings.
And you'd better believe there will be subsequent viewings, because Ridley Scott has created one of cinema's all-time great pieces of eye candy here. The editing, cinematography, grading, scoring and visual effects all combine to leave a viewer just as drained upon leaving the theatre as these soldiers were on leaving Mogadishu. The intensity of this film's combat is easily equal to Saving Private Ryan, and leaves such pretenders as We Were Soldiers behind in the dust. Black Hawk Down lacks the former's emotional resonance, but unlike the latter, it thrives on the fact, creating a final product as mind-challenging in its construction as it is mind-blowing its visualization.
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