| Photos (See all 39 | slideshow) | Videos (see all 5) |
| Julia Roberts | ... | Kathleen "Kiki" Harrison | |
| Billy Crystal | ... | Lee Phillips | |
| Catherine Zeta-Jones | ... | Gwen Harrison | |
| John Cusack | ... | Eddie Thomas | |
| Hank Azaria | ... | Hector Gorgonzolas | |
| Stanley Tucci | ... | Dave Kingman | |
| Christopher Walken | ... | Hal Weidmann | |
| Alan Arkin | ... | Wellness Guide | |
| Seth Green | ... | Danny Wax | |
| Scot Zeller | ... | Davis | |
| Larry King | ... | Himself | |
| Steve Pink | ... | Limo Driver | |
| Rainn Wilson | ... | Dave O'Hanlon | |
| Eric Balfour | ... | Security Guard | |
| Marty Belafsky | ... | Security Guard | |
| Keri Lynn Pratt | ... | Leaf Weidmann | |
| Maria Canals-Barrera | ... | Adinah (as Maria Canals) | |
| Charley Steiner | ... | Nevada Anchorman | |
| Shaun Robinson | ... | Nevada Anchorwoman | |
| Jeff Michael | ... | Network Anchor | |
| Sibila Vargas | ... | Reporter | |
| Jane Yamamoto | ... | Reporter on Patio | |
| Byron Allen | ... | Himself | |
| Wendy Schenker | ... | Maura Klein | |
| Jim Ferguson | ... | Mort Josephson | |
| Lisa Joyner | ... | Laura Messinger | |
| Patrick Stoner | ... | Bob | |
| Sam Rubin | ... | Ken | |
| Susan Katz | ... | Interviewer | |
| Maree Cheatham | ... | Matronly Interviewer | |
| Alexander Enberg | ... | Larry King Producer (as Alex Enberg) | |
| Sarah Loew | ... | Larry King Producer | |
| Joseph Feingold | ... | Judge | |
| Sherry Jennings | ... | Bar Hostess | |
| Julie Sorrels | ... | Mother | |
| Austin L. Sorrels | ... | Little Boy | |
| Julie Wagner | ... | Caller #1 (voice) | |
| Leilani Muenter | ... | Caller #2 (voice) | |
| Dimitri Moraitis | ... | Agent | |
| Shawn Driscoll | ... | Sean | |
| Misti See | ... | Misti | |
| Gail Laskowski | ... | Gail | |
| rest of cast listed alphabetically: | |||
| Joel Ariniello | ... | Hollywood Press (uncredited) | |
| Raquel Baldwin | ... | Dancer (uncredited) | |
| Amber Barretto | ... | Alison (uncredited) | |
| Heather Charles | ... | Reporter #7 (uncredited) | |
| Candice Cook | ... | Court Reporter (uncredited) | |
| Ann Cusack | ... | Assistant to Lee Phillips (uncredited) | |
| Michelle Gold | ... | Gwen's Greeter (uncredited) | |
| Zeen Jones | ... | Golfer (uncredited) | |
| Marco López | ... | Photographer (uncredited) | |
| George Miklos | ... | Cop (uncredited) | |
| Bob Pepper | ... | Press Reporter (uncredited) | |
| Emma Roberts | ... | Girl in Purple T-shirt (uncredited) | |
| Tom Schaus | ... | Helicopter pilot (uncredited) | |
| Michael A. Tessiero | ... | Film Critic #6 (uncredited) | |
Directed by | |||
| Joe Roth | |||
Writing credits(WGA) | ||
| Billy Crystal | (written by) & | |
| Peter Tolan | (written by) | |
Produced by | |||
| Susan Arnold | .... | producer | |
| Bruce A. Block | .... | co-producer | |
| Allegra Clegg | .... | co-producer | |
| Billy Crystal | .... | producer | |
| Charles Newirth | .... | executive producer | |
| Donna Roth | .... | producer (as Donna Arkoff Roth) | |
| Samantha Sprecher | .... | associate producer | |
| Peter Tolan | .... | executive producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Phedon Papamichael | (director of photography) | ||
Film Editing by | |||
| Stephen A. Rotter | |||
Casting by | |||
| Libby Goldstein | |||
| Junie Lowry-Johnson | |||
Production Design by | |||
| Garreth Stover | |||
Art Direction by | |||
| Chris Cornwell | (senior art director) | ||
| Denny Dugally | (as Denise L. Dugally) | ||
Set Decoration by | |||
| Larry Dias | |||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Steve Artmont | .... | makeup artist | |
| Greg Cannom | .... | special makeup effects artist | |
| Bonnie Clevering | .... | hair stylist: Ms. Roberts | |
| Richard Dean | .... | makeup artist: Ms. Roberts | |
| William A. Farley | .... | hair stylist: Mr. Crystal (as Bill Farley) | |
| Jason Hamer | .... | makeup effects technician: Captive Audience Productions Inc. | |
| Glen Hanz | .... | makeup effects sculptor: Captive Audience Productions Inc. | |
| Karyn Huston | .... | hair stylist (as Karyn L. Huston) | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Peter Montagna | .... | makeup artist: Mr. Crystal | |
| Alexei O'Brien | .... | makeup effects operations manager: Captive Audience Productions Inc. | |
| Kim Santantonio | .... | key hair stylist | |
| Brian Sipe | .... | prosthetic effects supervisor: Captive Audience Productions Inc. | |
| Laura Smith | .... | makeup effects operations manager: Captive Audience Productions Inc. | |
| Todd Tucker | .... | makeup effects technician: Captive Audience Productions Inc. | |
| Keith VanderLaan | .... | makeup effects producer: Captive Audience Productions Inc. | |
| Cindy J. Williams | .... | key makeup artist (as Cindy Williams) | |
| Wesley Wofford | .... | prosthetic effects supervisor: Captive Audience Productions Inc. | |
| Camille Henderson | .... | makeup artist (uncredited) | |
| John Kim | .... | makeup effects technician: Captive Audience Productions (uncredited) | |
| Harvey Lowry | .... | makeup effects operations manager (uncredited) | |
| Eden Orfanos | .... | makeup artist (uncredited) | |
| James Parr | .... | special makeup effects trainee (uncredited) | |
| Michael Peterson | .... | lab makeup effects (uncredited) | |
| Jennifer Saeta | .... | makeup artist (uncredited) | |
Production Management | |||
| Allegra Clegg | .... | unit production manager | |
| Carey Len Smith | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Gabriel Echeverria | .... | second second assistant director | |
| Geoffrey Hansen | .... | first assistant director (as Geoff Hansen) | |
| Grace Liu | .... | dga trainee | |
| Eric Tignini | .... | second assistant director | |
| Garreth Stover | .... | second unit director (uncredited) | |
Art Department | |||
| Chris Alvarez | .... | welding foreman (as Chris M. Alvarez) | |
| Dale E. Anderson | .... | swing gang | |
| Clifton Anshanslin | .... | painter | |
| Jason Bedig | .... | lead man | |
| Becca Bender | .... | art department assistant (as Rebecca Bender) | |
| Brent A. Blom | .... | swing gang | |
| Steve Borgese | .... | greens foreman | |
| Gary A. Brewer | .... | swing gang (as Gary Brewer) | |
| David B. Clark | .... | gang boss | |
| Kirk Corwin | .... | property master | |
| John Coven | .... | storyboard artist | |
| Michael Crowley | .... | construction foreman | |
| Colin De Rouin | .... | set designer | |
| James Diggs | .... | paint foreman | |
| David Elliott | .... | construction coordinator | |
| Chuck Eskridge | .... | stand-by painter (as Charles W. Eskridge Jr.) | |
| Rachel A. Flores | .... | assistant property master | |
| Dino Hamilton | .... | painter | |
| Mitchell Hammer | .... | painter | |
| Shannon Hart | .... | set dressing buyer | |
| Hal Hopkins | .... | construction estimator | |
| Arlen Johnson | .... | location foreman (as Arlen J. Johnson) | |
| Arlen Johnson | .... | stage foreman (as Arlen J. Johnson) | |
| Steven Kerlagon | .... | lead scenic | |
| Ralph Lane | .... | plaster foreman | |
| Al Lewis | .... | art department associate (as Albert M. Lewis IV) | |
| David Lowery | .... | storyboard artist | |
| Richard D. Mariani | .... | tool foreman | |
| John McCabe | .... | construction buyer (as John H. McCabe) | |
| Barbara Mesney | .... | set designer | |
| Steve Powell | .... | location foreman | |
| Steve Powell | .... | stage foreman | |
| Ed Regan | .... | labor foreman | |
| Mark Rodriguez | .... | swing gang | |
| Reyes Rodriguez | .... | propmaker foreman | |
| Brooke Sartorius | .... | swing gang (as R. Brooke Satorius) | |
| Terry Sheffield | .... | drapery foreman (as Terry A. Sheffield) | |
| Chad Simpson | .... | paint foreman | |
| R. Lucas Stewart | .... | location foreman | |
| R. Lucas Stewart | .... | stage foreman | |
| Jim Stubblefield | .... | assistant property master (as D. James Stubblefield) | |
| Beck Taylor | .... | set designer | |
| Phillip Thoman | .... | on-set dresser | |
| Jesse Valdez | .... | painter | |
| Jeffrey Zwahlen | .... | gang boss (as Jeffery Zwahlen) | |
| Doug Anderson | .... | on-set plasterer (uncredited) | |
| Cary Conway | .... | painter (uncredited) | |
| Vincent D'Aquino | .... | greensman (uncredited) | |
| Eric DeYoung | .... | propmaker (uncredited) | |
| Sean D. Jackson | .... | greensman (uncredited) | |
| Adam Tankell | .... | graphic designer (uncredited) | |
Special Effects by | |||
| David Blitstein | .... | special effects | |
| Mark Nieman | .... | silicone technician: Captive Audience Productions Inc. | |
| Art Pimentel | .... | mold shop supervisor (as Arthur Pimentel) | |
| Gary Schaedler | .... | special effects foreman (as Gary WM. Schaedler) | |
| Richard Starke | .... | silicone technician: Captive Audience Productions Inc. | |
| Martin Simon | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Jason Anderson | .... | digital coordinator: SPI | |
| Jodi Birdsong | .... | visual effects production coordinator: SPI | |
| Christian Boudman | .... | high speed compositing artist: SPI | |
| Sean Callan | .... | lead technical assistant: SPI | |
| Andrew Cho | .... | technical assistant: SPI | |
| Lisa Deaner | .... | high speed compositing artist: SPI | |
| Debbie Denise | .... | visual effects executive producer: SPI | |
| Bruce Dobrin | .... | senior systems engineer: SPI | |
| R. Stirling Duguid | .... | visual effects technical director: SPI | |
| Brandon England | .... | film recording technician: SPI | |
| Nancy Evans | .... | rotoscope artist: SPI | |
| Doug Forrest | .... | high speed compositing artist: SPI | |
| Jennifer German | .... | high speed compositing artist: SPI | |
| Bart Giovanetti | .... | computer graphics supervisor: SPI | |
| Andrew Goldstein | .... | rotoscope artist: SPI | |
| Dawn Guinta | .... | visual effects digital producer: SPI | |
| Chris Hebert | .... | visual effects research: SPI | |
| Ivo Horvat | .... | matte painter: SPI | |
| Steven Lau | .... | high speed compositing artist: SPI | |
| Paul McGhee | .... | assistant digital color timer: SPI | |
| Robb Miller | .... | visual effects accountant: SPI | |
| John Nicolard | .... | digital color timer: SPI | |
| Robert Davis Oh | .... | film recording technician: SPI | |
| Jeff Olm | .... | high speed compositing artist: SPI | |
| Audri Phillips | .... | texture painter: SPI | |
| Rachel Phillips | .... | digital production coordinator: SPI | |
| Shallamar Poole | .... | scanning technician: SPI | |
| Ken Ralston | .... | visual effects consultant | |
| Shawn Robinson | .... | technical assistant: SPI | |
| Tim Sarnoff | .... | executive: SPI | |
| Tim Sarnoff | .... | general manager: SPI | |
| Ralph Sevazlian | .... | match move artist: SPI | |
| Boyd Steer | .... | negative line-up: SPI | |
| Joe Stevano | .... | systems engineer: SPI | |
| David Takayama | .... | high speed compositing artist: SPI (as Dave Takayama) | |
| Christine Troianello | .... | rotoscope lead artist: SPI | |
| Michael Trujillo | .... | senior hardware engineer: SPI | |
| Michael Trujillo | .... | senior video engineer: SPI | |
| James Valentine | .... | rotoscope artist: SPI | |
| Carey Villegas | .... | visual effects supervisor: SPI (as Carey Grant Villegas) | |
| Serguei Volkov | .... | software engineer: SPI | |
| Guy Wiedmann | .... | visual effects editor: SPI (as Guy T. Wiedmann) | |
| Raymond Wong | .... | visual effects archive editor: SPI | |
| Danielle Conroy | .... | senior manager of digital production (uncredited) | |
| Anthony Harris | .... | digital color timer (uncredited) | |
| Todd Mesher | .... | Inferno artist (uncredited) | |
| Joseph Thomas | .... | on-set matchmover (uncredited) | |
Stunts | |||
| Sandy Berumen | .... | stunts (as Sandy Beruman) | |
| Brian Burrows | .... | stunts | |
| Gary Combs | .... | stunt coordinator | |
| Ritchie Copenhaver | .... | stunts | |
| Joe Finnegan | .... | stunts | |
| James M. Halty | .... | stunts (as Jim Halty) | |
| Johnny Hock | .... | stunts (as John Hock) | |
| Loren Janes | .... | stunts | |
| Cliff McLaughlin | .... | stunts | |
| Darwin Mitchell | .... | stunts | |
| Mike Watson | .... | stunts | |
| Roger Wells | .... | stunts | |
| Matt Byrne | .... | stunt double: Hank Azaria (uncredited) | |
Casting Department | |||
| Rich King | .... | extras casting | |
| Dan Parada | .... | extras casting | |
| Lou Saliba | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Robin Borman | .... | set costumer (as Robin Borman-Wizan) | |
| Sabrina Calley | .... | set costumer | |
| Ann Culotta | .... | set costumer | |
| Michael Dennison | .... | costume supervisor (as Michael P. Dennison) | |
| Linda Henrikson | .... | key costumer (as Linda M. Henrikson) | |
| Deborah Hopper | .... | assistant costume designer | |
| Jeffrey Kurland | .... | costume designer: Julia Roberts | |
| Rhona Meyers | .... | key costumer | |
| Fran Vega-Buck | .... | costumer: Ms. Roberts (as Frances Vega) | |
| Lyle Glazer | .... | set costumer (uncredited) | |
| Nancy Smytka | .... | set costumer (uncredited) | |
Editorial Department | |||
| Laura Lee Bong | .... | first assistant editor (as Laura Bong) | |
| Daniel Craven | .... | assistant editor | |
| Roger Fenton | .... | assistant editor | |
| Rolf Fleischmann | .... | first assistant editor | |
| Marlen Hill | .... | negative cutter | |
| Uri Katoni | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Linda Schubell-Sundlin | .... | assistant editor (as Linda Sundlin) | |
| Joëlle Taar | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| James T. Hill | .... | electronic score producer | |
| Kathy Nelson | .... | music supervisor | |
| David Olson | .... | music editor | |
| Jeffrey Potokar | .... | assistant music editor | |
| Angie Rubin | .... | music editor | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Dennis S. Sands | .... | scoring mixer (as Dennis Sands) | |
| Andrew Silver | .... | music editor: temp tracking | |
| Jim Weidman | .... | supervising music editor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| Richard Meyer | .... | music arranger (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
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| Forgetting Sarah Marshall | Click | Inside Daisy Clover | The Aviator | The Stunt Man |
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| News articles | IMDb Comedy section | IMDb USA section |
Normally, who is married to/engaged to/dating who in the movie world is something that I couldn't possibly care less about, and I still don't care, but America's Sweethearts manages to make that very subject amusing and entertaining. John Cusack and Catherine Zeta-Jones play Eddie Thomas and Gwen Harrison, two movie stars who have been tremendously successful working together and who have worked their way into the heart of the American public. The conflict comes from their highly publicized breakup, which has resulted in two consecutive box office failures for Gwen and some serious psychological problems for Eddie.
Stanley Tucci takes on a small but very effective role as Dave Kingman, the short tempered studio executive, furious with Christopher Walken's much more entertaining Hal Weidmann, the introverted filmmaker who sent Kingman the first print of his film (after charging $86 million of the studio's money), which consisted of nothing but titles and the hilarious message, `We could also do these in blue.' Kingman throws a predictable but very funny tantrum. We spend the rest of the film wondering why Weidmann is so cocky toward Kingman and so close-mouthed about the film, but we are rewarded in the final act.
Julia Roberts comes back in an ironic role when compared to her recent (and far superior) role in Notting Hill, in which she was America's Sweetheart who had fallen in love with a regular guy. Here, she is the constantly unnoticed sister of Gwen Harrison, her big movie star sister. Both women are perfectly cast as the famous movie star and the famous movie star's sister, but this is more a testament to their abilities as actors than it is to the ingenuity of the casting director. The acting was just excellent. Hank Azaria plays the part of Hector (`This is bull-chit!'), the over-the-top Spanish guy with the hilarious lisp that Gwen has been seeing ever since her rough break up with Eddie. Hector is an amusing character, but it is obvious from the first scene where we see him (in which he insists that he and Gwen will `go to the hunket' together.') that he is an expendable character. He's funny, but he still badly mangled the Spanish accent as well as the lisp, coming off as amusing but impossible to take seriously.
The entire romantic subplot of the film was predictable from the very beginning, if only because it was given away in its entirety in the theatrical trailer. If you have ever heard of this movie before watching it, then you've already seen the emotional scene where Kiki (Roberts) tells Eddie that that woman that he saw standing by the spa that he had to spend the rest of his life with was her, and not her sister Gwen. From that perspective, America's Sweethearts is one of those movies where if you've seen the preview, you've seen the movie (take Pleasantville as another example).
Christopher Walken provides an excellent source of comic relief as well as one of the only really interesting characters in the film. He is the nutty filmmaker (indeed, the best films almost unwaveringly come from the people who are a little off') who edits his films in the Unabomber's cabin, which he had moved onto his property, and who indeed created a truly memorable film, of which we unfortunately are only able to see a small portion. `The Blair Bitch Project,' as the press later calls it, is a kind of film that would be really interesting. The tabloids would have a field day.
There are a lot of sight gags and low brow humor in America's Sweethearts, and it is reported to bear a striking resemblance to Singin' In The Rain (although remains far inferior to that classic musical comedy), but it manages to keep the audience entertained if not hanging on every word. True film fanatics are sure to pick it apart for nearly feeding off of classic films and for following such a clear-cut formula, but there is definitely something to be enjoyed here.