A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found its only print kidnapped by the director. Written by
As Kiki recalls her first romantic encounter with Eddie, the silhouettes of one or two crew members are reflected in Kiki's barrette. See more »
America first fell in love with Eddie Thomas and Gwen Harrison in the box office smash "Autumn With Greg And Peg". They had the most celebrated marriage in Hollywood. Who could forget how they hit one out of the park in "Requiem for an Outfielder"?
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And I mean ultra light. This film features four giant stars, about three and a half jokes and nothing beyond that.
There really isn't too much to say about this stinker, other than that although it has a couple of really good bits, most of it isn't very funny. Nor does it work at all as a romance. How about as a romantic comedy? Not on your life. Most of the dialogue is way too flat to be sophisticated, much less amusing.
What's really ashame is the premise is not bad at all. This movie could have been so much more, especially with all the recent focus on some of the bogus ways in which films are promoted, complete with phony quotes from critics. The film uncovers the un-mined territory of the press junket -- those all expense paid trips for journalists who almost always write nice reviews. But instead of exploring what should have been a motherlode of jokes, it devotes all of about three minutes to this territory and moves on in pursuit of the film's lame romance.
The same with Catherine Zeta-Jones' character -- the whinny, self centered movie star. Zeta-Jones does a good job with what she's given, but she's given practically nothing. It's all homogenized junk that looks very pale in comparison with some of the things we've heard about stars over the years.
In the end, it is hard to understand what made Zeta-Jones, Julia Roberts, John Cusack and Billy Crystal sign aboard this doomed ship, which sinks like a rerun of "The Love Boat." In fact, as the old joke goes, they should have forgotten the script and filmed the deal. It would probably make a better story. So, go ahead and tell us, filmmakers, what do you have on these stars that got them to appear in this?
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