Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
A documentarian decides to follow the career of New York actress Lisa Picard, believing she is on the brink of fame. Instead, he bears witness to Lisa's continued, humorous, struggles as an... See full summary »
Richard Haywood, a Californian high school's coolest kid, secretly teams up with another rich kid in his class, brilliant nerd Justin 'Bonaparte' Pendleton, whose erudition, specially in forensic matters, allows them to plan elaborately perfect murders, just for the kick, for which they set up Richard's marijuana supplier, their school's janitor Ray Feathers, as a psychotic serial killer. The case is assigned to detectives Cassie 'the hyena' Mayweather, who carries a sequoia-size chip on the shoulder from her previous life, and her brilliant new partner, Sam Kennedy, who just transferred from the vice squad; they can work together very well, and even fit romantically, but fall out over different professional attitudes towards the investigation, which Captain Rod Cody and her understandably vindictive abused ex, Assistant D.A. Al Swanson, soon ban her from when she disobeys instructions and hand to him. When the plotting boys both dig class-mate Lisa Mills, their unnatural bond comes ... Written by
When Cassie is testing her theory by busting the clock on the deck of her house boat you see a boat come by leaving a large wake yet her boat remains stationary and doesn't rock from the waves. See more »
Shall we say the words one last time?
One cannot live fully without embracing suicide in crime.
A pact made with relentless fire that requires that, while some live, others die.
One, two, three
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When the dead body of a woman is found in the woods near the river, feisty homicide detective Cassie Mayweather (Sandra Bullock) and her new partner, Sam Kennedy (Ben Chaplin) are assigned to the case. Determined to solve the crime, Mayweather follows her hunches and microscopic bits of evidence, focusing her investigation on two teens: Justin Pendleton (Michael Pitt), a brilliant, misunderstood nerd, and Richard Haywood (Ryan Gosling), a smooth talking, spoiled rich kid. From the beginning, the audience knows that this unlikely duo has formed a secret bond that pushes the boundaries of morality and the law in their attempt to commit the perfect murder and experience complete freedom. It's up to Mayweather, who buries herself in her work in an attempt to forget her own tormented past, and Kennedy, a transfer from Vice who is working his first homicide case, to ignore the stereotypical profiles and see past the obvious in order to solve the crime.
Murder by Numbers is an interesting and entertaining small little thriller that doesn't excel but never disappoints either. The film is gripping, engaging and has this somewhat mysterious atmosphere that creates quite a bit of tension. The story does have some small plot holes but nothing that will ruin the film. Gosling delivered a great performance as usual and I can see why he felt attracted to his project, the film ends up being more of a character study then a thriller often reflecting on the human nature. Michael Pitt was excellent as the ostracized teenager and Sandra Bullock (who also served as producer) did OK as the seasoned detective Cassie Mayweather. What really threw me off and dragged the film down was not so much Bullock's performance but the way her character was written and her past story. It was extremely cliché and contrived. Still, I was entertained by what I think is, a decent and well acted thriller.
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