Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
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Richard Haywood, a Californian high school's coolest kid, secretly teams up with another rich kid in his class, brilliant nerd Justin 'Bonaparte' Pendleton, whose erudition, specially in forensic matters, allows them to plan elaborately perfect murders, just for the kick, for which they set up Richard's marijuana supplier, their school's janitor Ray Feathers, as a psychotic serial killer. The case is assigned to detectives Cassie 'the hyena' Mayweather, who carries a sequoia-size chip on the shoulder from her previous life, and her brilliant new partner, Sam Kennedy, who just transferred from the vice squad; they can work together very well, and even fit romantically, but fall out over different professional attitudes towards the investigation, which Captain Rod Cody and her understandably vindictive abused ex, Assistant D.A. Al Swanson, soon ban her from when she disobeys instructions and hand to him. When the plotting boys both dig class-mate Lisa Mills, their unnatural bond comes ... Written by
When Sam is driving Cassie home for the first time, we see his vehicle turning before we hear her voice telling him where to turn. See more »
Shall we say the words one last time?
One cannot live fully without embracing suicide in crime.
A pact made with relentless fire that requires that, while some live, others die.
One, two, three
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Two rich, bored high school boys (Justin and Richard) enter into a demonic pact, which leads to a battle of wits between them and a smart, determined female detective (Cassie) who is haunted by her own demons. The film's underlying premise is certainly relevant to contemporary American culture, but the story is poorly plotted. The POV keeps shifting back and forth between the two boys and Cassie.
I was not interested in Cassie's tortured past, nor did I care about her relationship with her assistant, Sam. These plot points interfered with the more compelling story of two young men hypnotized by the "philosophy" of crime.
Indeed, the film works when it focuses on Justin and Richard, and their efforts to second-guess, initially the cops and then later, each other. Michael Pitt (as Justin) gives an adequate performance, and Ryan Gosling (as Richard) is more than convincing. I would have reduced the time spent on Cassie and Sam, and added some back story about Justin and Richard to give viewers more insight into the boys' motivation.
The film's visuals are adequate. There's some good camera work in the film's first and last twenty minutes. In keeping with the film's many cinematic clichés, the climax is a melodramatic cliffhanger ... so to speak. Still, the suspense was gripping. It kept me guessing as to who was going to do what to whom.
Despite a convoluted and, at times, confusing plot, "Murder By Numbers" is worth watching for its provocative premise, its suspense, and the acting of Ryan Gosling.
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