Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Richard Haywood, a Californian high school's coolest kid, secretly teams up with another rich kid in his class, brilliant nerd Justin 'Bonaparte' Pendleton, whose erudition, specially in forensic matters, allows them to plan elaborately perfect murders, just for the kick, for which they set up Richard's marijuana supplier, their school's janitor Ray Feathers, as a psychotic serial killer. The case is assigned to detectives Cassie 'the hyena' Mayweather, who carries a sequoia-size chip on the shoulder from her previous life, and her brilliant new partner, Sam Kennedy, who just transferred from the vice squad; they can work together very well, and even fit romantically, but fall out over different professional attitudes towards the investigation, which Captain Rod Cody and her understandably vindictive abused ex, Assistant D.A. Al Swanson, soon ban her from when she disobeys instructions and hand to him. When the plotting boys both dig class-mate Lisa Mills, their unnatural bond comes ... Written by
During the interrogation scenes, there is a flashback to Justin dumping the body. In the close -up shot of his boots, the camera equipment's shadow can faintly be seen to his right. See more »
Shall we say the words one last time?
One cannot live fully without embracing suicide in crime.
A pact made with relentless fire that requires that, while some live, others die.
One, two, three
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This is a typical soft spoken rental movie for an slow sunday afternoon with your boyfriend/girlfriend :)
It does all the standard moves according to the crime/suspense genre when the detective, (the miscast Sandra Bullock) and her partner tries to capture the two killers, both rich and blasé but highly intelligent school kids.
The scenes in the film are well managed, all the angles correct as we slowly learn how the murder was done. Thankfully, this movie does not contain the ordinary huge fireworks/special FX/audio FX budget. And there is no need for such audio/visual effects either.
But why must
1) The detective be tortured by his/her past?
2) The storyline use the most predictable path?
3) The detective/protagonist alienate the freshman partner, and have a boss that misunderstands her?
4) The protagonist always face danger without backup?
5) The protagonist risk her job due to zealousness?
There are many more examples but you can find out yourselves if you have a couple of hours to spend watching this movie. 6/10.
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