George Monroe is a lonely and sad man. Divorced for ten years, he lives alone on the Southern California coast with his pet dog in the same run down shack he has lived in for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen year old son, Sam Monroe, to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. ... Written by
In the beginning of the movie when Mr. Dokos is chasing Guster with his car, in one shot it is a big SUV and in the next shot from the side it changes to the black Lexus that we know is his car later in the film. See more »
Do you have any idea what its like to jack off in an armoire?
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Written by David A. Stewart (as Dave Stewart) and Annie Lennox
Performed by Marilyn Manson
Courtesy of Nothing Records/Interscope Records
Used by arrangement with Universal Music Group and Under license from Universal Music Enterprises See more »
As predictable as this film is, it moved me in many ways. I am a single
father, 58 years old, whose life largely revolves around a wonderful twelve
year old boy. He'd better not go down the road of Kevin Kline's teenage kid
or I'll kill him! (just kidding-don't call Child Protective Services just
California Cinematic Dreamin' aside, the people here are real. Their
vulnerabilities are in the open and they deal with each other as best they
can. Kline's son is confused about more than his sexuality, far more. His
first girlfriend accepts him and, more importantly, her own sexuality, with
a maturity in no way undermined by a delightfully playful demeanor.
As in similar films, the viewer has to suspend reality when the doomed
character accepts his fate with no mention of palliative, much less
curative, medical intervention. His condition is never fully described but
a quick, distant shot of murmuring doctors examining x-rays (x-rays? No
MRIs, CAT scans or PET scans in a CA hospital?) brings home that the
architectural model builder has hit a brick wall.
The cast is first-rate - everyone plays his/her role convincingly.
The message of the film is, of course, the enduring need for community. And
this celluloid community is moving and loving. A truly fine film. (Yep, I
cried into my popcorn.)
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