Belgian director Henri Storck presents a tribute to one of the most well-known spots in Belgium: the Ostende beach. Filming from everyone and everything, gathering a small collection of ...
See full summary »
Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ... See full summary »
In mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like ... See full summary »
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment (intertitles) from the director, Cavalcanti (whose first film this was).
Belgian director Henri Storck presents a tribute to one of the most well-known spots in Belgium: the Ostende beach. Filming from everyone and everything, gathering a small collection of eight short films made in the 1920's, Storck invites the audience to feel the beach, the port, the surf, the wind and the dunes, giving us more than what the real images can really evoke, reaching a surreal level. Written by
With few impact and not much sensation, Henri Storck's "Images d'Ostende" is a short collection of images collected in the 1920's and put together to give us an impression of a Belgian village. A dark music follows the images presented in between the chapters such as "the port, the dunes, the beach, the wind", etc, etc. It's almost surreal, and despite just filming places (and some passers by) Storck's scenes are quite haunting, almost like a silent horror film - the chapter with the port feels as inspired by Murnau's "Nosferatu", and the beauty lies in the simplicity of filming the waves effect, just rolling and spinning by in the closure scenes.
Memorable? Maybe. Worthy of a view due to its impeccable cinematography (even today) and it's collision of hypnotic effects and sensations it causes on viewers: it's soothing but it can be frightening. 7/10
0 of 0 people found this review helpful.
Was this review helpful to you?