When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
FBI agent Wesley Doyle is startled by the spontaneous declaration of youngster Fenton Meiks about how his father's delusions to have a divine mission as avenging angel required him and his brother Adam to become his 'demon-slaying' murder accomplices. And how hard an dangerously revolting proved. But when Doyle accepts to be shown concealed victim graves, the plot twists in the present just as gruesomely. Written by
At the title credit (01:12) in the writer commentary, Brent Hanley says "Frailty to me was always about the frailty of perception, the frailty of morality, the frailty of right and wrong." At 02:16 he adds "I liked the idea of an abstract title." See more »
In the title credits montage, we see a newspaper which reads SECOND VICTIM FOUND IN GOD'S HAND CASE at 02:03. In the next scene, Agent Doyle tells his visitor that of the 6 victims in the God's Hand case, only the first body was ever found, while for "all the rest, only notes were found, no bodies." See more »
It's all a big lie, you hear me? I think we need to run away, just for a little while. Until he gets better. Sooner or later Dad's gonna kill somebody and you know it.
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(There Will Be) Peace In The Valley For Me
Performed by Johnny Cash
Traditional Arrangement by Johnny Cash (as John R. Cash)
Written by Johnny Cash
Courtesy of Mercury Records
Published by Song of Cash, Inc. (ASCAP)
Administered by Bug Music, Inc. See more »
The film is very complete in what it is, keeping one continuously interested with the flashbacks to childhood and growing up with such a bizarre father, and interspersing it with the tails of serial murder, one simply cannot go wrong. The very plot in itself, the very story and essence of the film, is entertaining. It is the sort of story that the director (Bill Paxton) could do so much with, and in this case, he really did do a lot with it.
From beginning to end you are kept anticipating more and more about what is happening and where the film is going, and the creativity that is behind this story is first class. I felt as if this film was exquisitely done from start to finish, and one of those rare gems that seemed to be without any boring lulls -- the action flowing neatly, quickly, and tightly from one scene to the next.
It demonstrates just how far people can go: so as to do such horrible things to their loved ones, and to do such acts of evil, in the name of 'God' when they are disillusioned as in this case. It also is sometimes interesting in its' twists & takes on the concept of morality as a whole.
Overall, this is the sort of film that one easily overlooks, but I would recommend you to not do likewise and to check this film out -- it is very much so worth your time.
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