A group of auditioned stage actors rehearse for an upcoming musical production. While locking themselves in the theater for rehearsal, not knowing that an escaped psychopath sneaked into the theater with them.
On the run from the law, desperate drug runner Astor and his beautiful prisoner struggle through the savage heat. They are offered a ride by two unsuspecting travelers. Claiming to be ... See full summary »
FBI agent Wesley Doyle is startled by the spontaneous declaration of youngster Fenton Meiks about how his father's delusions to have a divine mission as avenging angel required him and his brother Adam to become his 'demon-slaying' murder accomplices. And how hard an dangerously revolting proved. But when Doyle accepts to be shown concealed victim graves, the plot twists in the present just as gruesomely. Written by
When Fenton is digging the dungeon (from 50:18 to 51:37) his T-shirt is wrapped around his head. At 50:15 in the director commentary Bill Paxton says "These [scenes] were designed in the storyboards. It was described that he'd put his T-shirt on his head by Brent Hanley." At 50:50 in the writer commentary Brent Hanley says "I like the shirt over the head. That's actually really cool. I think Matt O'Leary did that himself." Since David Ivie drew the storyboards, the T-shirt on the head might even have been David's idea. See more »
The timing of light flooding the bedroom is a little bit off at 17:46 when Dad opens the curtains in the boys' room because it was shot on a stage. In the director commentary, Bill Paxton adds "It doesn't bother me, stuff like that." See more »
You can't make things like that up, son. Killing people is wrong, destroying demons is good. Don't worry, God will send you your own list when you're older.
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Ball & Chain
Performed by Dale Watson
Written by Dale Watson
Courtesy of Hightone Records
Published by Bug Music o/b/o Watson Texas Music (BMI), and Songs of Windswept Pacific
By Arrangement with Ocean Park Music Group See more »
The film is very complete in what it is, keeping one continuously interested with the flashbacks to childhood and growing up with such a bizarre father, and interspersing it with the tails of serial murder, one simply cannot go wrong. The very plot in itself, the very story and essence of the film, is entertaining. It is the sort of story that the director (Bill Paxton) could do so much with, and in this case, he really did do a lot with it.
From beginning to end you are kept anticipating more and more about what is happening and where the film is going, and the creativity that is behind this story is first class. I felt as if this film was exquisitely done from start to finish, and one of those rare gems that seemed to be without any boring lulls -- the action flowing neatly, quickly, and tightly from one scene to the next.
It demonstrates just how far people can go: so as to do such horrible things to their loved ones, and to do such acts of evil, in the name of 'God' when they are disillusioned as in this case. It also is sometimes interesting in its' twists & takes on the concept of morality as a whole.
Overall, this is the sort of film that one easily overlooks, but I would recommend you to not do likewise and to check this film out -- it is very much so worth your time.
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