| Ezra Godden | ... | Paul Marsh | |
| Francisco Rabal | ... | Ezequiel | |
| Raquel Meroño | ... | Bárbara | |
| Macarena Gómez | ... | Uxía Cambarro | |
| Brendan Price | ... | Howard | |
| Birgit Bofarull | ... | Vicki | |
| Uxía Blanco | ... | Madre Ezequiel / Ezequiel's Mother | |
| Ferran Lahoz | ... | Sacerdote / Priest | |
| Joan Minguell | ... | Xavier Cambarro | |
| Alfredo Villa | ... | Capitán Orfeo Cambarro / Captain Orpheus Cambarro | |
| José Lifante | ... | Recepcionista Hotel / Desk Clerk | |
| Javier Sandoval | ... | Padre Ezequiel / Ezequiel's Father | |
| Victor Barreira | ... | Ezequiel Joven / Young Ezequiel | |
| Fernando Gil | ... | Sacerdote Católico / Catholic Priest | |
| Jorge Luis Pérez | ... | Chico / Boy | |
| Ignacio Carreño | ... | Tanner 1 | |
| Diego Herberg | ... | Chofer / Chauffeur | |
| Óscar García | ... | Imbocan 1 | |
| José Manuel Torres | ... | Imbocan 2 | |
| Lydia González | ... | Imbocan 3 | |
| Lydia Bosse | ... | Imbocan 4 | |
| Joan Manel Vadell | ... | Imbocan 5 & Tanner 2 |
Directed by | |||
| Stuart Gordon | |||
Writing credits | ||
| H.P. Lovecraft | (short stories "Dagon" and "The Shadow Over Innsmouth") | |
| Dennis Paoli | (screenplay) | |
Produced by | |||
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Miguel Torrente | .... | line producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Carles Cases | |||
Cinematography by | |||
| Carlos Suárez | (director of photography) | ||
Film Editing by | |||
| Jaume Vilalta | |||
Casting by | |||
| Anthony Barnao | |||
| Gregory Kyle | |||
| Américo Piñeiro | |||
Production Design by | |||
| Llorenç Miquel | |||
Set Decoration by | |||
| Deborah Chambers | |||
Costume Design by | |||
| Catou Verdier | |||
Makeup Department | |||
| Montse Boqueras | .... | makeup artist (as Montserrat Boqueras) | |
| David Martí | .... | special makeup effects artist | |
| Sergio Pérez | .... | hair stylist (as Sergio Perez) | |
| Marta Resina | .... | assistant makeup artist | |
Production Management | |||
| Enric Jorba | .... | production manager | |
| Charlie Tello | .... | production manager: second unit | |
Art Department | |||
| Nikolaos Asimenidis | .... | set constructor | |
| María José Cano | .... | painter (as Maria Jose Cano) | |
| Núria Cardoner | .... | seamstress (as Nuria Cardoner) | |
| Fran Cruz | .... | props: second unit | |
| Paco Escofet | .... | construction manager | |
| Richard Garcia | .... | graphic artist | |
| Rafael Garres | .... | conceptual artist | |
| Carlos Grané | .... | art department buyer | |
| Jordi Huguet | .... | storyboard artist | |
| María Losada | .... | on-set dresser (as Maria Losada) | |
| María Losada | .... | props: second unit | |
| Xavier Mateu | .... | set constructor | |
| Bernat Puig | .... | property master | |
| Oriol Puig | .... | on-set dresser | |
| Richard Raaphorst | .... | conceptual artist | |
| Eduard Rusiñol | .... | draftsman (as Eduardo Rusiñol) | |
| Jordi Segarra | .... | graphic artist | |
| Sergi Segarra | .... | graphic artist | |
| Peio Vizcaya | .... | set constructor | |
| D.H. Covey | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Isaac Bonfill | .... | boom operator | |
| Manuel Carrión | .... | foley artist | |
| Pepe Cáceres | .... | sound recordist | |
| James Muñoz | .... | sound editor | |
| Marc Orts | .... | sound re-recording mixer | |
| Toni Posa | .... | assistant sound mixer | |
| Jaume Puig | .... | sound consultant: Dolby | |
| José Luis Vázquez | .... | sound editor | |
Special Effects by | |||
| Mónica Alarcón | .... | special effects crew: DDT | |
| Merche Arque | .... | special effects crew: DDT | |
| Arturo Balceiro | .... | special art effects: DDT (as Arturo Balseiro) | |
| Arturo Balceiro | .... | special effects crew: DDT (as Arturo Balseiro) | |
| Xavi Bastida | .... | special effects crew: DDT (as Xavier Bastida) | |
| Xavi Bastida | .... | special effects makeup | |
| Noemi Elías | .... | special effects assistant: DDT (as Noemi Elías) | |
| Ismael Ferrer | .... | special art effects: DDT | |
| Francesc Fuste | .... | special effects foreman | |
| Joan Fusté | .... | special effects assistant | |
| Víctor García | .... | special effects crew: DDT (as Víctor García) | |
| Joaquín González | .... | special effects assistant | |
| Taller Maravillas | .... | special effects assistant: DDT | |
| David Martí | .... | special effects supervisor: DDT | |
| Enric Masip | .... | special mechanical effects crew: DDT | |
| José M. Meneses | .... | special effects crew: DDT (as Jose Manuel Meneses) | |
| Juan Ramón Molina | .... | special effects assistant (as Juan Ramon Molina) | |
| Carlos Montosa | .... | prosthetic effects crew: DDT (as Carles Montosa) | |
| Montse Ribé | .... | special effects supervisor: DDT | |
| Miguel 'Mage' Rodríguez | .... | special effects crew: DDT | |
| Sergio Sandoval | .... | special art effects: DDT | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Adolfo Vila | .... | special mechanical effects crew: DDT | |
Visual Effects by | |||
| Joan Aliaga | .... | Inferno compositor | |
| Joan Amer | .... | digital artist: animation (as Joan Amer 'Jamer') | |
| José María Aragonés | .... | artistic & technical manager (as Jose María Aragonés) | |
| Gloria Bernabeu | .... | digital compositor | |
| Cesc Biénzobas | .... | Inferno compositor | |
| Alfredo Blasco | .... | Inferno compositor | |
| Enric Candela | .... | film scanning and recording | |
| Jordi Costa | .... | digital artist: animation | |
| Javier Esteban | .... | digital artist: animation | |
| Antonio García | .... | digital artist: animation (as Toni Garcia) | |
| David Gómez | .... | Inferno compositor | |
| Miguel Angel Gómez | .... | telecine | |
| Mikel Gómez | .... | Inferno compositor (as Mikel Gomez) | |
| Laura Maynadé | .... | digital effects coordinator | |
| Quique Medina | .... | Inferno compositor | |
| Joan Pardo | .... | digital artist: animation | |
| Pepín | .... | telecine (as José Pedraza) | |
| Oskar Pérez | .... | producer | |
| Sergi Segura | .... | Inferno compositor | |
| Xavier Tribó | .... | system administrator | |
| Joan Carles Vendrell | .... | digital artist: animation | |
| Jaume Vilaseca | .... | digital compositor | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Stunts | |||
| Alejandro Asensio | .... | stunts | |
| Julia Bonilla | .... | stunts | |
| Ignacio Carreño | .... | stunt coordinator | |
| Dani Codina | .... | stunts | |
| Maido Gargayo | .... | stunts | |
| Diego Herberg | .... | stunts (as Diego Herbeg) | |
| César Martínez | .... | stunts (as Cesar Martínez) | |
| Eduardo Moratilla | .... | stunts | |
| María del Mar Morilla | .... | stunts (as Maria Del Mar Moratilla) | |
| Juan José Rodríguez | .... | stunts (as Juan José Rodriguez) | |
| Carlos Serrano | .... | stunts | |
| César Solar | .... | stunts | |
Costume and Wardrobe Department | |||
| Núria Anglada | .... | seamstress (as Nuria Anglada) | |
Editorial Department | |||
| Félix Bueno | .... | post-production assistant | |
| Jesús L. Pérez Villar | .... | post-production director (as Jesus L. Pérez Villar) | |
Music Department | |||
| Jordi Badia | .... | music recording assistant | |
| David Casamitjana | .... | music editor | |
| Carles Cases | .... | conductor | |
| Carles Cases | .... | orchestrator | |
Other crew | |||
| Eduardo Albaladejo | .... | management of rights: Filmax Entertainment | |
| Núria Casanueva | .... | script supervisor | |
| Alberto Marini | .... | development executive | |
| Joan Minguell | .... | choreographer | |
| Manuel Monzón | .... | development executive | |
| Maria Parrón | .... | business and legal affairs | |
| Pere Roca | .... | head of development | |
| Martin Samper | .... | making-of crew coordinator | |
| Elena Serra | .... | development executive | |
| Isaac Torrás | .... | production assistant | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
Thanks | |||
| Francisco Rabal | .... | dedicatee | |
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| The Girl with the Dragon Tattoo | So Sweet, So Dead | 99.9 | Jarhead | The Name of the Rose |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb Spain section |
TINY SPOILER ...when heaps like THE CAVE, THE CORE, WHEN A STRANGER CALLS (remake)get spread over every other cinema (UK experience)? It has budget related flaws and couple of cheesy moments, but when you compare it in the imagination and shear stick-to-a-weird-story spirit department it piddles all over most movies, never mind recent offerings from a 'fringe' genre like fantasy/horror.
This captures HP Lovecraft ideals with a mix of tongue in check cheese, sincere homage, inspired interpretation and a measure of terror and gore that fits the mood perfectly.
The acting is... passionate, the prosthetics competent and the pace/plot/script often inspiring (seriously - apart from the Star Wars moment... you'll know when it happens).
Good looking - good effort - so why am I more likely to see a sequel to THE CAVE on the big screen than a film of this ilk? Makes me want to take up reading.