| Photos (See all 46 | slideshow) | Videos (see all 4) |
| Ben Affleck | ... | Gavin Banek | |
| Samuel L. Jackson | ... | Doyle Gipson | |
| Kim Staunton | ... | Valerie Gipson | |
| Toni Collette | ... | Michelle | |
| Sydney Pollack | ... | Stephen Delano | |
| Tina Sloan | ... | Mrs. Delano | |
| Richard Jenkins | ... | Walter Arnell | |
| Akil Walker | ... | Stephen Gipson | |
| Cole Hawkins | ... | Danny Gipson | |
| Ileen Getz | ... | Ellen | |
| Jennifer Dundas | ... | Mina Dunne (as Jennifer Dundas Lowe) | |
| Matt Malloy | ... | Ron Cabot | |
| Amanda Peet | ... | Cynthia Delano Banek | |
| Myra Lucretia Taylor | ... | Judge Frances Abarbanel | |
| Bruce Altman | ... | Terry Kaufman | |
| Joe Grifasi | ... | Judge Cosell | |
| Lisa LeGuillou | ... | Gina Gugliotta (as Lisa Leguillou) | |
| Angela Goethals | ... | Sarah Windsor | |
| Kevin Sussman | ... | Tyler Cohen | |
| Susan Varon | ... | Sheryl Buckburg | |
| Noel Wilson | ... | Bartender at Arlo's | |
| Angel Caban | ... | Security Guard at School | |
| Jim Lovelett | ... | Security Guard at School (as James Lovelett) | |
| Julia Gibson | ... | Receptionist at AD&S | |
| William Hurt | ... | Doyle's Sponsor | |
| Michael McGrath | ... | Seavers (as Michael Patrick McGrath) | |
| John Benjamin Hickey | ... | Carlyle | |
| Dylan Baker | ... | Finch | |
| Ray Bokhour | ... | Willard | |
| Suzanne Hevner | ... | Delano's Secretary | |
| Caleb Archer | ... | Kid on Bike | |
| Jordan Gelber | ... | Priest | |
| Olga Merediz | ... | Mrs. Miller | |
| Jayne Houdyshell | ... | Miss Tetley | |
| Shabazz Ray | ... | Cop at Precinct (as Shabazz Richardson) | |
| Raymond Anthony Thomas | ... | Cop at Precinct (as Ray Anthony Thomas) | |
| Michael Pitt | ... | Music Teacher / Conductor | |
| Genevieve Elam | ... | Waitress | |
| Juan Lara | ... | Orchestra Child | |
| Anastasia Rojas | ... | Orchestra Child | |
| Nicole Wright | ... | Orchestra Child | |
| Clive Oliver Greenberg | ... | Orchestra Child | |
| Gilbert S. Williams | ... | Mike (as Gil Williams) | |
| Sophia Guaspari | ... | Orchestra Member | |
| Ruben Jared Seraballs | ... | Orchestra Member (as Ruben J. Seraballs) | |
| Father Bonneau | ... | Himself | |
| Jewel Brimage | ... | Teacher | |
| Katarina Kianna | ... | Teacher | |
| Vanessa Quel | ... | Kate | |
| Howard I. Laniado | ... | Barry | |
| Tony Machine | ... | Office Worker | |
| Carolyn Feldschuh | ... | Office Worker | |
| Maria Alaina Mason | ... | Office Worker | |
| Harvey Waldman | ... | Author in Newsroom Interview | |
| Pamela Hart | ... | Newscaster | |
| Neal Jones | ... | Newsroom Writer | |
| Susan Blackwell | ... | Newsroom Producer | |
| Alyson Renaldo | ... | Newsroom Executive Producer | |
| James Soviero | ... | Newsroom Associate Producer | |
| Mary A. Kelly | ... | Newsroom Script Supervisor (as Mary Kelly) | |
| Anthony DiGiacomo | ... | Newsroom Associate Director | |
| Richard Velasco | ... | Newsroom Director | |
| Leonard L. Thomas | ... | Newsroom Reporter (as Leonard Thomas) | |
| Richard Kelly | ... | AA Group Leader | |
| Selena Blake | ... | Insurance Broker | |
| Harriet Rosenthal | ... | Family Court Member | |
| John Kohl | ... | Family Court Member | |
| Lisa Vogel | ... | Family Court Member | |
| Bob Heffernan | ... | Simon Dunne | |
| rest of cast listed alphabetically: | |||
| Myriam Blanckaert | ... | Lawyer (uncredited) | |
| Salvatore Cavaliere | ... | Family Court Officer (uncredited) | |
| Monet Cunningham | ... | Family Court Member (uncredited) | |
| Philip M. Gardiner | ... | Parishoner (uncredited) | |
| Ralph Howard | ... | Radio News Anchor, 1010 WINS (voice) (uncredited) | |
| Sean T. Krishnan | ... | Sikh (uncredited) | |
| Pete Macnamara | ... | Irate Pedestrian (uncredited) | |
| Lian Moy | ... | Tourist (uncredited) | |
| David C. Roehm Sr. | ... | Defendant in Custody (uncredited) | |
| Sam Rovin | ... | Paralegal (uncredited) | |
| John H. Tobin | ... | AA Attendee (uncredited) | |
| Ray Wineteer | ... | Parishioner (uncredited) | |
| Waneeki Yokomee-Fung | ... | Tourist (uncredited) | |
Directed by | |||
| Roger Michell | |||
Writing credits(WGA) | ||
| Chap Taylor | (story) | |
| Chap Taylor | (screenplay) and | |
| Michael Tolkin | (screenplay) | |
Produced by | |||
| Scott Aversano | .... | co-producer | |
| Ronald M. Bozman | .... | executive producer (as Ron Bozman) | |
| Scott Rudin | .... | producer | |
| Adam Schroeder | .... | executive producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Salvatore Totino | (director of photography) | ||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Marcia DeBonis | |||
| Ellen Lewis | |||
Production Design by | |||
| Kristi Zea | |||
Art Direction by | |||
| W. Steven Graham | (as Steven Graham) | ||
Set Decoration by | |||
| Debra Schutt | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Mr. Jackson | |
| Milton Buras | .... | hair stylist | |
| Marjorie Durand | .... | makeup artist (as Margie Durand) | |
| Linda Grimes | .... | key makeup artist | |
| Janine Rath | .... | hair stylist: Mr. Affleck | |
| Werner Sherer | .... | key hair stylist | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson | |
| Pamela S. Westmore | .... | makeup artist: Mr. Affleck (as Pam Westmore) | |
| Francie Fillatti | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Michael Alden | .... | post-production supervisor | |
| Ronald M. Bozman | .... | production manager: second unit (as Ron Bozman) | |
| Harvey Waldman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Kenny Bates | .... | second unit director (as Ken Bates) | |
| Timothy Donohue | .... | second second assistant director | |
| Anthony Hemingway | .... | first assistant director: second unit | |
| Anthony Hemingway | .... | second assistant director (as Anthony M. Hemingway) | |
| Takahide Kawakami | .... | second second assistant director | |
| Daniel Lowe | .... | dga trainee | |
| Michael E. Steele | .... | first assistant director (as Michael Steele) | |
| Tara Nicole Weyr | .... | second assistant director: second unit | |
Art Department | |||
| Patrice Canfield Longo | .... | set dresser | |
| Deborah Canfield | .... | set dresser | |
| Philip Canfield | .... | lead person (as Philip C. Canfield) | |
| Scott Canfield | .... | set dresser | |
| Paul Cheponis | .... | assistant set decorator | |
| Ruth Deleon | .... | on-set dresser | |
| Jeanne Develle | .... | assistant set decorator | |
| James C. Feng | .... | additional art director (as Jim Feng) | |
| William J. Foley | .... | scenic foreperson (as Bill Filey) | |
| Sarah Frank | .... | graphic designer | |
| Jonathan Graham | .... | construction foreperson | |
| Chris Heaps | .... | set dresser | |
| Karen Kates | .... | assistant property master | |
| Tina Khayat | .... | set decorating coordinator | |
| Marion Kolsby | .... | assistant art director | |
| Gordon Krause | .... | construction foreperson | |
| Martin Lasowitz | .... | property master | |
| Brick Mason | .... | storyboard artist | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Fanny Pereire | .... | art researcher | |
| Lauri Blaire Schulman | .... | art department coordinator | |
| Robert Topol | .... | master scenic artist (as Bob Topol) | |
| M. Tony Trotta | .... | scenic artist (as Tony Trotta) | |
| Michael Zadresny | .... | assistant props (as Michael Zadrosny) | |
| Derrick Alford | .... | carpenter (uncredited) | |
| Anthony Baldasare | .... | props (uncredited) | |
| Doug Coleman | .... | set dresser (uncredited) | |
| Ralph Contrado | .... | scenic (uncredited) | |
| E. David Cosier | .... | assistant art director (uncredited) | |
| Mark Lane-Davies | .... | scenic artist (uncredited) | |
| Morgan Pitts | .... | additional on-set dresser (uncredited) | |
| Charles Quinlivan | .... | construction grip (uncredited) | |
| Stephen Siersema | .... | scenic artist (uncredited) | |
| Nell Stifel | .... | scenic artist (uncredited) | |
Sound Department | |||
| Gina Alfano | .... | supervising adr editor (as Gina R. Alfano) | |
| Bob Baron | .... | adr mixer | |
| Matthew C. Beville | .... | adr mixer (as Matt Beville) | |
| David Boulton | .... | adr mixer | |
| Ryan Collison | .... | foley mixer | |
| O.J. Connell III | .... | cableperson | |
| Lee Dichter | .... | sound re-recording mixer | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Dan Fulton | .... | apprentice sound editor (as Dan 'Diego' Fulton) | |
| Peter Gleaves | .... | adr mixer | |
| Harry Higgins | .... | sound re-recordist | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby (as Brad Holey) | |
| Dan Korintus | .... | supervising dialogue editor | |
| Malaika Langa | .... | audio post coordinator | |
| Brian Langman | .... | first assistant sound editor | |
| Terrance Laudermilch | .... | sound re-recordist (as Terry Laudermilch) | |
| Tony Martinez | .... | sound effects editor | |
| Eric McAllister | .... | assistant sound editor (as Pontius McAllister) | |
| Jane McCulley | .... | adr editor | |
| Danny Michael | .... | sound mixer | |
| Bob Olari | .... | sound re-recordist (as Robert Olari) | |
| Harry Peck Bolles | .... | foley editor | |
| Rob Playford | .... | sound designer | |
| Mike Poppleton | .... | assistant sound editor | |
| Jacob Ribicoff | .... | sound effects editor | |
| Jac Rubenstein | .... | dialogue editor | |
| Lynn Sable | .... | assistant adr editor | |
| Andrew Schmetterling | .... | boom operator | |
| Warren Shaw | .... | sound designer | |
| Warren Shaw | .... | supervising sound editor | |
| Paul P. Soucek | .... | sound effects editor | |
| Stuart Stanley | .... | sound editor | |
| Jeffrey Stern | .... | sound editor | |
| Bill Sweeney | .... | supervising foley editor (as William Sweeney) | |
| Noah Timan | .... | sound effects recordist (as Noah Vivekanand Timan) | |
| Brian Vancho | .... | foley artist | |
| Daniel Ward | .... | first assistant sound editor (as Dan Ward) | |
| Mark DeSimone | .... | adr engineer (uncredited) | |
| Anguibe Guindo | .... | foley artist (uncredited) | |
| Katherine Gordon Miller | .... | apprentice sound editor (uncredited) | |
| Eric Strausser | .... | sound (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects coordinator | |
| Peter Kunz | .... | special effects supervisor | |
Visual Effects by | |||
| Reid Burns | .... | visual effects producer: The Image Resolution Inc. | |
| Reid Paul | .... | visual effects supervisor | |
| Michael S. Harbour | .... | digital compositor (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Derek Ledbetter | .... | visual effects (uncredited) | |
| Kevin Shawley | .... | digital artist (uncredited) | |
| Martha Soehendra | .... | digital artist: The Image Resolution Inc. (uncredited) | |
Stunts | |||
| Doug Coleman | .... | stunt coordinator | |
| Kiante Elam | .... | stunt performer | |
| Jery Hewitt | .... | stunt co-cordinator | |
| Steve Holladay | .... | stunt performer | |
| Scott Rogers | .... | stunt performer | |
| Rick Seaman | .... | stunt performer | |
| Daniel W. Barringer | .... | stunts (uncredited) | |
| Peter Bucossi | .... | stunts (uncredited) | |
| Eliza Coleman | .... | stunts (uncredited) | |
| Roy Farfel | .... | stunt driver (uncredited) | |
| Jay Krueger | .... | utility stunts (uncredited) | |
| Joanne Lamstein | .... | stunt driver (uncredited) | |
| Tom McComas | .... | stunt double: Ben Affleck (uncredited) | |
| Kristopher Medina | .... | stunt driver (uncredited) | |
| Rick Miller | .... | stunt driver (uncredited) | |
| Derrick Simmons | .... | stunt driver (uncredited) | |
Casting Department | |||
| Jennifer Euston | .... | casting assistant | |
| Bruce Winant | .... | adr voice casting: Loopers Unlimited | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Barrett Hong | .... | costume supervisor | |
| Askia Won-Ling Jacob | .... | costumer: Mr. Jackson (as Askia Won Ling Jacob) | |
| Pamela Kezal | .... | set costumer | |
| Donna Maloney | .... | costume supervisor | |
| Michelle Matland | .... | assistant costume designer | |
| Arlynn Abseck | .... | set costumer (uncredited) | |
| Mei Lai Hippisley Coxe | .... | set costumer (uncredited) | |
| Joni M. Huth | .... | costume shop supervisor (uncredited) | |
| Tim McKelvey | .... | additional wardrobe (uncredited) | |
Editorial Department | |||
| Sam Adelman | .... | assistant film editor | |
| Kent Blocher | .... | assistant film editor | |
| Ruth Coulson | .... | apprentice editor: London (as Ruth Colson) | |
| Jeremy Gibbs | .... | assistant film editor: London | |
| Emily Grant | .... | apprentice editor: London | |
| Anthony Houghton | .... | apprentice editor: London | |
| Lori Machens | .... | post-production coordinator | |
| Martin Robinson | .... | assistant film editor: London | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Joe Violante | .... | dailies advisor | |
| Byron Wong | .... | apprentice film editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
| Samara Levenstein | .... | assistant editor (uncredited) | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Emile Charlap | .... | orchestra contractor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | music mixer | |
| Andrew Glen | .... | preview music editor (as Andy Glen) | |
| Shari Johanson | .... | music editor (as Shari L. Johanson) | |
| Sonny Kompanek | .... | additional conductor (as Sandy Kompanek) | |
| Angela Organ | .... | assistant music editor | |
| Rob Playford | .... | music programmer | |
| Dashiell Rae | .... | preview music editor | |
| David Arnold | .... | music programmer (uncredited) | |
| David Arnold | .... | musician (uncredited) | |
| Ricky Graham | .... | assistant music engineer (uncredited) | |
| Jake Jackson | .... | assistant music engineer (uncredited) | |
| Sonny Kompanek | .... | orchestrator (uncredited) | |
| James Nichols | .... | music recordist (uncredited) | |
Transportation Department | |||
| Edward Fanning | .... | transportation co-captain (as Eddie Fanning) | |
| James Fanning | .... | transportation captain | |
Other crew | |||
| Laura Berning | .... | assistant location manager | |
| Maria T. Bierniak | .... | location manager (as Maria Bierniak) | |
| Kija Brooks | .... | production assistant | |
| Ashlee Burnette | .... | assistant: Mr. Rudin | |
| Al Cerullo | .... | helicopter pilot | |
| Kathy Cossu | .... | medic | |
| Chris Coyne | .... | location assistant | |
| Malcolm Dodson | .... | production assistant | |
| James Domorski | .... | video consultant | |
| Gregory Dunn | .... | production assistant (as Gregory S. Dunn) | |
| Christopher Edwards | .... | assistant: Mr. Rudin | |
| Aaron D. Forste | .... | production assistant (as Aaron David Forste) | |
| Kaiyan Gahrahmat | .... | production assistant | |
| Brian Avery Galligan | .... | production assistant | |
| Catherine Gore | .... | script supervisor: second unit | |
| Crystal Hawkins | .... | production auditor | |
| Joe Holden | .... | assistant: Mr. Rudin (as J.A. Holden) | |
| Jesse Hove | .... | location assistant | |
| Margaret Jacobs | .... | assistant production coordinator | |
| Mary A. Kelly | .... | script supervisor (as Mary Kelly) | |
| Lars Knudsen | .... | executive assistant: Mr. Rudin | |
| Pamela S. Marshall | .... | assistant: Mr. Michell, New York (as Pam S. Marshall) | |
| Matteo Masiello | .... | production assistant | |
| Helen Medrano | .... | first assistant auditor (as Helen Ruiz) | |
| Julia Morgan | .... | production assistant | |
| Eric Myers | .... | unit publicist | |
| Alix Narcisse | .... | production assistant | |
| Anne Nevin | .... | production coordinator | |
| Stuart Nicolai | .... | assistant location manager | |
| Charley Parlapanides | .... | assistant: Mr. Rudin (as Charles Parlapanides) | |
| Luke Redgrave | .... | assistant: Mr. Michell, London | |
| Alyson Renaldo | .... | production assistant | |
| Terence Scott | .... | production secretary | |
| Thomas Struth | .... | artwork: "Monreale, Palermo" | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson (as Leonard Thomas) | |
| Kevin J. Walsh | .... | assistant: Mr. Rudin (as Kevin Walsh) | |
| Ron Weiss | .... | consultant: estate and trusts (as Ron Weiss Esq.) | |
| John White | .... | assistant: Mr. Rudin | |
| Rick Whitfield | .... | video consultant | |
| Mikayla Abromowitz | .... | script supervisor (uncredited) | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
| Michelle Dunton | .... | script researcher (uncredited) | |
| John Fedynich | .... | location manager (uncredited) | |
| Andrew Fiero | .... | production assistant (uncredited) | |
| Daniel Fine | .... | assistant accountant (uncredited) | |
| Jay Floyd | .... | clearance administrator (uncredited) | |
| Joshua C. Hersko | .... | assistant: Scott Rudin (uncredited) | |
| Michael Landers | .... | additional voices (uncredited) | |
| Kendra Levenberg | .... | craft service (uncredited) | |
| Stephanie Lovell | .... | additional set production assistant (uncredited) | |
| Francis Maiorino | .... | location scout (uncredited) | |
| Nolan B. Medrano | .... | assistant accountant (uncredited) | |
| Wayne Petrucelli | .... | security coordinator (uncredited) | |
| Jennifer Quesenbery | .... | location scout (uncredited) | |
| Shabazz Ray | .... | stand-in: Samuel L. Jackson (uncredited) | |
| Michael K. Reynolds | .... | chef (uncredited) | |
| Will Rowbotham | .... | assistant: Mr. Rudin (uncredited) | |
| Will Rowbotham | .... | production assistant (uncredited) | |
| Darryl A. Smith | .... | payroll accountant (uncredited) | |
| Eugene Stamos | .... | craft service (uncredited) | |
Thanks | |||
| John Ahearn | .... | thanks: artwork "East 100th Street Chess Club, Nathalie & Carlos" | |
| Joseph Bartscherer | .... | thanks: artwork "Pond" | |
| Don D. Brown | .... | thanks: artwork "Take IV" (as Don Brown) | |
| Marc Chagall | .... | thanks: artwork "La Prairie Heureuse" | |
| David Diad | .... | thanks: artwork "Lying 2" | |
| Raoul Dufy | .... | thanks: artwork "Sainte-Adresse: Promenade au Bord de la Mer" | |
| Jenny Gage | .... | thanks: artwork "Ventura - Legs and Road & Swing" | |
| Antony Gormley | .... | thanks: artwork "Untitled, for Francis" | |
| Roberta Guaspari | .... | thanks: Opus 118 Founder | |
| Andreas Gursky | .... | thanks: artwork "Paris Montparnasse", "Paris Beaugrenelle" and "Hong Kong Stock Exchange" | |
| Alex Katz | .... | thanks: artwork "Harbor #9" | |
| Jonathan Levi | .... | thanks: New York City Board of Education | |
| Elizabeth Murray | .... | thanks: artwork "Yellow Cup with Pink Lips" | |
| Alice Neel | .... | thanks: artwork "Ninth Avenue El", "Young Woman", "Windows" and "Annemarie and Georgie" | |
| Jerry Norman | .... | thanks: New York City Board of Education music consultant | |
| George Passmore | .... | thanks: artwork "Blood City" (as George) | |
| Gilbert Proesch | .... | thanks: artwork "Blood City" (as Gilbert) | |
| Lucien Rees-Roberts | .... | thanks: artwork "Monticano", "Hills Above Siena" | |
| Julie Roberts | .... | thanks: artwork "Seance", "Shepherdess Marie Antoinette" | |
| Kate Rothko Prizel | .... | thanks: artwork Mark Rothko's "Untitled" (Wine, Rust, Blue on Black ) | |
| Christopher Rothko | .... | thanks: artwork Mark Rothko's "Untitled" (Wine, Rust, Blue on Black ) | |
| Mark Rothko | .... | thanks: artwork "Untitled (Wine, Rest, Blue on Black ) | |
| Stuart Rubin | .... | thanks: Salute to Music | |
| Alexander Sandover | .... | thanks: artwork "Synaesthesia" | |
| Thomas Struth | .... | thanks: artwork "Monreale, Palermo" | |
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| Taxi No. 9 2 11: Nau Do Gyarah | Personal Velocity: Three Portraits | Michael Clayton | Thirteen Conversations About One Thing | Midnight Court |
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| News articles | IMDb Drama section | IMDb USA section |
When `Changing Lanes' first opens, the viewer is presented with a montage of jagged credits, trendy jerking photography cruising NYC streets, and electronic beats that are so cool they could be used for cryogenic freezing. It quickly seems apparent that this film is simply a star-vehicle for Ben Affleck and Samuel L. Jackson; it seems apparent that this is a cold and impersonal genre-exercise for a successful comedy director, Roger Michell (`Notting Hill'), to branch out; it seems to be all these things until the end of this sequence when the camera glances out the window of a school bus out onto the New York City skyline, and there we see it: the World Trade Center. Unlike Sam Raimi's upcoming `Spider-Man', delayed after September 11th so that the WTC could be digitally removed, this is a film unafraid to date itself, and unafraid to look at human truth.
Affleck plays the role of the oddly named Gavin Banek (did they take the name Ben Affleck', throw it in a blender, and add some new letters for good measure?), a high-power lawyer on the verge of becoming one of the partners at his law firm, alongside his father-in-law. Jackson is Doyle Gibson, a reforming alcoholic father of two clawing his way out of his hole and trying to save his marriage. On a critical day in both their lives, Doyle going to court to try winning joint-custody, and Gavin on his way to seal his career-making case, the two get into a minor accident on the FDR turnpike, causing Doyle to miss his hearing and Gavin to accidentally give Doyle a signed document that is critical to his case and it all unravels from there.
The two tumble in a daylong haze of malice and self-destruction, sabotaging each other's lives. Whenever either decides to throw in the towel and do the right' thing, it is too late and the other has already escalated it to the next level. His life quickly falling down around him, Gavin begins to examine it for the first time, taking a deep look into his wife, his law firm, his boss/father-in-law, and himself ultimately questioning his motivation for trying to retrieve the document in the first place.
This is where the film really shines: many movies ask the question what makes a man?' but `Changing Lanes' does it with honestly and authenticity. The screenplay, by Chap Taylor, asks if it is success, or if its providing for one's wife and kids, or if its true goodness, avoiding superficiality and delving into the motivations for each. In one telling monologue, Gavin's father-in-law, played with perfect tone by Sydney Pollack, says, `At the end of the day, I do more good than harm. What other standard have I got?' Unfortunately, the movie does not really ask the question of what makes a woman, even though both wives show real strength. The movie does not even seem to suggest that Gavin and Doyle's struggles could even be applied to women (obviously they could, had the movie explored that).
Jackson, always an excellent actor, is great as Gibson even if he has performed better before. Surprisingly, in this film Affleck's acting actually seems to surpass Jackson's in this amazing performance that is probably the best we have seen from Affleck so far.
All of the characters in the film, including minor-roles and extras, all exhibit a very human feel, and seeing real-feeling people on the screen has always been something rare and not to be taken for granted. The viewer comes to care about everyone in the picture: Gavin, Doyle, their wives, the guy at the bank, even the stranger at the bar.
New York City itself is alive in this movie: it breathes, coughs, and gasps with Salvatore Totino's shaky, unsaturated, claustrophobic photography. Totino really looks at people and the city in the face, and does not try to make them prettier or uglier than they are. David Arnold's original electronic score is a refreshing change from the very poor attempts at orchestral music that most movies are now filled with. Arnold's score very effectively sets the mood and reinforces the tempo of the movie.
`Changing Lanes' is a success for Roger Michell that shows us that a movie can have major stars, be entertaining, glossy, substantial, and pensive all-at-once.
`Changing Lanes' is rated R for a fender-bender, destruction of office equipment, unseen infidelity, a shot of the World Trade Center, and honest depiction of the human condition.