6.5/10
59,915
357 user 168 critic

Changing Lanes (2002)

The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Director:

Writers:

(story), (screenplay) | 1 more credit »

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7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kim Staunton ...
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Walter Arnell
Akil Walker ...
Cole Hawkins ...
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Mina Dunne (as Jennifer Dundas Lowe)
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Myra Lucretia Taylor ...
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Storyline

An attorney in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman, who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

An ambitious lawyer, a desperate father, they had no reason to meet, until today, See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

12 April 2002 (USA)  »

Also Known As:

Fuera de control  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$17,128,062 (USA) (12 April 2002)

Gross:

$66,790,248 (USA) (2 August 2002)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

A day after the terrorist attacks of September 11, 2001, Roger Michell had the World Trade Center towers digitally removed from the opening main title sequence in the film. In the DVD commentary, he admitted that it was a mistake to erase them, and make it appear as if they did not exist. During the re-editing of the film, Michell reinserted them as a tribute. See more »

Goofs

In the courtroom, the nameplate for the judge says "Judge" Arbarbanel. However, in New York State, the person who presides over an estate matter or probate proceedings is formally known as "Surrogate" not "Judge". The nameplate would reflect this and refer to the Surrogate as "Hon. Surrogate Arbaranel". The court would also be referred to by all present as "the Surrogate's court", not the "probate court". See more »

Quotes

[first lines]
Doyle Gipson: Think I'll make this the boys' room.
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Crazy Credits

Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York. See more »

Connections

References Ed (2000) See more »

Soundtracks

Waiting in Vain
(1977)
by Bob Marley
Performed by Annie Lennox
Courtesy of BMG Records (UK) Ltd. / Arista Records, Inc.
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User Reviews

Something to Know
27 November 2006 | by (London) – See all my reviews

I did something this time I've rarely done before: see what the 'professional' critics said before I formulated my own words. And it might be the last time I ever do this. For whatever 'critics' give us in terms of a preview of a movie we haven't seen yet, they're basically a bunch of full of it snobs with a POV none of us have and none of us want.

Why go off on such a tirade about these riffraff? Because they chew up the ending - the ending to this flick which is the one good thing about it. Critics, you'll realise sooner or later, are heartless nerds. They have no souls. They don't go to the movies for the same reasons we do; to them it's a job; to us it's a life; we have a life; they do not.

So don't believe them on this one. The ending is good - very good. When we saw it we yelped for joy. It came so unexpected and it was so brilliantly orchestrated, you wanted to join in a standing ovation.

And the ending is what makes the movie. This is no action thriller, no Michael Douglas 'watch me unravel at the seams and have some fun with the destruction and chaos'. This is a movie with a purpose, with hope - and you might not see it at first, but that's not your fault: the movie makers are toying with you. For your own benefit.

A definite keeper. A sure winner. Music by Bob Marley.


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