CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
An attorney in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman, who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity. Written by
John Sacksteder <email@example.com>
The interior of the house that Doyle Gipson is seen in during the main title sequence was not a set. It's in fact the interior of a real house in Queens, New York which Roger Michell had found while scouting locations. See more »
When Gavin Lights the paper on fire and raises it to the sprinkler head, that type of sprinkler head would only discharge the water. No other heads would spray water. The reason for this is to minimize damage. See more »
I imagined this was going to be one film from the previews I'd seen, but in reality it turned out to be another - a far more subtle experience than I had expected. A lot of the people in the packed theatre where I saw it apparently expected that other film too; they seemed disappointed when they'd left - they'd probably been expecting yer basic escalating violence, with us cheering for Jackson as the good guy and Affleck as the bad. Not a black and white movie (no pun intended), more of a karma sort of thing, with the two main characters learning from each other in ways they never realized they would (or needed to). And heavy-handedness is nowhere to be seen. Kudos for that alone.
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