6.5/10
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351 user 165 critic

Changing Lanes (2002)

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The story of what happens one day in New York when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive and their mutual road rage escalates into a feud.

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(story), (screenplay) | 1 more credit »
7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kim Staunton ...
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Walter Arnell
Akil Walker ...
Cole Hawkins ...
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Mina Dunne (as Jennifer Dundas Lowe)
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Myra Lucretia Taylor ...
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Storyline

An attorney in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman, who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

One Wrong Turn Deserves Another See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 April 2002 (USA)  »

Also Known As:

Fuera de control  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$17,128,062 (USA) (12 April 2002)

Gross:

$66,790,248 (USA) (2 August 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Was remade in Hindi (India) under the title Taxi No. 9 2 11: Nau Do Gyarah (2006). See more »

Goofs

There are several inconsistencies between shots in the condition and position of Doyle's car after the crash, including the passenger side mirror, which is broken off in the wreck and then reappears and disappears after the car hits the yellow crash barrels. See more »

Quotes

[first lines]
Doyle Gipson: Think I'll make this the boys' room.
See more »

Crazy Credits

Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York. See more »

Connections

Referenced in New Frontiers: Making 'The Missing' (2004) See more »

Soundtracks

Ode to Joy
(1826)
by Ludwig van Beethoven (as L. Beethoven)
Arranged by Sidney Carlin
See more »

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User Reviews

 
Surprisingly Good
14 March 2005 | by See all my reviews

This movie was surprisingly good, for many reasons. The most obvious is probably that the characters develop before, during, and after the presented story, as the film opens at a critical time for both of them and closes with them having changed major parts in their lives.

I expected this to be a glorified version of Madd's Spy vs. Spy, or something of that nature, given the hype. However, it is not at the same pace at all... the violence is not cartoonish, its realistic. The characters are not simple, they are complex. They "have issues" and are both trying to find a better sense of balance in their lives, both do things which they regret... all in all, this is one of the most "human" movies I've ever watched.

Even though the characters are deep, the movie does not try to emphasis it with drawn out scenes with dramatic music or anything, which actually makes it more like watching real people than watching a movie. It also makes for a more powerful effect overall because it is up to the watcher to notice the subtleties.

The acting and directing are very well done, and there is some writing which surprised me in that it showed more about the characters rather than relating directly to the main conflict (I don't want to give too much detail and spoil it). The pacing is good and kept me interested throughout, partially to see what the main characters would do next and partially to see what, if anything, they would learn from the experience.

It is not as "epic" as something like Shawshank Redeption, and doesn't deal with esoteric themes such as Meet Joe Black or ominous themes such as Equilibirum or 1984(the novel), but in a way it is more epic because it deals with normal people who struggle to be beneficial humans despite major mistakes, pressures, and conflicts.


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Films that made you walk out of a cinema midway Kotkijet
This movie is plain stupid bflakesm
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