An FBI agent hunts down a young con artist who successfully impersonated an airline pilot, doctor, and assistant attorney general, cashing more than $2.5 million in fraudulent checks in 26 countries. Written by
The names on the forged diploma from Harvard Medical School actually contains the signatures of the then (2002) deans of both Harvard Medical School and Harvard School of Dental Medicine. See more »
During the parts of movie that are set in the early-to-mid 1960s, Pan American Airlines is constantly referred to as "Pan Am." A shot of its office building even shows the "Pan Am" logo on it. However, Pan American Airlines was abbreviated as "PAA" during this time, and did not adopt the "Pan Am" logo until 1972. See more »
Our unknown subject is a paperhander who started working on the East Coast. In the last few weeks this unsub has developed a new form of check fraud which I'm calling "the float". What he's doing is opening checking accounts at various banks then chaning the MICR ink routing numbers at the bottom of those checks. Next slide, please. This is a map of the 12 banks of the U.S. Federal Reserve. Slide. MICR scanners at every bank read these numbers at the bottom of the check - slide - and they ship ...
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During the first thirty seconds of the credits we hear the FBI typewriters. See more »
CATCH ME IF YOU CAN (2002) **** Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams, James Brolin, Frank John Hughes, Brian Howe, John Finn, Jennifer Garner. DiCaprio gives a grandly charming performance as Frank Abagnale, Jr. a teenager who adopted the professional guises of airplane pilot, physician and lawyer to front his check kiting schematic modus operandi during the 1960s and eventually making the FBI's most wanted list by bilking millions until his capture and imprisonment. Based on Abagnale's best-selling memoir and adapted with lean storytelling by Jeff Nathanson, the film never lets up in the giddy cat-and-mouse/Road Runner/Wile E. Coyote relationship between fugitive DiCaprio and amalgamated FBI square Hanks (replete with thick as clam chowder Boston accent, dorky specs and porkpie hat) one step behind his two-steps ahead prey and a unique dynamic of a father/son esthetic. Walken gives an Oscar worthy supporting turn as the elder Abagnale whose financial woes and tanglement with the IRS acts as his son's catalyst. Once again filmmaker Steven Spielberg makes popular entertainment into a work of art.
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