New Rochelle, the 1960s. High schooler Frank Abagnale Jr. idolizes his father, who's in trouble with the IRS. When his parents separate, Frank runs away to Manhattan with $25 in his checking account, vowing to regain dad's losses and get his parents back together. Just a few years later, the FBI tracks him down in France; he's extradited, tried, and jailed for passing more than $4,000,000 in bad checks. Along the way, he's posed as a Pan Am pilot, a pediatrician, and an attorney. And, from nearly the beginning of this life of crime, he's been pursued by a dour FBI agent, Carl Hanratty. What starts as cat and mouse becomes something akin to father and son. Written by
Stopping a press like the one shown in the movie would not result in a flurry of cut checks flying through the air. Additionally, the cutter would be a machine that could fit the entire width of the paper, and make the precision cuts required for things like checks. See more »
He doesn't have a passport.
For the last six months, he's gone to Harvard and Berkeley. I'm betting he can get a passport.
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In the closing credits, Brian Howe is listed as playing "Tom Fox" and Frank John Hughes is listed as playing "Earl Amdursky". However in the film, Howe played Amdursky and Hughes played Fox. However, this was corrected for the DVD release. See more »
CATCH ME IF YOU CAN (2002) **** Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams, James Brolin, Frank John Hughes, Brian Howe, John Finn, Jennifer Garner. DiCaprio gives a grandly charming performance as Frank Abagnale, Jr. a teenager who adopted the professional guises of airplane pilot, physician and lawyer to front his check kiting schematic modus operandi during the 1960s and eventually making the FBI's most wanted list by bilking millions until his capture and imprisonment. Based on Abagnale's best-selling memoir and adapted with lean storytelling by Jeff Nathanson, the film never lets up in the giddy cat-and-mouse/Road Runner/Wile E. Coyote relationship between fugitive DiCaprio and amalgamated FBI square Hanks (replete with thick as clam chowder Boston accent, dorky specs and porkpie hat) one step behind his two-steps ahead prey and a unique dynamic of a father/son esthetic. Walken gives an Oscar worthy supporting turn as the elder Abagnale whose financial woes and tanglement with the IRS acts as his son's catalyst. Once again filmmaker Steven Spielberg makes popular entertainment into a work of art.
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