A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
An FBI agent hunts down a young con artist who successfully impersonated an airline pilot, doctor, and assistant attorney general, cashing more than $2.5 million in fraudulent checks in 26 countries. Written by
The opening title sequence is created by the duo Olivier Kuntzel + Florence Deygas. The "stamp style animation" lasts roughly 2 minutes 30 seconds and features silhouettes of the main characters acting out the plot of the film, even down to the smallest details. In a interview, Kuntzel + Deygas described they created this sequence by "stylistically transposing the handmade design of Saul Bass using decidedly modern means" and required that actual rubber stamps be carved out for each character featured. See more »
Brenda is last seen waiting at the Miami airport directly behind a sidewalk curbcut for wheelchairs which was not introduced until at least the mid-1970s, particularly after federal legislation for the handicapped was enacted. See more »
Frank Abagnale, Jr.:
[when Carl catches up to him in the print shop in Montrichard]
Carl? Carl! Merry Christmas! How is it we're always talking on Christmas, Carl? Every Christmas, I'm talking to you!
Put your shirt on, Frank. You're under arrest.
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In the closing credits, Brian Howe is listed as playing "Tom Fox" and Frank John Hughes is listed as playing "Earl Amdursky". However in the film, Howe played Amdursky and Hughes played Fox. However, this was corrected for the DVD release. See more »
From the opening credits design we get in the mood of this very entertaining film. They create the tone for what will follow. Steven Spielberg is in rare form directing this movie that doesn't have a dull moment.
Mr. Spielberg has found a perfect actor to fill the shoes of the con man with the perfect casting of Leonardo DiCaprio. It's very easy to see why all the women fall prey of this charmer. He was a fast talker and a slick operator. He exudes charisma to fill another couple of movies.
It's a welcome sight to have Mr. DiCaprio working in a vehicle that shows his talent as Frank Abagnale, a man of many faces. He plays a game of hide-and-seek throughout the movie with Hanratty, the FBI agent that is in his trail. Tom Hanks shows great assurance and gusto with this character. Of course, the DiCaprio magnetism dominates the action with the many ironic twists and the miraculous and narrow escapes he pulls with an aplomb that's bewildering to the Feds, who are on his tail all the time.
The minor roles are equally important. Christopher Walken as the father starts out as the prototype of the con man, but he's too decent to do wrong; his business fails eventually. His marriage to Natalie Baye, the fine French actress, ends in divorce because obviously she hates being married to a loser.
The action doesn't stop for one moment. This film is great fun to watch with the winning combination Mr. Spielberg assured hand gives us this time out. Mr. Spielberg can thank the genial Mr. DiCaprio who responds obviously to his direction and makes this con man endearing even when he is committing crimes.
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