Film adaptation of street tough Jim Carroll's epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school ... See full summary »
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best-seller.
An FBI agent hunts down a young con artist who successfully impersonated an airline pilot, doctor, and assistant attorney general, cashing more than $2.5 million in fraudulent checks in 26 countries. Written by
The opening title sequence is created by the duo Olivier Kuntzel + Florence Deygas. The "stamp style animation" lasts roughly 2 minutes 30 seconds and features silhouettes of the main characters acting out the plot of the film, even down to the smallest details. In a interview, Kuntzel + Deygas described they created this sequence by "stylistically transposing the handmade design of Saul Bass using decidedly modern means" and required that actual rubber stamps be carved out for each character featured. See more »
When Frank Abagnale Jr. first walks into the classroom where he impersonates the substitute teacher, one of the students is heard to use the word "frickin'", a word not coined yet in the 1960s. See more »
Frank Abagnale, Jr.:
[whispering to Joanna]
Hey... You should fold it.
Frank Abagnale, Jr.:
That note. It's a fake, right? You should fold it.
It's... It's a note from my mom. I have a doctor's appointment.
Frank Abagnale, Jr.:
Yeah, but there's no crease in the paper. When your mom hands you a note to miss school, the first thing you do is, you fold it and you put it in your pocket. I mean, if it's real, where's the crease?
[Joanna folds note to give it a crease]
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During the first thirty seconds of the credits we hear the FBI typewriters. See more »
I haven't read the book just yet - I definitely will now!
This was an entertaining and fun piece of film making from the ever-reliable Steven Spielberg. It is a bit of a depart from his usual full-blown and hugely epic pictures, yet this does not detract at all from the fascinating story of Frank Abagnale Jr. I was interested in this man before I'd seen the movie, and it only served to increase my interest. Although it is important to remember (as with any such film) that this is only 'inspired' by a true story and not told word for word from one, the plot is fascinating and keeps you laughing, crying and wondering until the end.
Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.
I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.
However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!
Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
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