In a former Soviet Republic, the President is oppressing the people and with help from a former Bosnian General who's a sadist, he is extremely hated. An American reporter goes there to ... See full summary »
Marshall R. Teague,
Danny Lee Clark
Four men out on a STAG NIGHT in New York prematurely exit an underground train after the soon-to-be-best-man begins to hassle two women. Trapped at a deserted station these six adults ... See full summary »
Travis and his team travel to China in search of what isn't supposed to exist ... their mission to capture a Cryptid which is wreaking havoc in a remote village and they need to do this ... See full summary »
It's been 5 years since the Re-Animates outbreak that wiped out 85% of the world's population. Within a few cities, the Re-Animates have been segregated into "zones" and are policed by the R-Division of the QUASI S.W.A.T. Unit.
Genetic modification means Black Mask has superhuman fighting and healing powers. He is searching the world for top geneticists who might be able to reverse his mutation, which has stolen his ability to feel emotion. His maker, whom he's running from has an amateur rival in this sequel though. Someone is hybridizing the DNA of top pro-wrestlers with that of animals, making them stronger and deadlier. But the process is turning the wrestlers (Iguana, Chameleon (Traci Lords), Snake, Wolf, and Claw) slowly more into animal killers, than human-beings. Black Mask tries to help the wrestlers but their boss has plans for BM himself. Written by
As Moloch is escaping from the guys outside the storage facility, he turns into his animal form. He then goes back to the hotel room, where Dr. Marco Leung is trying to work on a cure to his condition, and on a close up of Moloch you can see his real iris' behind the fake cat eye lenses he is wearing. See more »
An unprecedented "masterpiece" and more than likely the most audacious comic book-like movie ever made.
This is no Batman, Spiderman, Sin City, Power Ranges, X-Men... this film's comic book-like effect is achieved by the inverted strategy of incorporating all the elements of a live-action into the codes of a typical comic book. Totally unprecedented mix of stylism!
What's the most fascinating that this film is using extremely subversive methods challenging the constraints of the movie (or genre) language and also our own reality by creating an artificiality in a futuristic multi-cultural highly advanced purely philosophical dimension that somehow represents the world of our wildest imagination, subconscious desires and illogical dreams, and de-facto reflecting our modern social thinking and time of the globalization... especially of the Asian and American cinema, the film is wittingly dealing with the mix of American (Californium, Iridium) and Asian (all the victims of this transformation) sensibilities and letting their main characters fighting for their own identity and searching for their own cultural roots. From this perspective the film is a pure philosophy encapsulated in a visual form contemplating the materialistic world we might be coming closer every day by our impulse for escaping from the reality... now be it the materialism in terms of the video games, computers, films or any other fascinations with the unknown that have no basis in the reality...
Why i used to call this an "unprecedented masterpiece"? Well, probably because this film clearly and perfectly meets all the criteria it has brought on itself (see above). This film practically reaches to such distant borders very few average moviegoers could even catch on to. To them the credit of a "masterpiece" is still just related to the sort of artistic "pretentiousness" (if you know what i mean) but in my mind this word's meaning is not as limited when considering the infinite possibilities of the film language.
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