| Photos (See all 24 | slideshow) | Videos (see all 7) |
| John Travolta | ... | Hardy | |
| Connie Nielsen | ... | Osborne | |
| Samuel L. Jackson | ... | West | |
| Tim Daly | ... | Styles | |
| Giovanni Ribisi | ... | Kendall | |
| Brian Van Holt | ... | Dunbar | |
| Taye Diggs | ... | Pike | |
| Dash Mihok | ... | Mueller | |
| Cristián de la Fuente | ... | Castro | |
| Roselyn Sanchez | ... | Nunez | |
| Harry Connick Jr. | ... | Vilmer | |
| Georgia Hausserman | ... | Pilot | |
| Margaret Travolta | ... | Nurse #1 | |
| Dena Johnston | ... | Nurse #2 | |
| Nick Loren | ... | Helicopter Pilot | |
| Cliff Fleming | ... | Helicopter Pilot | |
| Steven Maye | ... | CID Officer | |
| Jonathan Rau | ... | G.I. on the Tarmac | |
| Tait Ruppert | ... | Jeep Driver (as Tait Rupert) | |
| Timothy S. Wester | ... | Doctor | |
| Chris Byrne | ... | MP | |
| Curtis Ricks | ... | MP | |
| Charles L. Fails | ... | MP |
Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| James Vanderbilt | (written by) | |
Produced by | |||
| Moritz Borman | .... | executive producer | |
| Anson Downes | .... | associate producer | |
| Linda Favila | .... | associate producer | |
| Brad Fischer | .... | co-executive producer (as Bradley J. Fischer) | |
| Andy Given | .... | co-producer (as Andrew D. Given) | |
| Basil Iwanyk | .... | executive producer | |
| Jonathan D. Krane | .... | executive producer | |
| Mike Medavoy | .... | producer | |
| Arnold Messer | .... | producer (as Arnie Messer) | |
| Lee Nelson | .... | co-producer | |
| Louis Phillips | .... | co-producer | |
| Nigel Sinclair | .... | executive producer | |
| Dror Soref | .... | co-producer | |
| Michael Tadross | .... | producer | |
| James Vanderbilt | .... | producer | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Steve Mason | |||
Film Editing by | |||
| George Folsey Jr. | |||
Casting by | |||
| Pat McCorkle | |||
Production Design by | |||
| Dennis Bradford | |||
Art Direction by | |||
| Gary Kosko | |||
Set Decoration by | |||
| Vera Mills | |||
Costume Design by | |||
| Kate Harrington | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Mr. Jackson | |
| Adam Brandy | .... | key second unit makeup artist | |
| Michelle Bühler | .... | makeup artist: Mr. Travolta (as Michelle Buhler) | |
| Lee Grimes | .... | makeup artist: additional photography | |
| Lisa Miller | .... | makeup artist | |
| Peggy Nicholson | .... | key hair stylist | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson | |
| Yolanda Toussieng | .... | hair stylist: Mr. Travolta | |
| Brian Wade | .... | special makeup effects crew (uncredited) | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor | |
| Mauri Freed | .... | unit manager | |
| Borjan Jovanovich | .... | assistant production manager (as Boki Jovanovich) | |
| Justin Moritt | .... | unit production manager | |
| Julian Valdes | .... | unit manager: Panama unit | |
| Sandy Watterson | .... | production supervisor | |
Special Effects by | |||
| Conrad V. Brink Jr. | .... | special effects coordinator (as Conrad V. Brink) | |
| Ken Gorrell | .... | special effects technician | |
| Thomas Kittle | .... | special effects technician | |
| Richard Scioli | .... | special effects technician | |
| Patrick Tantalo | .... | special effects technician | |
| Kathleen Tonkin | .... | special effects technician | |
| Tim Tonkin | .... | special effects technician | |
| Robert Vazquez | .... | special effects foreman | |
Visual Effects by | |||
| Joseph Bailey | .... | digital compositor: big red pixel | |
| Jeremy Bloch | .... | digital artist: big red pixel | |
| Clay Dale | .... | CG animator: Pixel Magic | |
| Steven Fagerquist | .... | visual effects compositing artist | |
| Patrick Flanagan | .... | digital compositor: Pixel Magic | |
| Tarn Fox | .... | digital compositor: big red pixel | |
| Jim Gorman | .... | digital compositor | |
| M.K. Gururaj | .... | visual effects producer: DAMFX | |
| Nate Haggard | .... | digital compositor: Pixel Magic | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| James David Hattin | .... | digital compositor: OCS/Freeze Frame/Pixel Magic | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| John G. Kirby | .... | digital artist: big red pixel (as John Kirby) | |
| Marc Kolbe | .... | visual effects supervisor: DAMFX | |
| Jonah Loop | .... | visual effects producer: big red pixel | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| David B. Moulder | .... | visual effects coordinator (as Dave Moulder) | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Craig A. Mumma | .... | visual effects supervisor: DAMFX (as Craig Mumma) | |
| Heather Neuberger | .... | visual effects post assistant | |
| Robert Rossello | .... | visual effects supervisor: big red pixel | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| John E. Sullivan | .... | visual effects consultant (as John Sullivan) | |
| Kondareddy Suresh | .... | rotoscope artist | |
| Devin Uzan | .... | digital compositor: Pixel Magic | |
Stunts | |||
| Hank Amos | .... | stunts (as Henry Amos) | |
| Kevin Ball | .... | stunts | |
| Daniel W. Barringer | .... | stunts | |
| Nick Brandon | .... | stunts (as Nicholas Brandon) | |
| Chris Byrne | .... | stunts (as Christopher Byrne) | |
| Wally Crowder | .... | stunts (as Wallace Dwight Crowder) | |
| Gary Davis | .... | stunt coordinator | |
| Cheryl Wheeler Duncan | .... | stunts (as Cheryl Wheeler) | |
| Kiante Elam | .... | stunts | |
| Jason Gray | .... | stunts | |
| Thirl Haston | .... | stunts (as Thirl R. Haston) | |
| Mike Justus | .... | stunts | |
| Robert Lennon | .... | stunts | |
| Douglas Neithercut | .... | stunts | |
| J.J. Perry | .... | stunts (as Jordan Perry) | |
| Steven Ritzi | .... | stunt coordinator (as Steven T. Ritzi) | |
| Dennis Scott | .... | stunts (as Dennis R. Scott) | |
| Doug Snively | .... | stunts (as Douglas Snively) | |
| Todd Rogers Terry | .... | stunts | |
| Dirk Vahle | .... | stunts | |
| Chris Byrne | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Eric Amundsen | .... | second assistant camera: "a" camera | |
| Miles Anderson | .... | gaffer: Los Angeles | |
| Kurt Beckler | .... | grip | |
| Travis Burdick | .... | camera production assistant | |
| Shiloh Eck | .... | grip | |
| Morris Flam | .... | gaffer | |
| Ryan French | .... | electrician | |
| Joe Humphreys | .... | electrician | |
| Kevin Jackson | .... | rigging best boy electric | |
| Nils Johnson | .... | key video assist operator | |
| Clay Liversidge | .... | rigging gaffer | |
| Jim McConkey | .... | Steadicam operator | |
| Jim McConkey | .... | camera operator | |
| Larry McConkey | .... | camera operator | |
| Larry McConkey | .... | steadicam operator | |
| James McMillan | .... | key grip | |
| Jack Nealy | .... | electrician | |
| Gene Page | .... | still photographer | |
| George Patsos | .... | key grip | |
| Scott Rathner | .... | assistant camera: "a" camera | |
| Louis Smith | .... | additional second assistant camera | |
| Michael J. Walsh | .... | balloon lighting supervisor | |
| Marc Wostak | .... | electrician | |
| John Wruck | .... | best boy | |
Casting Department | |||
| Brenda Egedy Kolb | .... | extras casting (as Brenda Egedy) | |
| Ed Lewis | .... | casting associate | |
| Dani Super | .... | casting associate | |
Costume and Wardrobe Department | |||
| James P. Cullen | .... | costumer: Mr. Travolta (as Jimmy Cullen) | |
| Suzy Freeman | .... | assistant costume designer | |
| Askia Won-Ling Jacob | .... | costumer: Mr. Jackson | |
| Kate Sawyer | .... | seamstress | |
| Emae Villalobos | .... | costumer | |
| Megan Walker | .... | costume assistant | |
Editorial Department | |||
| Steve Calalang | .... | dailies colorist | |
| Mo Henry | .... | negative cutter | |
| Michael Ilasi | .... | post-production assistant | |
| James Nichols Jr. | .... | assistant editor | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Mark Scovil | .... | assistant editor | |
| Brad E. Wilhite | .... | associate editor | |
Music Department | |||
| Christopher Brooks | .... | supervising music editor (as Christopher S. Brooks) | |
| Ramin Djawadi | .... | composer: additional music | |
| Ramin Djawadi | .... | music arranger | |
| Jay Duerr | .... | music editor: temp score | |
| Marylou Eales | .... | music coordinator | |
| Ian Honeyman | .... | technical score assistant | |
| Stephen Krause | .... | score mixer | |
| Jill Meyers | .... | music clearances | |
| Craig Pilo | .... | musician | |
| Joel Sill | .... | executive music producer | |
Transportation Department | |||
| Danny Mortenson | .... | transportation coordinator | |
| Timothy Stephens | .... | driver | |
| Tim Whisenant | .... | transportation: John Travolta | |
Other crew | |||
| Maricarmen Arauz | .... | production assistant: Panama | |
| Tobin Armbrust | .... | production executive | |
| Dilvio Bonilla | .... | location assistant | |
| Karen Bosma | .... | assistant production coordinator (as Karen L. Bosma) | |
| Josef Brandmaier | .... | banker | |
| Patrick Curd | .... | production assistant | |
| Raisa De Alba | .... | production assistant: Panama | |
| Rob Dickerson Jr. | .... | production assistant | |
| Tom Fallon | .... | location manager | |
| Alicen Fonseca | .... | production assistant | |
| Rebecca Garrison | .... | assistant: Mr. McTiernan | |
| Mitch Harbeson | .... | location manager | |
| Barbara Harris | .... | looping group | |
| Michael Ilasi | .... | intern | |
| Terry Ladin | .... | production coordinator (as Terry Ellen Ladin) | |
| Rob McEntegart | .... | executive vice president, business affairs: Intermedia Films | |
| Mark Moran | .... | assistant: John McTiernan | |
| Kory O'Donnell | .... | assistant: Mr. Tadross (as Kory A. O'Donnell) | |
| Ilene Pickus | .... | script supervisor | |
| Oak Porcelli | .... | assistant: Mr. McTiernan | |
| Patricia Story | .... | unit publicist (as N. Patricia Story) | |
| Susan Such | .... | executive assistant: Mr. Travolta | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson (as Leonard Thomas) | |
| Trish Vengoechea | .... | assistant accountant (as Patricia Vengoechea) | |
| Dixie D. Walker | .... | production accountant | |
| John H. Whisenant | .... | assistant: Mr. Travolta | |
| Rebecca White | .... | assistant accountant | |
| Rob Williams | .... | synthesizer programmer | |
| Robert Milo Williams | .... | synthesizer programmer | |
| Jeff George | .... | assistant to producers (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
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| Spartan | The A-Team | The Departed | Predator | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Infamously cruel Sergeant West takes his unit into the Panama jungle on a training exercise. Two days later two of his men return and report the rest dead. When the base investigator makes no process, the base commander calls in shamed DEA agent Hardy. The investigation continues well with both of the two men telling their stories, however Hardy finds that the stories contradict themselves and that the truth is much, much more complex than first appeared.
For the majority of this film everything goes the way you expect it to, but yet it all still works reasonably well. The plot twists in several ways as each contradiction brings out a bit more truth in the overall tale. It is filled with dramatic interrogation scenes which, although clichéd, do still serve to be reasonably gripping. However at some point, and I can't say exactly when it happens, the sheer volume of twists and the leaps we are expected to make simply become too much for the quality of the material and it more or less collapses in on itself.
It isn't that the twists are too much of a stretch, it's that they are too much of a stretch for this film. Usual Suspects has massive twists that bewilder and require big jumps, but that had the acting and script to back it up. Here the same isn't true, the script doesn't do a good enough job of gradually revealing a story to us just to twist it; instead it just seems to be constantly changing the foundations to the point that I felt I was on quick sand rather than a base where the walls kept moving (if you get my meaning). What I'm saying is that the story didn't set itself up well enough to provide killer twists, instead it was constantly pulling small then bigger twist after twist - to the point where I was expecting the next one before it arrived. Not to unfairly compare, but Usual Suspects gradually added layers rather than twists as it builds to a climax. Basic just keeps twisting but eventually gets to the point where it overstretches itself and the twists lose their impact.
The dramatic tone suffers for this reason and, after a good start it all too quickly loses it's impact. Travolta tries hard and for the most part he does OK, but his slick character loses it towards the end, and his final `winks' are not easy to understand. I got the feeling that he didn't understand his character anymore that I did. Jackson gives a better performance in flashback although his character is pretty much a basic sergeant-major cliché, until the ending goes and ruins a fair amount of what he had done up till that point. Nielsen is pretty good but gives a masculine performance in a masculine film. The support cast is actually pretty good although Ribisi damaged his reputation with me by doing some sort of weak effeminate spoof character. Diggs, Holt, Daly and Sanchez all do pretty well and their solid flashback sequences help the interrogation to be more dramatic.
Overall this film is too twisty and some of them really demand jumps that are just not made possible by a script that doesn't do enough to help the audience out. It still manages to be pretty dramatic and enjoyable for at least the first half, but the final third demands too much and twists too much for the material to cope with. Not as awful as other reviews lead me to expect but it collapses alarmingly fast towards the end.