Torzók (2001) User Reviews

3.5 stars

[mweston · 8/10 · 18 April 2002]

This film is set in an orphanage in Hungary in 1960. Aaron is left there by his father. At first the other boys abuse him, but soon they accept him. Unfortunately, the man who runs the orphanage is sadistic and cruel.

While the film feels manipulative at times and seems to have the basic message that life sucks, the one word I would use to describe the film is "haunting." The performances are very good, especially considering the young age of most of the actors. The cinematography and direction are also quite good, especially in the arresting dream sequences near the beginning and end of the film. Most people will probably never have a chance to see this, but I highly recommend it if you do. Seen at Cinequest (the San Jose, CA film festival) on 2/22/2002.

Allegorical, in case you haven't recognized

[karhukissa · 8/10 · 23 January 2007]

We have all (or at least I have) seen tons of stories about kids growing up in an orphanage, without the loving care of parents. You can watch this film as if it were another one of these stories. But it isn't.

Though I suspect at least part of the story is autobiographical, Arpad Sopsits manages to turn it into an allegory of dictatorship. Though the boys are completely cut off from the outside world (they do not communicate with anyone from there), the atmosphere pretty much models the general feeling in Hungary after the cruel suppression of the 1956 revolution. Religion is severely punished, humiliation takes place every day, children are made to spy on one another. Nyitrai, the only humane teacher, is known to have been in prison after the revolution, and now finds escape in astronomy and music. The head of the institution is himself scared stiff of the State which might find out if he gets too lenient. When a sadistic teacher is criticized for his methods, he replies: "I'm cruel to them because the world is cruel, too. I'm just preparing them for what to expect outside." The possibility of an idealized, innocent childhood is lost for these children.

My parents grew up at the same time as the film takes place. They never encountered such cruelty; nevertheless, I think the film is entirely realistic. Some comments say they can't really identify with this story as it takes place in a very different country. But think it over: does it? I think any dictatorship, big or small, operates the same way. And it is usually invisible to people not directly affected by it.

worth to watch

[jeanalmira · 7/10 · 30 October 2005]

I watched this movie recently. It is about the orphanage live post anti-communist revolution in Hungary. The story shows the hard life inside the orphanage, with the over-strict and abusive teacher. A boy, named Aaron was brought into this place due to his mother poor health, and experienced the very suffer life that probably he had never even dare to imagine. Due to the very suffer life, the boys started to doubt whether the God was really exist. I personally feel touch with Mate determination to find God. His faith really moves me. But in this such hard life and despite all the suffer and abusive treatment, the boys found the most valuable friendship. Aaron and his friends decided to escape from the "hell". But too bad, it was heavy winter, and worse when one of his friend, Attila, died during the escape. And the rest were brought back to the orphanage. But I don't really like the ending, it is definitely not a happy ending.

I give this movie 7/10 rating. Happy watching.

A Profoundly Disturbing, Resonate Film

[gradyharp · 10/10 · 31 March 2006]

'Torzók' ('Abandoned') is a brilliant Hungarian film written and directed by Árpád Sopsits that takes us back to Hungary of 1960 when the oppressive Communist rule altered the lives of everyone, especially children. The quality of the film is absolutely first rate from story to acting to filming to scoring. It may be a tough film to absorb and certainly not for the easily offended, but it is a perfectly honed gem of a film that deserves wide audience exposure.

Áron (Tamás Mészáros) is a young lad whose life seems warm at first until suddenly a disease of vision impairment attacks his mother and his parents divorce: the mother is somewhere in a hospital and the father (Sándor Gáspár) beats the boy and eventually turns him over to a rigid orphanage for boys run by cruel taskmasters. Áron undergoes initiation tactics by his fellow orphans but despite the beatings he is strong enough to survive. He is befriended when he has his nightmares about his mother's blindness by his friend Atilla (Szabolcs Csizmadia) and the two bond emotionally and physically. In this bleak atmosphere a little light comes from the beautiful young housekeeper Anya (Krisztina Somogyi) but even her contributions are compromised by the cruelty of the staff. There is one 'teacher' in the orphanage school, Nyitrai (László Gálffi) who has been reduced to his position as an 'imprisoned one' by the government and his sadness is offset by his playing his cello and studying his beloved astronomy. Nyitrai offers Áron solace and introduces his 'fellow traveler' to the glory of the stars, giving Áron a map of the heavens that Áron cherishes - his window to a world beyond the dark confines of his prison-like orphanage. He gradually wins over his fellow orphans and when Nyitrai, in the pit of depression for his life situation and the cruelty of the orphanage and the government, hangs himself. This horrid incident drives Áron to organize an escape from the orphanage, an event that is ultimately fractured with a death for which Áron feels responsible. And the end of the film fades into the many possibilities that event could trigger.

The atmosphere created by the stunning cinematography by Péter Szatmári defines the darkness that represents the orphanage well but also suggests the darkness in Hungary of that period. The musical score by Péter Fejcsik, Tamás Görgényi, Ferenc Toma, and Balázs Winkler is some of the most beautiful composed for the screen, making tremendously effective use of the cello and lower strings. In all, this is a brilliant piece of film-making, acted with depth in every role, and unveiling a portion of history and tragedy too often pushed to the background of our books. Highly Recommended. Grady Harp

True to the book

[cmmescalona · 23 June 2003]

Arpad Sopsits directs a monumental movie in Torzok. Not the Hollywood honey- smeared teddy-bear story. Here, with a masterful skill, he tells a story that, sadly, was and is frequent everywhere in the world.

Abandoned by his hating father, Aron is thrown into a world of despair and violence. Endured stoically by the children in a communist-era orphanage, their plight is fundamentally surviving.

The way the director-writer casts special spells on some of his characters, makes this film incredibly unnerving, disturbing. The ominous dread of injustice just around the corner, behind every door, at the lips of the traitors, is enough to keep the children in a tense and maddening situation.

What makes this film so special is that Sopsits deals with the forbidden in a way that transcends beauty. The beauty of childhood. The beauty of innocence. Against the hatred and folly of the torturers. Religion and religious spirit play a central part in this play. The story unfolds with lots of different wings. Every one of them of different colours and hues. But all of them masterfully intertwined to let the story flow.

This film can leave you shattered and shivering. Maybe sobbing in frustration and anger. But the nuances of love, moral spirit and unbreakable will in the children, are more than enough to praise this work as a very deep reflection on good and evil. As a key to try solving the innermost doubts we all have some time in our lives. And to centre our motivations in thoughts of hope, that are always the flames that kindle the human spirit, no matter the age.

Since my view of most films is, first, as a cinematographer, I'd like to comment on it, too.

The approach to this film is minimalist. Lighting is kept to its bare minimum, pushing film to all what it can give in available light situations. The scenes are lit and photographed in such a way, that effectively conveys the mood of the story.

Almost complete darkness is used in some very disturbing scenes. There's no place for joyful moods, except in some of Aron's dreams, that are ethereal and surreal, but extremely powerful. The operation of the steadicam in some scenes is perfect. Everything fits in place to tell the story. And never wanders into worlds of glamour, flashiness, silky and smooth images. The director and his DoP did a job that is almost never seen in big productions. And, from my point of view, this kind of approach leads to realistic images and straightforward story telling.

The transfer on DVD is pristine. The sound is absolutely amazing, with a score that may be one of the most naturally haunting I've ever heard, relying mostly on cellos and upright bass. I think there should be a special prize for After Crying... the music is perfect.

Winner of so many awards, this film has not been released in Britain and was not shown except in festivals.

A genuine eyeopener.

[ollie501 · 10/10 · 17 December 2003]

WARNING - CONTAINS SPOILERS

Set in Hungary, this film follows the life of Aron, a young boy left to the mercy of an orphanage. A powerful and commanding performance by the entire cast will truly draw you into their stories. It would be unfair to single out the performance of Tamás Mészáros, as Aron, simply because the rest of the cast is so strong it makes this film a true ensemble piece.

This is not an easy film to watch. The immeasurable cruelty suffered by the children, at the hands of their teachers is agonising to watch. You genuinely feel for them, this is so real. The teachers are played with remarkable talent, the cast never flinching from the paths that have been laid out before them. I would imagine that their roles were as difficult to enact as they were to watch, and they are due an immense amount of respect for their portrayal of cold, calculating and manipulative excuses for human beings.

Throughout the film, Aron's indomitable spirit will stay with you, as you follow his woeful story, to it's conclusion.

The treatment suffered by these children is brutal. The teachers are ba****ds, and I make no apology for using that word. They are not worthy of anything more. This is a harsh, eyeopening lesson that children should always be seen AND heard.

There is only one benevolent teacher, whom Aron befriends, as together, they share a love of astronomy. Their friendship is doomed to a bitter end. Tortured by his conscience, the only good man commits suicide, and the impact of this is the eventual escape plan, lead by our young protagonist.

At this point, one would be forgiven for thinking this is where everything will turn out just fine and dandy, and all will be right with the world. Forget it. There are no happy endings here, no winners and no justice. I will not go into the fate that awaits these unfortunate children, but I guarantee that the end of this film will bring a tear to even the most hardened of eyes.

This film has an astonishing cast, who portray their respective characters with a reality that will haunt you for some time after. Emotionally draining it may be, but at the same time it is essential viewing, and as a piece of foreign cinema, offers another peek through the windows of someone elses world. This film isn't afraid to make a statement, and trust me, make a statement is exactly what it does. There are lessons in the tale which we would all do well to heed.

If you buy only one DVD in the coming months, make it this one.

Great movie!

[Exiled_Archangel · 9/10 · 28 May 2004]

Torzok a.k.a. Abandoned is set in a Hungarian orphanage in 1960, which means pretty much anyone watching the movie is simply an alien to the subject and setting. But it captivates you, teaches you, and delivers an excellent medley of emotions. The boys, the good teacher, the nasty headmaster, the lady.. Everyone's showing pearls of acting! The soundtrack is good too. By the time I'm writing this review, the movie is rated 6.4 on IMDB, and that's absolutely underrated. I wasn't impressed by the ending, but other than that the movie was quite fascinating. A Swedish movie called Ondskan, which is somewhat similar to this one in subject, is considerably better. So if you like this one, you should see that one too. But then again, if you like that one, you should see this one too! I think Abandoned could have been longer, and the ending could have been much better. Nonetheless, it's a marvellous movie and I'll give it an 8.5/10 easily.

Harsh but excellent coming of age movie

[ninoguapo · 10/10 · 15 June 2007]

Abandoned also known as Torzok is a powerful movie. It was made in Hungary and is a fine example of the East European cinema. Its director Árpád Sopsits shows the reality of a reformatory school during a communist regime in the country. He uses the yellow color to separate the dream like scenes from the rest - this color technique is later used in the movie Traffic. The movie portrays the harsh reality of the live in Hungary from that time because it is actually based on the writer/director's own childhood.

The main character is Áron - a boy send to a reformatory school not because he has some something , but because his mother is sick and the father does not want to take care of his son. Once in the school Áron has to face the initial hostility of the lands there towards the newcomers - including beatings and hard words .He manages to survive through all those harsh moments and is soon accepted and befriended by the boys from the school.

The actors in the movies are exceptionally talented despite their young age and the characters they portray come to live - each with its own uniqueness. The overall atmosphere is dark and the movie can be considered as hard to watch by anyone - probably the only one witch harsher atmosphere on a similar topic was in the movie Song for a raggy boy . The few moments of hope which the viewers can observe are directly related to the friendship between Aron and another student Attila as well as the one with his melancholic teacher Gálffi - who seems to be the only teacher from the reformatory school who cares of his students and opposes even the despotic director of the institution.

Some of the scenes are really cruel - in one of them one of the teachers makes few boys to beat a friend of theirs themselves because he prayed to God - which was forbidden during the communist years. The cruelty in which the boys in the school are treated is awful and I do not buy the statement of their directors - that this is the only way to prepare them for the reality outside .

The soundtrack is very powerful -classic music mostly - a bit of melancholic as well - it really contributes to the overall atmosphere.

Very good

[Gordon-11 · 3 February 2003]

This is a Hungarian film about a child being abandoned by his father. The child was sent to an orphanage, where he and other children were treated cruelly by the orphanage master. The children could not tolerate such torture anymore, and decided to escape. Although, the escape was successful, one of the children fell into the river and died. Another child got a high fever. Therefore, they had to seek help. Back in the orphanage they were punished cruelly, and the children were made to bear the name of murderers.

I think it would be good if the film would say something about why the children suddenly ended up back in the orphanage after their escape. Did they walk back? Were they caught by the police? Were they caught by the orphanage master? It didn't say in the film.

When I watched this film, I felt very sad. I could not believe that children could be treated so badly. They had to whip each other as a form of punishment. If they show any mercy they will be punished too. In this environment of terror, I think it is very harmful to the development of the children. Without love and care, the children will grow up to become delinquents.

And yet, I believe that there are many institution in the world that treats children like this. As many people would know, the orphan problem is very bad in Eastern Europe. There are many orphans living in orphanages, and even more orphans have to live on the streets or in the sewers. They are left alone by their parents, and even outcast by their society.

I feel very touched by this film. Indeed, many viewers of this film were touched, too, they felt very sorry for the children. Maybe this film can increase the awareness of the orphan problem in the world. When the awareness increase, then the children are more likely to receive a better treatment.

Realistic Portrayal of Failing Institutions, Children Ignored

[museumofdave · 8/10 · 7 March 2013]

I wonder if viewers sometimes give a film low marks not because it's poorly made, but because it's a film that doesn't deliver a happy ending, nice and tidy--just as others can't stand The Sound of Music because the finale, though cherry, is overly simplistic, given the circumstances. Abandoned is about the way some institutions operated in Hungary at a certain time and place, the way government at all levels abandoned it's responsibility as did parents and teachers and those in charge of children. This is not a make-believe Rodgers and Hammerstein song-fest with happy kiddies mindlessly dancing by the riverside, but a grim and realistic picture of the hopelessness of a happy future when the system fails everyone. It is not a cheerer-upper but a well-acted film accurately reflecting a time and place--so if you're looking for children rising above a situation over which they have no control, this is not the film for you. But it is an often compelling film which was meant to make a positive difference, and as such, one gives it credit.