Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray, the oft ignored daughter of a music executive, she learns what it means to be an adult while teaching Ray how to be a child. Written by
While the Lampshade as a head accessory was the production team's idea, it was Brittany Murphy's idea to scrunch it up and wear it as a barrette. See more »
Around 70 minutes into the movie Neal is talking to Molly and he says "I haven't been able to write a single decent song since we last saw each other". However, his lips only sync up to the "since" part, and he's really finishing the sentence differently. The rest of the sentence sounds dubbed in afterwards. See more »
Some fairy tales are true, most of there stories we make up to help us deal with real life; it all depends on your point of view, but here are the facts... there was once a princess, who lived in a castle, high above the streets of an enchanted kingdom. The king and queen were long gone but they left her with a treasure, that she would stay a princess forever. On the eve of her 22nd birthday a great celebration was planned...
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This just goes to show you that you shouldn't go into movies with preconceptions, because I went in expecting (hoping, even) to hate this movie, and did for a while, but somewhere along the way it started working on me, and by the end I was practically eating out of its hand.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
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