Megiddo is a supernatural ride into a world teetering on the edge of the Apocalypse. It follows the rise of a Machiavellian leader bent on amassing the armies of the world for the battle of... See full summary »
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Around the world, the signs of the apocalypse--as outlined in the Book of Revelation--seem to be coming to pass in the wake of a mysterious wanderer. Father Lucci, the Vatican Emissary ... See full summary »
Ichabod Crane is sent to Sleepy Hollow to investigate the decapitations of 3 people with the culprit being the legendary apparition, the Headless Horseman.
Director:
Tim Burton
Stars:
Johnny Depp,
Christina Ricci,
Miranda Richardson
Stunt motorcyclist Johnny Blaze gives up his soul to become a hellblazing vigilante, to fight against power hungry Blackheart, the son of the devil himself.
Will arrives for his last year at Military Academy, in the Deep South USA, in the 1960s. A black student, Pearce, has been accepted, for the first time and Will is asked to keep an eye out ... See full summary »
After the Rapture and the revealing of the identity of the Antichrist, a group of converts form the Tribulation Force, a secret society with the sole purpose of converting non-believers to Christianity.
Director:
Bill Corcoran
Stars:
Kirk Cameron,
Brad Johnson,
Clarence Gilyard Jr.
The Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.
Megiddo is a supernatural ride into a world teetering on the edge of the Apocalypse. It follows the rise of a Machiavellian leader bent on amassing the armies of the world for the battle of Armageddon while calamities of Biblical proportions pummel the Earth. Though both prequel and sequel to The Omega Code, Megiddo works also as a stand alone story for anyone who missed its predecessor. For at its emotional core, Megiddo is the Caine and Abel story of the two men enamoured with the same woman, raised as brothers, who grew up to find themselves pitted against each other over the fate and souls of the entire world. Written by
Anonymous
"1st Movement from VIOLIN CONCERTO NO.2 B-MINOR OP.7"
Written by Niccolò Paganini (as Nicolò Paganini)
Violin by Ilya Kater
Polish Radio Orchestra
Conducted by Stephen Gunzenhauser See more »
My wife suggested we see "Megiddo," and I'm glad she did. It's refreshingly different and indeed entertaining to watch a film lacking the ubiquitous dark-green haze of linguistic pollution or the hackneyed writer's block cure-all: nudity.
Entertaining though it was, "Megiddo" represents interpretations of the endtimes described in the biblical Book of Revelations or Apocalypse that are current among many of us. Might there be other interpretations that a film should consider as well that go beyond the strictly literal? Perhaps that is too much to ask of one film, given the circumstances of its production.
Humanity's struggle between good and evil was a thematic constant in this film, as in Judaism's Yom Kippur, Christianity's atonement, Islam's only now barely understood jihad (the struggle over the sinful self to be one with God's will). For all its literal stance, the film is poignantly significant given the recent horror (that humankind is wont to visit upon its own) in New York, Washington, Pennsylvania, and in other stricken areas world-wide.
See "Megiddo" (and read the book, or read the book first) and judge for yourself. Are the endtimes the stuff of spectacular special effects (some quite profoundly moving as was God's parting of the Red Sea in "The Ten Commandments"), or is the Holy Bible's text possessed of far more subtlety and significance than we think or films display?
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My wife suggested we see "Megiddo," and I'm glad she did. It's refreshingly different and indeed entertaining to watch a film lacking the ubiquitous dark-green haze of linguistic pollution or the hackneyed writer's block cure-all: nudity.
Entertaining though it was, "Megiddo" represents interpretations of the endtimes described in the biblical Book of Revelations or Apocalypse that are current among many of us. Might there be other interpretations that a film should consider as well that go beyond the strictly literal? Perhaps that is too much to ask of one film, given the circumstances of its production.
Humanity's struggle between good and evil was a thematic constant in this film, as in Judaism's Yom Kippur, Christianity's atonement, Islam's only now barely understood jihad (the struggle over the sinful self to be one with God's will). For all its literal stance, the film is poignantly significant given the recent horror (that humankind is wont to visit upon its own) in New York, Washington, Pennsylvania, and in other stricken areas world-wide.
See "Megiddo" (and read the book, or read the book first) and judge for yourself. Are the endtimes the stuff of spectacular special effects (some quite profoundly moving as was God's parting of the Red Sea in "The Ten Commandments"), or is the Holy Bible's text possessed of far more subtlety and significance than we think or films display?