| Photos (See all 31 | slideshow) | Videos (see all 3) |
| Ella Jones | ... | Young Holly | |
| Anna Popplewell | ... | Young Marina | |
| Cameron Powrie | ... | Young Nat | |
| Trudie Styler | ... | Linda | |
| Allan Corduner | ... | Max | |
| Deborah Findlay | ... | Judith | |
| Nicky Henson | ... | Ray | |
| Anna Friel | ... | Marina | |
| Michelle Williams | ... | Holly | |
| Oliver Milburn | ... | Nat | |
| Hannah Bourne | ... | Carolyn | |
| Russell Mabey | ... | Craig (as Russell Maybey) | |
| Blake Ritson | ... | Tim | |
| Francis Lee | ... | Paul | |
| Eve Cooper-Rose | ... | Sophie | |
| Lee Williams | ... | Ben | |
| Marianne Denicourt | ... | Isabel | |
| Kyle MacLachlan | ... | Daniel | |
| Andrew Beck | ... | Stuart | |
| Ariana Fraval | ... | Earnest Girl | |
| Annabel Mullion | ... | Meredith | |
| Adrian Lukis | ... | Leo | |
| Steve John Shepherd | ... | Carl | |
| Coco Sumner | ... | Holly and Marina's Child | |
| Natalie Moss | ... | Holly and Marina's Child | |
| rest of cast listed alphabetically: | |||
| Richard Appleby | ... | Rob the Barman (uncredited) | |
Directed by | |||
| Sandra Goldbacher | |||
Writing credits | ||
| Sandra Goldbacher | (screenplay) and | |
| Laurence Coriat | (screenplay) | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Denis Crossan | (director of photography) | ||
Film Editing by | |||
| Michael Ellis | |||
Casting by | |||
| Kathleen Mackie | |||
| Jill Trevellick | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Steve Carter | (as Stephen Carter) | ||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Rosie Hackett | |||
Second Unit Director or Assistant Director | |||
| Lucy Amor | .... | second assistant director | |
| Ben Dixon | .... | third assistant director | |
| Stephen Woolfenden | .... | first assistant director | |
Art Department | |||
| Rob Anderson | .... | construction manager | |
| Paul Bradburn | .... | stand-by props | |
| Alan Briant | .... | dressing props | |
| Lee Bryant | .... | dressing props | |
| Nina Chakrabarti | .... | title illustrator | |
| George Dean | .... | chargehand painter | |
| Billy Edwards | .... | stand-by props | |
| Russell Hanson | .... | dressing props | |
| Kathy Heaser | .... | art department trainee | |
| Mark Hedges | .... | storeman | |
| Springer Horrill | .... | prop master (as David 'Springer' Horrill) | |
| Simon Hutchings | .... | stand-by painter | |
| Stefan Kopec | .... | stand-by rigger | |
| Richard Mason | .... | carpenter | |
| Jane Morton | .... | additional designer | |
| Eddie Murphy | .... | carpenter | |
| Steve Nicholls | .... | painter | |
| Mark Overall | .... | carpenter (as Marc Overall) | |
| Sandra Phillips | .... | art department assistant | |
| Sophie Phillips | .... | props buyer | |
| Antoine Robin | .... | construction manager | |
| Stuart Rushbrook | .... | carpenter (as Stewart Rushbrook) | |
| Russell Sargent | .... | carpenter | |
| Kevin Siggers | .... | stand-by rigger | |
| Christopher Smith | .... | stand-by carpenter (as Chris Rushby-Smith) | |
| Tony Statham | .... | signs and graphics | |
| Terry Stinson | .... | dressing props | |
| Sam Stokes | .... | stand-by art director | |
| Graham Thomas | .... | carpenter | |
| Lloyd Vincent | .... | stand-by props | |
| Penny White | .... | stand-by props | |
| Terry Woods | .... | props master | |
Sound Department | |||
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard-Ryan) | |
| Michael Corden | .... | supervising sound editor | |
| Mark DeSimone | .... | adr mixer | |
| Julian Dodwell | .... | dialogue editor | |
| Barry Doyle | .... | boom operator | |
| Stevie Haywood | .... | sound recordist: second unit | |
| Alex Hudd | .... | sound consultant: dolby | |
| Svenn Jakobsen | .... | foley mixer | |
| Alan O'Duffy | .... | sound mixer | |
Visual Effects by | |||
| Matt Butcher | .... | Flame artist: Wave Pictures | |
| Colin Kinnear | .... | technical support: Wave Pictures | |
| Alasdair MacCuish | .... | digital lab producer: Framestore CFC | |
| Stanley Monahan | .... | optical effects | |
| Paul Round | .... | Inferno artist | |
Camera and Electrical Department | |||
| Rob Andrews | .... | electrician | |
| Kerry Brown | .... | still photographer | |
| Bill Chambers | .... | electrician | |
| Liam Daniel | .... | photographer | |
| Ross Grainger | .... | electrician | |
| Riff Mahmood | .... | camera trainee (as Rif Mahmood) | |
| Micky Page | .... | gaffer | |
| David J. Palmer | .... | clapper loader (as David Palmer) | |
| Ray Peters | .... | generator operator | |
| Martin Shepherd | .... | focus puller | |
| Pat Sweeney | .... | best boy | |
| Ben Tanswell | .... | electrician | |
| Alex Tate | .... | grip | |
| Michael Toher | .... | electrician | |
| Peter Wignall | .... | Steadicam operator | |
Casting Department | |||
| Lina Todd | .... | casting: USA | |
| Nicole Wohl | .... | casting associate: USA | |
Costume and Wardrobe Department | |||
| Jane Lewis | .... | costume supervisor | |
| Leigh Nicol | .... | costume assistant | |
Editorial Department | |||
| Thomas Caspersen | .... | on-line conforming editor: Wave Pictures | |
| Polly Duval | .... | post-production executive | |
| Peter Ferrari | .... | grader | |
| Mike Fraser | .... | negative cutter | |
| Amy Quince | .... | first assistant editor | |
| James White | .... | digital film recordist: Wave Pictures | |
Music Department | |||
| Kle Savidge | .... | music supervisor (as Kle Boutis) | |
| Nigel Stone | .... | music editor | |
Transportation Department | |||
| John Belton | .... | facilities driver | |
| Duncan Broadhead | .... | facilities driver | |
| Frank Charles | .... | unit driver | |
| Jack Evans | .... | facilities driver | |
| Ade Holland | .... | unit driver: Isle of Man | |
| Jim King | .... | unit driver | |
| Mike Lewis | .... | transportation captain: Isle of Man | |
| Paul Mason | .... | driver | |
| John Moloney | .... | transportation captain | |
| Mike Rodderick | .... | facilities driver | |
| Roy Smith | .... | facilities driver | |
| Douglas Wallace | .... | unit driver (as Dougie Wallace) | |
| Ian Yea | .... | facilities driver | |
Thanks | |||
| Rob Garvie | .... | special thanks (as Rob Garvey) | |
|
|
|
|
|
| Almost Famous | Eyes Wide Shut | Adventureland | Lost and Delirious | Bad Timing: A Sensual Obsession |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
I loved this film. I cannot fathom why the above reviewer calls it "maudlin" and the comparison to Antonia and Jane seems way off base, as does the comment that this is somehow like a Mike Leigh film! (makes me think they have never seen a Mike Leigh film). Also the comment on the "Miranda" character does not inspire confidence since the character's name is Marina!
In any case, this film deftly captures several eras with its complex and lush visual design, reflecting the inner world of Holly who is a creative, romantic soul and the outer surface of Marina who is a chameleon-like, savvy trendsetter. The music is also extremely well-utilized, as are the many pop cultural references that lend authenticity to the changes in chronology without being too obvious.
A fine cast too! Williams and Friel are excellent and their evolution from teenagers to young women to early thirties is convincing and enthralling. I also love Trudy Styler as a pill-popping, slutty- dressing "mom" and Allan Corduner has a solid turn as Holly's kind, befuddled father. Kyle Maclachlan seems somewhat miscast at times but plays the reckless professor well. I also found Oliver Milburn as Nat to be charming, and though she has a small role the French actress who plays his fiancé is great...I last saw her in My Sex Life and she is also terrific in that.
On its surface (the candybox colors, the fluffy music) this might seem like a Brit chick flick but it's really an exploration of what happens when an obsessive friendship grows beyond its usefulness.