| Photos (See all 13 | slideshow) |
| Adrien Brody | ... | Jack Grace | |
| Charlotte Ayanna | ... | Claire Harrison | |
| Jon Seda | ... | Charlie | |
| August Diehl | ... | Jeff | |
| Pam Grier | ... | Det. Linda Fox | |
| Liza Jessie Peterson | ... | Pam | |
| Elizabeth Regen | ... | Sue | |
| Katherine Moennig | ... | Debbie | |
| Joey Kern | ... | Fitzgerald | |
| Jonathan Hadary | ... | Boris | |
| Michael G. Chin | ... | Asian Businessman #1 | |
| Ben Wang | ... | Asian Businessman #2 | |
| Huan Wang | ... | Asian Businessman #3 | |
| Ned Stresen-Reuter | ... | Brian | |
| Michaela Conlin | ... | Cara, Jack's Lover | |
| Lee R. Sellars | ... | Dennis (as Lee Sellars) | |
| Sylvia Kauders | ... | Mrs. Rosenberg | |
| José Rabelo | ... | Cook (as Jose Rabello) | |
| Dave Simonds | ... | Librarian | |
| Jeffrey M. Marchetti | ... | Biggest Guy (as Jeffrey Marchetti) | |
| John Elsen | ... | Interrogating Detective | |
| Miguel Sierra | ... | Car Mechanic | |
| Andy Duppin | ... | Precision Driver #1 | |
| Bobby J. Brown | ... | Man in Video Arcade | |
| Steven Goldstein | ... | The John in Street | |
| Cheyenne Casebier | ... | Laura | |
| Sara Klingebiel | ... | Jill | |
| Francisco Lorite | ... | Barry | |
| Kris Eivers | ... | Tunnel Bartender | |
| Eric Kornfeld | ... | Claire's Trick | |
| Keisher McLeod | ... | Hooker #1 (as Keisher Mc Leod) | |
| Rue DeBona | ... | Hooker #2 (as Ruthann Debona) | |
| Amber Gross | ... | Hooker #3 | |
| Gregor Manns | ... | Large Man #1 | |
| Kevin Merrill-Wilson | ... | Large Man #2 | |
| James Saito | ... | Akiri | |
| Robert McKay | ... | Louis (as Robert G. McKay) | |
| Chazz Menendez | ... | Prisoner #1 (as Chaz Menendez) | |
| Charles Santy | ... | Prisoner #2 | |
| Mick O'Rourke | ... | Prisoner #3 | |
| Mitchell Washington | ... | Prisoner #4 (as Washington Mitchell) | |
| Peter McRobbie | ... | Prison Doctor | |
| Deborah Braun | ... | Lab Assistant | |
| Tod Engle | ... | Lucky Guy | |
| Grace Garland | ... | Female Port Authority Officer | |
| Amy Laughlin | ... | Vendor at Hotel Dior | |
| David Ross | ... | Russian Guy #1 | |
| Slava Schoot | ... | Russian Guy #2 | |
| Jack Lotz | ... | The John in Bedroom | |
| Ernestine Johnson | ... | Jack's Neighbour | |
| Charles Duval | ... | Waiter | |
| rest of cast listed alphabetically: | |||
| Rod Maiorano | ... | Jack's Drunken Pal (scenes deleted) | |
| Philip Adkins | ... | Smart Mouth Teenager (uncredited) | |
| Frank Hopf | ... | Riot Officer (uncredited) | |
| Riley G. Matthews Jr. | ... | Riot Officer (uncredited) | |
| Rick Pisarro | ... | Undercover Detective (uncredited) | |
| John Tartaglia | ... | Jack (uncredited) | |
Directed by | |||
| Peter Sehr | |||
Writing credits | ||
| Shuo Wang | (novel "Yi Ban Shi Huo Yan, Yi Ban Shi Hai Shui") (as Wang Shuo) | |
| Peter Sehr | (screenplay) and | |
| Marie Noelle | (screenplay) (as Marie Noëlle) | |
Produced by | |||
| Jayne Belliveau | .... | associate producer | |
| Manon Bougie | .... | development line producer | |
| Jay Cannold | .... | line producer | |
| Jason Kliot | .... | co-producer | |
| Marco Mehlitz | .... | supervising producer | |
| Marie Noelle | .... | co-executive producer (as Marie Noëlle) | |
| Martin Paul-Hus | .... | development producer | |
| Peter Sehr | .... | co-executive producer | |
| Wolfram Tichy | .... | executive producer | |
| Wolfram Tichy | .... | producer | |
| Joana Vicente | .... | co-producer | |
| Kevin J. Moore | .... | associate producer (uncredited) | |
Original Music by | |||
| Dahoud Darien | |||
Cinematography by | |||
| Guy Dufaux | (director of photography) | ||
Film Editing by | |||
| Christian Nauheimer | |||
Casting by | |||
| Ellen Parks | |||
Production Design by | |||
| Debbie DeVilla | (as Debbie De Villa) | ||
Art Direction by | |||
| Peter Yesair | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| Kathryn Nixon | |||
Makeup Department | |||
| Claus Lulla | .... | key makeup artist | |
| Waldemar Pokromski | .... | hair consultant | |
| Waldemar Pokromski | .... | makeup consultant | |
| Nuria Sitja | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Kevin J. Moore | .... | first assistant director (as Kevin Moore) | |
| Aida Rodgers | .... | second assistant director | |
| Curtis Smith | .... | second second assistant director | |
Art Department | |||
| Charles Ard | .... | scenic | |
| Brian Buteau | .... | set dresser | |
| Julie Chrobak | .... | lead scenic | |
| Andrew Lassman | .... | assistant property master | |
| Bill Lehne | .... | construction coordinator (as William Lehne) | |
| Chris Lombardozzi | .... | shop electrician | |
| Dan Mahon | .... | assistant property master | |
| Kevin Mahon | .... | on-set dresser | |
| Phoebe O'Connor | .... | art department assistant | |
| Dave Reardon | .... | lead dresser (as David Reardon) | |
| Jeffrey Rollins | .... | prop master | |
| Zoe Sakellaropoulo | .... | development production designer | |
| Connie Schlier | .... | scenic (as Constance Schlier) | |
| Ernest Stadler | .... | construction grip | |
| Larry Steinberg | .... | key construction grip (as Lawrence Steinberg) | |
| Carrie Stewart | .... | assistant set decorator | |
| Lois Thompson | .... | construction grip | |
| Danielle Webb | .... | set dresser | |
| Jessica Zetts | .... | on-set charge artist | |
Sound Department | |||
| Michael Barosky | .... | sound mixer | |
| Glenn D. Bloom | .... | playback operator (as Glen Bloom) | |
| Tschangis Chahrokh | .... | sound re-recording mixer | |
| Joo Fürst | .... | foley artist | |
| Stefanie Geissler | .... | foley editor (as Stefanie Geissler Bakan) | |
| Jeanne Gilliland | .... | boom operator (as Jeanne Gillilan) | |
| Al Gomez | .... | recording engineer: Filmleaders Inc. Los Angeles | |
| Florian Gross | .... | project manager: ARRI Sound | |
| Fredrick Helm | .... | recording engineer: Cyclops Pictures & Sound NY (as Fred Helm) | |
| Christian Heyne | .... | supervising sound editor: Digital Editors/Audio, Munich (as Chris Heyne) | |
| Michael Hinreiner | .... | dialog editor | |
| Michael Hinreiner | .... | sound re-recording mixer | |
| Nico Krebs | .... | assistant sound editor | |
| Oliver Mayr | .... | re-recording assistant | |
| Daniel McIntosh | .... | additional sound mixer | |
| Peter Notz | .... | sound recording engineer (as Peter von Notz) | |
| Oliver Oetting | .... | recording engineer: Studio Babelsberg (as Oliver Ötting) | |
| Annette Prey | .... | dialog editor (as Anette Prey) | |
| Stefan Tischner | .... | re-recording assistant | |
| Warren A. Weberg | .... | sound utility | |
| Sören Blüthgen | .... | mix editor (uncredited) | |
| John D'Aquino | .... | boom operator: adr session (uncredited) | |
Visual Effects by | |||
| Nicole Iversen | .... | title designer: ARRI Digital Film | |
| Lutz Lemke | .... | title designer: ARRI Digital Film | |
| Marian Mavrovic | .... | title designer: ARRI Digital Film | |
| Angela Reedwisch | .... | visual effects producer: ARRI Digital Film | |
| Christian Wieser | .... | title designer: ARRI Digital Film | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| David Shumbris | .... | stunts | |
Camera and Electrical Department | |||
| Bill Almeida | .... | additional electrician (as William Almeida) | |
| Robert M. Andres | .... | key grip (as Robert Andres) | |
| Will Arnot | .... | Steadicam operator (as William Arnot) | |
| Will Arnot | .... | camera operator (as William Arnot) | |
| Alison Barton | .... | first company grip | |
| Gus Bechini | .... | additional electrician (as Gustavo Bechini) | |
| Sarah Elspeth Black | .... | lamp operator (as Sarah Black) | |
| Hugo Bonilla | .... | additional rigging electrician | |
| Mel Cannon | .... | grip (as Mel Canon) | |
| Alisa M. Colley | .... | second assistant camera (as Alisa Colley) | |
| Lamont Crawford | .... | dolly grip | |
| Andy Day | .... | gaffer (as Andrew Day) | |
| James J. Ferris | .... | additional electrician (as James Ferris) | |
| Michael Fradianni | .... | lamp operator | |
| Samuel G. Friedman | .... | additional electrician (as Samuel Friedman) | |
| Daryl Furr | .... | additional rigging electrician | |
| Susan Gabbay | .... | first assistant camera: "b" camera | |
| Abbot Genser | .... | still photographer | |
| Shaun Gilbert | .... | additional electrician | |
| Charlie Grubbs | .... | rigging gaffer | |
| Rebecca Hoehn | .... | second assistant camera | |
| Michael Hunold | .... | lamp operator (as Michael 'Spicy' Hunold) | |
| Nils Johnson | .... | video assist operator | |
| Francis Leach | .... | lamp operator (as Francis 'Bosko' Leach) | |
| Peter Marzulli | .... | additional rigging electrician | |
| Tim McNulty | .... | camera production assistant | |
| Rocco Palmieri | .... | best boy electric | |
| John Panuccio | .... | key rigging grip | |
| Igor Potashanik | .... | additional grip (as Igor Potashnik) | |
| Robert T. Prate | .... | additional grip (as Robert Prate) | |
| Michael Lee Reed | .... | generator operator | |
| Allan S. Robinson | .... | additional rigging electrician (as Allan Robinson) | |
| Lowell Schulman | .... | rigging best boy | |
| Ruth Sergel | .... | first assistant camera | |
| Chris Skutch | .... | best boy grip (as Christopher Skutch) | |
| Patrick Taistra | .... | additional grip | |
| Peter Walts | .... | rigging gaffer | |
Casting Department | |||
| Meredith Jacobson | .... | extras casting (as Meredith Jacobson Marciano) | |
| Sabine Schroth | .... | casting: Germany | |
Costume and Wardrobe Department | |||
| Sarah Annabella Altman | .... | assistant costume designer | |
| Mickey Carleton | .... | wardrobe supervisor (as Mary E. Carleton) | |
| Wendy Hagedorn | .... | wardrobe production assistant | |
| Sarah J. Holden | .... | assistant costume designer: pre-production | |
| Pamela Kezal | .... | additional wardrobe | |
| Rachel Leek | .... | co-wardrobe supervisor | |
Editorial Department | |||
| Sarah Flack | .... | additional editor | |
| Traudl Nicholson | .... | color grader: ARRI Lab | |
| Judith Ramsauer | .... | assistant to editor | |
| Renate Siegl | .... | negative cutter: ARRI Lab | |
Music Department | |||
| Susan Jacobs | .... | music supervisor | |
| Me and the Other Guy | .... | composer: additional music | |
| Anne Pope | .... | music editor | |
Transportation Department | |||
| Jerry Carter | .... | driver | |
| Michael Caster | .... | transportation co-captain | |
| Walter Chomow | .... | driver | |
| Kerry Clark | .... | parking coordinator | |
| Thomas Coleman | .... | driver | |
| Richard Euell | .... | driver (as Richard Evell) | |
| Kenny Gaskins | .... | transportation captain | |
| William Gore | .... | driver (as William Jr. Gore) | |
| Bethany Holstrom | .... | driver | |
| James Kelly | .... | driver | |
| Peter Krienbihl | .... | driver (as Peter Kreinbihl) | |
| William MacCready | .... | driver (as William Mc Cready) | |
| Anthony Martino | .... | driver | |
| Gary Qualles | .... | driver | |
| Royce Taffer | .... | driver (as Royce Taffar) | |
| George Washington | .... | driver | |
Other crew | |||
| Alan Aguilar | .... | chef: Coast To Coast | |
| Robyn Alcock | .... | production office coordinator | |
| Shawn Alexander | .... | set production assistant | |
| Aftaab Ali | .... | parking assistant (as Ali Aftaab) | |
| Alexandra Bauermeister | .... | legal affairs | |
| Britta Calmus | .... | production accountant: Germany | |
| Rae Chisolm | .... | parking assistant | |
| Peter Chubenko | .... | assistant location manager | |
| Lioba Cremer | .... | legal affairs | |
| Juliet D'Annibale | .... | production coordinator | |
| Margarete Deiseroth-Gores | .... | legal affairs | |
| Natasha del Toro | .... | assistant: Wolfram Tichy (as Natasha Del Toro) | |
| Ralph DePalma | .... | legal affairs (as Ralph Depalma) | |
| Kara Doherty | .... | production assistant: first team | |
| Daniel Feighery | .... | set production assistant | |
| Rich Fellegara | .... | set medic (as Richard Fellegara) | |
| Paul D. Fischer | .... | production associate (as Paul Fischer) | |
| Stephanie Friedman | .... | assistant: Open City | |
| Ruth Fürstenberger | .... | unit publicist: Jeremy Walker & Associates | |
| Arbie Geter | .... | parking assistant | |
| Dave Ginsberg | .... | location assistant (as David Ginsberg) | |
| Olaf Gross | .... | production intern: Germany | |
| Heike Günther | .... | production accountant: Germany | |
| Margret Günzel | .... | marketing | |
| Krista Haimovitch | .... | location assistant | |
| Krista Haimovitch | .... | location coordinator | |
| Raymond Hall | .... | parking assistant | |
| Greg Harkins | .... | location assistant (as Gregory Harkins) | |
| Michael Hartel | .... | location scout (as Mike Hartel) | |
| Charles Herzfeld | .... | sales director: Technicolor East | |
| Stan Kelly | .... | set production assistant | |
| Breon King | .... | parking assistant | |
| Sylvia Koschorreck | .... | production assistant: Germany | |
| Andrea Kreuzhage | .... | marketing | |
| Albert Lanbert | .... | parking assistant (as Albert Lambert) | |
| Nicholas Owen Langholff | .... | set production assistant (as Nicholas Langholff) | |
| Kurt Lennig | .... | additional generator operator | |
| Michael Leung-Tat | .... | location scout | |
| Darin Maginnes | .... | production office assistant | |
| Hillary Meyer | .... | first assistant accountant | |
| Kristal D. Moseley | .... | key set production assistant (as Kristal Mosley) | |
| Thomas Nickel | .... | sales director: ARRI Lab | |
| Maria Cira Paseka | .... | craft service | |
| Robert Ralph | .... | parking assistant | |
| Sepp Reidinger | .... | technical director: ARRI Lab | |
| Brian Reingold | .... | location scout | |
| Saskia Rifkin | .... | production consultant | |
| Andre Rivera | .... | production office assistant | |
| Sylvie Rosenthal | .... | development coordinator | |
| Andreas Schardt | .... | legal affairs | |
| Raygun Sharpadero | .... | accounting clerk (as Regan Sharp) | |
| Jared A. Smith | .... | location scout (as Jared Smith) | |
| Susan Strine | .... | production accountant | |
| Morgan Supple | .... | equipment coordinator | |
| Hail Swam | .... | security officer | |
| Joseph Taylor | .... | location scout | |
| Michael Taylor | .... | script supervisor | |
| Tate Thompson | .... | second assistant location manager | |
| Björn Thönicke | .... | assistant: Peter Sehr | |
| Alexander Toles | .... | set medic | |
| Dennis Turnbull | .... | parking assistant | |
| Hilary Walker | .... | location manager | |
| Eva Weber | .... | project coordinator: ARRI Lab | |
| W. Wilder Knight II | .... | legal affairs (as Wilder Knight) | |
| Suzanne Wissemann | .... | set production assistant | |
| Eric Wrolstad | .... | location scout | |
| Michael L. Schmidt | .... | production assistant (uncredited) | |
Thanks | |||
| Karen Arikian | .... | thanks: for support | |
| Mark Bachman | .... | thanks: for support | |
| Rene Bastian | .... | thanks: for support | |
| Michael Chilson | .... | thanks: for support | |
| Deborah Drisdell | .... | thanks: for support | |
| Diane Dube | .... | thanks: for support | |
| Pia Elgas | .... | thanks: for support | |
| Barry Gifford | .... | special thanks | |
| Christine Goldhahn | .... | thanks: support, BKM | |
| Callum Greene | .... | thanks: for support (as Callum Green) | |
| Michael Scalisi | .... | thanks: for support | |
| Klaus Schaefer | .... | thanks: support, FFF | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
"Love the Hard Way" is nothing more than what the title explains. Of course, there's a whole story and a lot of events, situations, well written characters, very good performances...Peter Sehr has created his own world, and set it in real life. The movies I like the most are the ones that show real people. I always say that reality causes emotion. We don't want to see anything fake. Well, many people cry in movies because the plot is manipulated for them to do so, and they just cry. In movies that come close to reality, we cry because we know the things can happen or because we identify with them. It's not something we don't know.
Adrien Brody plays Jack, a thief. He wakes up every day, probably with a girl beside him in the bed, and wears the same jacket, just to go out for a walk, for a movie, or for a heist He has two friends (Charlie and Jeff), or colleagues, and knows two women (Sue and Debbie). The five of them created a plan, and periodically carry on with it, and succeed. These types of persons really exist. They are lost in their lives and are always looking for a way to find themselves again. Is amazing that Jack kind of hides a passion he has for writing. He "hides" inside a room he has, and starts to write about the things he deals with everyday.
When Jack meets Claire (Charlotte Ayanna) he doesn't know how to act. She's very intelligent, looks at him, and says: "You're trying to get some attention". He instantly leaves but they meet again in the University, where Jack and Charlie do some work. Claire has a boyfriend, Fitzgerald (Joey Kern), and a girlfriend, Pamela. The two girls are going to meet the boyfriend at a scientific presentation. This great scene, shows Jack and Charlie following them, and ruining things every time they try to impress the girls. They are a little ignorant (in another scene, when a detective asks Charlie what his work is, he says: "African American literature, until 1950"; he knows that doesn't exist, probably), however charming enough to arrange a meeting (I'm talking about Jack and Claire here) at a station. Jack goes there, he invited Claire, and doesn't know if she's going to come. I forgot to say, he has never met anyone like her. He's used to all these "one night stands", and never thought he would be meeting her, because she went to the meeting.
That same day they both have dinner and talk for a while. She's trapped by him, because she has never met anyone like him. She tries not to stare at him. He tells her, as they're going to his apartment: "You're in love with me". She answers: "No I'm not; I have a boyfriend". "You're not now", he replies. "But you will be". They both have sex that night, in a beautifully shot scene, with anticipations that seem to be coming from someone's mind. What happens next is part of their daily lives. It can be good, it can be bad; and that is the best about it. "I have a lot of personal experience". He explains that everything is like a box, and is always the same, so I know what I'll probably find in it". "And what about this box?", Claire says, referring to herself. "Do you already know what's inside or you want to open it and take a look?"
This movie is wonderfully directed, edited, and of course, written. You get involved in it, you want to see life. The score is amazing, and the team made an excellent work in finding every different song, with its style and lyric, just to explain each scene of the movie. Every frame is connected in every possible way.
We shouldn't forget the actors. They all do a good job. Some are important, some are just there; but they have to be.
I don't consider Adrien Brody a great actor. I think he knows how to choose a role, and that he chooses it because he wants to play it. That's good enough. Now I'm going to praise his performance in this film, and don't hate me for the things I'm about to say. He voices Jack with a humanity that makes him unique. He looks at people with a simplicity that makes Jack a real being. He walks with steps that define a performance. He won an Oscar, for "The Pianist", a movie I didn't find a masterpiece (as many say). Maybe it's because of the Holocaust, which has been used over and over for movies. Roman Polanski is a fine director, and in my opinion, he directed a fine movie. Going back to Brody, hate me now, but he probably deserved that award, although his performance in "The Pianist" isn't as good as his Jack in "Love the Hard Way". I just found all the elements, and the ones that make him shine; in this performance.
His manners and movements are part of the body language that wraps this wonderful portrayal. His character made me think about Mark Ruffalo's (an excellent actor) Coles, in the also real and compelling "XX/XY". The kind of character that doesn't know his feelings, because he doesn't feel anything at all. "I can't love anyone", Jack says to Claire, looking directly into her eyes.