A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
What kind of movies do you prefer, the ones with the sad endings or the happy ones?
The sad ones definitely. I like movies that make me cry.
Then you're with the right guy.
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Ok, proposals aside, I think I'll be thinking about this movie for a while. Adrien Brody is fabulous, and I can't understand why this film hasn't been picked up for wider distribution post-Oscar. As a slick New York con artist who falls for a college girl, he is the answer to the question, "Why do all girls like bad boys?" I think I've lived this story--not quite to the depths that Claire sinks to, but certainly felt like that before. The weak points of the film are that the beginning of their romance is glossed over...we see them meet twice, and suddenly she's in love and won't leave him alone? Also, Brody is fabulous, wonderful, and his character is developed to the point where we understand why she'd be in love with him, but she is rather one-dimensional. Still, I wish I'd caught this movie before the end of its far-too-short run at my local theater, and I encourage anyone who has the chance to go see it to see it.
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