| Photos (See all 41 | slideshow) |
| Gina Philips | ... | Patricia 'Trish' Jenner | |
| Justin Long | ... | Darry Jenner | |
| Jonathan Breck | ... | The Creeper / Bald Cop | |
| Patricia Belcher | ... | Jezelle Gay Hartman | |
| Eileen Brennan | ... | The Cat Lady | |
| Brandon Smith | ... | Sgt. David Tubbs | |
| Peggy Sheffield | ... | Waitress Beverly | |
| Jeffrey William Evans | ... | Restaurant Manager | |
| Patrick Cherry | ... | Binky Plutzker | |
| Jon Beshara | ... | Officer Robert Gideon | |
| Avis-Marie Barnes | ... | Officer Natasha Weston | |
| Steve Raulerson | ... | Cellblock Officer (as Steven Raulerson) | |
| Tom Tarantini | ... | Austin McCoy | |
| William Haze | ... | Officer with Hole in Chest (as William Hasenzahl) | |
| Kim Kahana | ... | Camper Driver | |
| Chris Shepardson | ... | Dying Boy | |
| rest of cast listed alphabetically: | |||
| Tim Phoenix | ... | Kenny (uncredited) | |
| Victor Salva | ... | Victim (uncredited) | |
| L'Tanya Van Hamersveld | ... | Woman in Diner Scene (uncredited) | |
| Clint Wilder | ... | Police Officer (uncredited) | |
Directed by | |||
| Victor Salva | |||
Writing credits(WGA) | ||
| Victor Salva | (written by) | |
Produced by | |||
| Willi Bär | .... | executive producer (as Willi Baer) | |
| Francis Ford Coppola | .... | executive producer | |
| J. Todd Harris | .... | co-producer | |
| Eberhard Kayser | .... | executive producer | |
| Tom Luse | .... | producer | |
| Mario Ohoven | .... | executive producer | |
| Barry Opper | .... | producer | |
| Linda Reisman | .... | executive producer | |
Original Music by | |||
| Bennett Salvay | |||
Cinematography by | |||
| Don E. FauntLeRoy | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Kimberly Mullen | |||
Production Design by | |||
| Steven Legler | |||
Art Direction by | |||
| Kevin Egeland | |||
Set Decoration by | |||
| Barbara Peterson-Malesci | (as Barbara Peterson) | ||
Costume Design by | |||
| Emae Villalobos | |||
Makeup Department | |||
| Barry Anderson | .... | fake bodies | |
| Erin Braus-Guth | .... | assistant makeup artist (as Erin M. Braus) | |
| Roy Ceballos | .... | shop foreman | |
| Roy Ceballos | .... | special makeup effects artist | |
| Rodger Jacobs | .... | key makeup artist | |
| Elvis Jones | .... | key mechnical design and sculpture | |
| Robert Pendergraft | .... | special makeup effects artist | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | special makeup effects artist | |
| Tim Phoenix | .... | makeup artist | |
| Richard Redlefsen | .... | cosmetics | |
| Richard Redlefsen | .... | lead fabricator | |
| Richard Redlefsen | .... | special makeup effects artist | |
| Greg Smith | .... | key sculptor | |
| Gunnar Swanson | .... | key hair stylist | |
| Erick de la Vega | .... | special makeup effects artist | |
Production Management | |||
| Jeffrey Berk | .... | production supervisor: pre-production | |
| Jim Bigham | .... | production supervisor | |
| Valerie Hoffman | .... | production supervisor (as Valerie Howlett-Hoffman) | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Tom Luse | .... | unit production manager | |
| Barry Opper | .... | unit production manager | |
Art Department | |||
| Jerry Blohm | .... | property master | |
| Rex Christensen | .... | on-set dresser | |
| C. Deniz | .... | assistant sculptor | |
| Brad Parker | .... | original creeper designer | |
| Brad Parker | .... | project illustrator | |
| Daniel Williams | .... | greens | |
| Alice Wymer | .... | art department coordinator | |
| Carla Bailey | .... | scenic artist (uncredited) | |
| Christopher Scheetz | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Charlyn Bernal | .... | sound designer | |
| Tim Bindel | .... | adr supervisor | |
| Diana Flores | .... | adr mixer | |
| Joe Foglia | .... | sound recordist | |
| Aleksandr Gruzdev | .... | sound re-recording mixer | |
| Bill Henderson | .... | sound re-recording engineer | |
| Cindy Jo Hinkleman | .... | adr editor | |
| Cindy Jo Hinkleman | .... | dialogue editor | |
| James P. Lay | .... | sound re-recording mixer | |
| James P. Lay | .... | supervising sound editor | |
| Angelo Palazzo | .... | sound designer | |
| Angelo Palazzo | .... | sound editor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Tanya Peel | .... | sound utility | |
| Tanya Peel | .... | utility sound | |
| Andy Rosenthal | .... | sound effects editor | |
| Robert Troy | .... | dialogue editor | |
Special Effects by | |||
| Michael Arbogast | .... | special effects coordinator | |
| Joel P. Blanchard | .... | special effects foreman | |
| Roy Ceballos | .... | creature effects foreman | |
| David Fedele | .... | special effects makeup | |
| Jared Gray | .... | laboratory coordinator: makeup & monsters | |
| Thomas Kittle | .... | special effects foreman | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Richard Redlefsen | .... | creature effects technician | |
| Russell Tyrrell | .... | special effects technician | |
| Bill Forsche | .... | sculptor and foam latex technician: Creeper body (uncredited) | |
Visual Effects by | |||
| Sonny Kato Chapman | .... | creature effects technician | |
| Lucas Feld | .... | digital artist | |
| Lucas Feld | .... | lead modeler: Max Ink Cafe | |
| Charles Garcia | .... | concept designs: creature wings: Max Ink Cafe | |
| Buddy Gheen | .... | senior visual effects artist | |
| Paul Le Blanc | .... | CGI supervisor | |
| Robert W. Morgenroth | .... | visual effects supervisor | |
| Brad Moylan | .... | digital artist: The Image Resolution, Inc. | |
| Noley | .... | wire removal artist | |
| Scott Ramsey | .... | digital supervisor | |
| Scott Ramsey | .... | visual effects producer | |
| Cristina Castro | .... | additional CG coordinator: Max Ink Cafe (uncredited) | |
| Jennifer Champagne | .... | additional CG producer: Max Ink Cafe (uncredited) | |
| Scott Kirvan | .... | additional visual effects supervisor: Max Ink Cafe (uncredited) | |
| Lisa Lavender | .... | 3D roto artist: Max Ink Cafe (uncredited) | |
| Todd Perry | .... | additional visual effects supervisor/CG supervisor: Max Ink Cafe (uncredited) | |
| Michael Sanchez | .... | modeler: Max Ink Cafe (uncredited) | |
Stunts | |||
| Elle Alexander | .... | stunt double | |
| Elle Alexander | .... | stunt driver | |
| Hank Amos | .... | stunts | |
| Jennifer Badger | .... | stunts | |
| Kevin Ball | .... | stunts | |
| Billy Bates | .... | stunts | |
| Nick Brandon | .... | stunts | |
| Kial Butler | .... | stunts | |
| Danny Cadow | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| James M. Churchman | .... | stunt coordinator | |
| John Evanko | .... | stunts | |
| Jason Gray | .... | stunts | |
| Robert Harman | .... | stunts (as Bob Harmon) | |
| Thirl Haston | .... | stunts | |
| John Hines | .... | stunts | |
| Kurt Hockenberry | .... | utility stunts | |
| Gainer Johnson | .... | stunts | |
| Kim Kahana | .... | stunts | |
| Paul Leonard | .... | stunts | |
| Jeff Moldovan | .... | stunts | |
| Michelle Montgomery | .... | stunts | |
| Dave Phillips | .... | stunts | |
| Jason Roberts | .... | stunts | |
| Iris Lynne Sherman | .... | stunts | |
| Luis J. Silva | .... | stunts | |
| John Zimmerman | .... | stunts | |
| Kevin Ball | .... | stunt double: Creeper (uncredited) | |
| Charles Grisham | .... | stunt rigger (uncredited) | |
| Mike Smith | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Thomas M. Allen | .... | electrician | |
| Ben Bardin | .... | key grip | |
| Paul Beaver | .... | rigging grip | |
| Kurt Beckler | .... | electrician | |
| Robert Beverlin | .... | assistant camera | |
| Ben Bowling | .... | electrician | |
| Matt Brooks | .... | second assistant camera | |
| Shane Buttle | .... | specialty lighting technician | |
| Rick Climenhaga | .... | rigging grip | |
| Robert Driskell | .... | gaffer | |
| Marvin Haven | .... | grip | |
| Bruce Hazen | .... | electrician | |
| Kevin Jackson | .... | grip | |
| Michael P. May | .... | camera operator | |
| Gene Page | .... | still photographer | |
| Humberto Recio | .... | electrician | |
| John Wruck | .... | grip | |
Casting Department | |||
| Angelique Midthunder | .... | extras casting | |
Costume and Wardrobe Department | |||
| Barnaby Smith | .... | set costumer | |
| Jeanie Sturgeon | .... | additional costumer | |
Editorial Department | |||
| Geraud Brisson | .... | first assistant editor | |
| Rolando Diaz | .... | telecine dailies | |
| Michael Matsumoto | .... | post-production assistant | |
| Lance Oyabu | .... | post-production intern | |
| John Sellars | .... | colorist | |
Music Department | |||
| Randy Kerber | .... | orchestrator | |
| David Low | .... | orchestra contractor | |
| Ed Marx | .... | music editor | |
| Shawn Murphy | .... | scoring mixer | |
| Bennett Salvay | .... | conductor | |
| Bennett Salvay | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Tom Tarantini | .... | music sequencing: car radio | |
| Greg Townley | .... | music designer | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| Robert Jepson | .... | driver: picture car | |
| John H. Stephens | .... | driver: honeywagon | |
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| Jeepers Creepers II | Torso | Bad Boys II | Friday the 13th | House of 1000 Corpses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Germany section |
For all it's worth I thought that Jeepers Creepers was great. A lot of people have critisized this film and just did'nt like it. The only flaw in the film was the reason for them to return to the church where they saw the mysterious man. If that would have been anyone in their right mind they would have drivin as far away as posssable. I thought that Trish should have been knocked out to awaken only to find her brother gone. The only place for her to start looking would have been the church.Other than that the film was a blast. The creature was great and one of the scariest I've seen in a while. Very imagiantive and constantly asking what the hell IS THAT? As in any horror film it is ment to be entertaining. If you watched the whole thing without hitting the eject button then you must have had some intrest in it. Victor has brought back a return to the old style creature feature films that I loved in the day and hope to see him make some more in the future.