As part of a drunken bet with her sister, a happily married woman sends an anonymous Valentine's card to her husband to see if he hides it. When he does, what was a prank leads to a series ... See full summary »
Jennifer Love Hewitt,
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
In Manhattan, the aspirant writer Jabez Stone is a complete loser: he is not able to sell his novels, he lives in a lousy apartment and he does not have success with women. When one of his friends Julius Jenson sells his novel for US$ 190,000.00 to an editor, Jabez fells envy and promises to sell his soul to the devil for success and accidentally kills a woman with his typing machine. The Devil knocks on his door, fixes the situation and seals a contract with Jabez. His low quality novels have bad reviews but become best-sellers; Jabez enriches; has success with women, but has no time for his friends. Jabez meets with the publisher Daniel Webster who offers him a chance to break the contract with the devil. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Alec Baldwin, the film was extensively re-edited after it came into the possession of Bob Yari Productions, and no longer bears any resemblance to its original form or to the Benet short story, hence the title change. Baldwin has since requested that his name be removed from the credits as director and producer. See more »
While showing Jabez his new apartment, the Realtor says Irving Berlin wrote "White Christmas" there. In fact, the song was written while sitting at the pool at the Arizona Biltmore Resort and Spa in Phoenix, Arizona in 1940. See more »
Hmm. You know what they say. In order for one to succeed, another must fail.
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Smarmy, tasteless, trendily cynical rewrite of "The Devil and Daniel Webster"
Struggling novelist, unable to get anything published much less an actual audience to read his work, enters into a pact with a comely female Satan: fame and fortune in exchange for his immortal soul. Archibald Macleish's play "Scratch" becomes an updating of "The Devil and Daniel Webster" (filmed in 1941, with a panicked farmer as the tempted central figure); producer-director Alec Baldwin portrays the leading character opposite a terrific supporting cast, including Anthony Hopkins as lawyer Daniel Webster and Jennifer Love Hewitt as the Devil. Unfortunately, the movie was edited against Baldwin's wishes after sitting on the shelf for years, debuting on the Starz television network in 2007 after some brief theatrical bookings. It begins well but quickly loses its footing once Baldwin's writer gains the success he so desired, turning the picture into a yuppie treatise on the old money-can't-buy-happiness ploy. The filmmakers are so out-of-touch, they don't even consider the fact that maybe some of the writer's needs ARE fulfilled by his newfound celebrity. Instead, he turns into a sad sack with money in the bank and women at his feet--clearly not something struggling writers in real-life can identify with. Worse, there's never a moment when this man's heart is actually detectable; Baldwin is so callow an actor (not to mention as the director) that all we perceive are his handsome, unmodulated externals. He purses his lips and gazes intently at the camera, hoping to smolder, while viewers lose track of the character's roots. The final courtroom battle is well-played, though so much of the writing is smarmy, and executed without style, that the overall results are distinctly unsatisfactory. *1/2 from ****
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