| Miriam Margolyes | ... | Caseworker | |
| John Shrapnel | ... | Hannah | |
| Laurel Holloman | ... | Charlotte | |
| Isabel Brook | ... | Jen | |
| Caroline Carver | ... | Sarah | |
| Claire Goose | ... | Alice | |
| Susan Vidler | ... | Jackie | |
| Claudia Harrison | ... | Stacie | |
| rest of cast listed alphabetically: | |||
| Phil Claydon | ... | Hospital Porter (as Philip James Claydon) | |
| Kate Crowther | ... | Nurse | |
| Stephanie Shaw | ... | WPC | |
| Gwen Vaughan | ... | Desk Sergeant | |
| Rick Wakeman | ... | Night Clerk | |
| Rachel Woodeson | ... | News Reader | |
Directed by | |||
| Phil Claydon | |||
Writing credits(in alphabetical order) | ||
| Paul Hart-Wilden | ||
| Edgar Allan Poe | poem "Alone" | |
Produced by | |||
| David Ball | .... | producer | |
| John P. Davies | .... | producer (as John Davies) | |
| Keith Dearling | .... | executive producer | |
| Richard Hallows | .... | executive producer | |
| Eliane Huss | .... | associate producer | |
| Simon A. Maudsley | .... | executive producer (as Simon Maudsley) | |
| Andrew Tate | .... | executive producer | |
Original Music by | |||
| Jim Betteridge | |||
| Carver | |||
| Phil Claydon | |||
| Jonathan Rudd | |||
Cinematography by | |||
| Peter Thornton | |||
Film Editing by | |||
| Jonathan Rudd | |||
Casting by | |||
| Lucy Jenkins | |||
Production Design by | |||
| Keith Maxwell | |||
Costume Design by | |||
| Leila Ransley | |||
Makeup Department | |||
| Sian Osling | .... | makeup assistant | |
| Carole Williams | .... | hair designer | |
| Carole Williams | .... | makeup designer | |
Production Management | |||
| Ray Adams | .... | post-production supervisor | |
| Jon Wilkins | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Bird | .... | first assistant director | |
| Chris Hill | .... | third assistant director | |
| Bob Wright | .... | second assistant director | |
Art Department | |||
| Dave Feeney | .... | construction manager | |
| Don Harding | .... | stand-by props | |
| Hannah Nicholson | .... | production buyer | |
| Yvonne Toner | .... | trainee art director | |
Sound Department | |||
| Eira Banks | .... | assistant sound editor | |
| Ian 'Spike' Banks | .... | supervising sound editor | |
| Darran Clement | .... | sound re-recording mixer | |
| Simon Clement | .... | sound editor | |
| Christian Czako | .... | boom operator | |
| Mark Ferda | .... | sound re-recording mixer | |
| Claire Fitchie | .... | foley editor | |
| Mike Fitchie | .... | foley mixer | |
| Ian Richardson | .... | sound recordist | |
| Richard Welsh | .... | stereo sound consultant: Dolby | |
Visual Effects by | |||
| Zoe Cain | .... | I/O supervisor | |
| Craig Chandler | .... | visual effects producer | |
| Alan Church | .... | visual effects supervisor | |
| Diane Kingston | .... | digital effects coordinator | |
| Trevor Young | .... | visual effects compositor | |
| Mark Slade | .... | digital compositor (uncredited) | |
Stunts | |||
| Pedro Fortoni | .... | stunt double | |
| Rachel Mari Kimber | .... | stunt double | |
| Rocky Taylor | .... | stunt coordinator | |
| Jorja Welch | .... | stunt double | |
Camera and Electrical Department | |||
| Paul Edwards | .... | Steadicam operator | |
| Andy Ellaway | .... | electrician | |
| Dorian Evans | .... | best boy | |
| John Evans | .... | clapper loader | |
| Clive Johnson | .... | electrician | |
| Rachel Mari Kimber | .... | video assist operator | |
| Steve Lawes | .... | focus puller: "a" camera | |
| David Mason | .... | gaffer | |
| Andrew Moorhead | .... | grip | |
| Warren Orchard | .... | still photographer | |
| Steve Oxley | .... | focus puller | |
| Darren Piercy | .... | crane grip | |
| Tom Shrapnel | .... | video assist operator | |
Casting Department | |||
| Leonard Finger | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Clare McHardy | .... | costume assistant | |
| Katrina Perkins | .... | costume assistant | |
Editorial Department | |||
| Nick Lofting | .... | assembly editor | |
Music Department | |||
| Jim Betteridge | .... | music mixer | |
| Jim Betteridge | .... | music recordist | |
Transportation Department | |||
| Kevin Knox | .... | transportation captain | |
| Barry Wooding | .... | transportation coordinator | |
Other crew | |||
| David Ball | .... | devised by | |
| David Ball | .... | story developer | |
| Phil Claydon | .... | story developer | |
| Tanya Conway | .... | production accountant | |
| Kate Crowther | .... | production secretary | |
| John P. Davies | .... | story developer (as John Davies) | |
| Rena Hanover | .... | production coordinator | |
| Sally Jones | .... | script supervisor | |
| Claire Lincoln | .... | production coordinator | |
| Mark Loughman | .... | story developer | |
| Susen Vural | .... | title designer | |
| Amy West | .... | assistant script supervisor | |
| Sian Williams | .... | assistant script supervisor | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section |
There is a nice idea at the back of this film, and the director has assembled a talented cast.
Unfortunately the novelty of the approach wears thin and the idea - that we see only through the eyes of the killer- becomes incredibly iritating by the end of the film.
Aditonally the "twist" is predictable after about 5 minutes.
This is a shame as the actors are very talented and could undoubtedly have made a decent fist of the role given half a chance.What a wasted opportunity!
Technical details are excellent and the editing and sound design are superb.Unfortunately the same cannot be said of the movie.