Directed by | |||
| John Erman | |||
Writing credits(in alphabetical order) | ||
| John Goldsmith | ||
Produced by | |||
| David Cunliffe | .... | producer | |
| Sue Deeks | .... | executive producer: BBC | |
| Delia Fine | .... | executive producer: A&E | |
| John Goldsmith | .... | co-executive producer | |
| Adam Kempton | .... | associate producer | |
| Thomas Mattinson | .... | line producer | |
| Doug Schwalbe | .... | executive producer: Splendid TV | |
| James Straven | .... | associate producer | |
Original Music by | |||
| Alan Parker | |||
Cinematography by | |||
| Tony Imi | |||
Film Editing by | |||
| David Blackmore | |||
| Ian Farr | |||
Casting by | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Keith Wilson | |||
Art Direction by | |||
| James Foster | |||
Set Decoration by | |||
| Alistair Kay | |||
Costume Design by | |||
| Maria Price | |||
Makeup Department | |||
| Karen Edwards | .... | makeup artist | |
| Charmaine Fuller | .... | makeup artist | |
| Pat Hay | .... | makeup designer | |
| Helen Johnson | .... | makeup artist | |
| Nuria Mbomio | .... | makeup artist: FT2 | |
| Stephen Rose | .... | hair designer | |
| Tracey Wells | .... | makeup artist | |
Production Management | |||
| Shelley Powell | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mark Egerton | .... | first assistant director | |
| Barney Hughes | .... | third assistant director (as Barnaby Hughes) | |
| Liz Legum | .... | second assistant director | |
| Keith Young | .... | second assistant director | |
Art Department | |||
| Colin Ellis | .... | props | |
| Colin Gray | .... | props | |
| Dougie Lankston | .... | props storeman | |
| Heather Leary | .... | assistant art director | |
| Coralie Lew | .... | assistant art director | |
| Brian Neighbour | .... | construction manager | |
| Mitch Niclas | .... | props | |
| Dave Perschky | .... | head carpenter | |
| Allen J. Polley | .... | prop master (as Allen Polley) | |
| Mark Rimmell | .... | production buyer | |
| James R. Rokos | .... | assistant art director (as James Rokos) | |
| Paul Turner | .... | props | |
| Howard Weaver | .... | scenic artist | |
| Rosanna Westwood | .... | art department assistant | |
| Steve Williamson | .... | head painter | |
| Eddie Wolstencroft | .... | stand by painter | |
Sound Department | |||
| Richard Fettes | .... | sound effects editor | |
| Matt Grimes | .... | dialogue editor (as Matt Grime) | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Aaron Jones | .... | sound trainee | |
| Andy Kennedy | .... | sound effects editor | |
| Keith Marriner | .... | adr editor | |
| Keith Marriner | .... | dialogue editor | |
| Bjorn Ole Schroeder | .... | dialogue editor (as Bjorn Schroeder) | |
| Terry Sharratt | .... | sound maintenance | |
| Andrew Sissons | .... | sound recordist | |
| John Warhurst | .... | assistant sound editor | |
Special Effects by | |||
| Ricky Farns | .... | special effects | |
Visual Effects by | |||
| Jim Allen | .... | visual effects | |
| Paul Lambert | .... | digital compositor | |
Stunts | |||
| Rowley Irlam | .... | stunts | |
Camera and Electrical Department | |||
| Phil Aylward | .... | grip | |
| Harry Bowers | .... | clapper loader | |
| Diana Dunn | .... | still photographer | |
| Paul Edwards | .... | Steadicam operator | |
| Alison Lai | .... | camera trainee | |
| Alan Martin | .... | gaffer | |
| Lee Martin | .... | best boy | |
| Mark Milsome | .... | focus puller | |
| Julian Morson | .... | additional camera operator | |
| Gary Parnham | .... | electrician | |
Casting Department | |||
| Andrea Clark | .... | casting assistant | |
| Lynn Glaser | .... | casting: children (uncredited) | |
Costume and Wardrobe Department | |||
| Mark Lord | .... | costume assistant | |
| Ian Nader | .... | costume assistant | |
| Peter Paul | .... | costume assistant | |
| Zoe Porter | .... | assistant costume designer | |
| Pookie Russell | .... | costume assistant | |
Editorial Department | |||
| Chris Beeton | .... | telecine colorist | |
| Matthew Briggs | .... | additional editor | |
| Mike Fraser | .... | negative cutter | |
Transportation Department | |||
| Derek McPhail | .... | unit driver | |
| Richard Sloggett | .... | transportation captain | |
Other crew | |||
| Reid Carson | .... | location assistant | |
| Dan Channing-Williams | .... | production runner | |
| Diana Dunn | .... | credits | |
| Lucy Egerton | .... | set runner | |
| Sue Field | .... | script supervisor | |
| Fiona Garland | .... | production secretary | |
| Miranda Gooch | .... | child acting coach | |
| Stuart Hopps | .... | choreographer | |
| Samantha Knox-Johnston | .... | production coordinator (as Sam Knox-Johnston) | |
| Zeb Lamb | .... | assistant to director | |
| Caroline Morrison | .... | location assistant | |
| Nina Parnaby | .... | accounting assistant | |
| Victoria Piller-Carson | .... | accountant | |
| Marlea Willis | .... | senior unit publicist | |
| Verity Wislocki | .... | assistant to producer | |
| Charlie Woodhouse | .... | location manager | |
| Mike Fraser | .... | rushes transfer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| German | AnnetteH |
| Music in the film | flaquita_cp |
| Choir Piece | superstu86 |
| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb UK section |
I'm a BBCminiseries-aholic. I can watch even the most tedious efforts from the 70s and find them entertaining enough to watch several times. So it is no surprise that I like this. For my enjoyment, the biggest stumbling block of this miniseries is the casting of Victoria. To be fair, Victoria Hamilton (Victoria) is an actress I just don't care for. I've seen her in several things, and I just don't connect with her screen presence. She is a fine actress, always emotionally "present," but I do feel that I see the same 3 emotions over and over happy, sad, fussy. She is omnipresent through this piece, so there you have it. She is lovely as the coming-of-age Victoria, but the biggest problem here is that she is not believable playing much over the age of 25.
This is a film that would have benefited immensely by double casting the leads/ breaking half way through to change them to older actors. (And one horrible mistake is opening and closing the film with an elderly wheelchair-bound Victoria played by another actress whose eyes are bright blue, and Hamilton's are brown.) Hamilton simply does not grow up enough, despite costumes and makeup.
Jonathan Firth (Albert) also suffers from the various age make-ups, fares much better, and brings more complexity to his role. He is always exceptional, and his role here is sympathetic, even when behaving badly, but he does look as if he had just finished crying during a lot of this film a bad allergy season, perhaps? He also does not make the transition to age believably.
Because of this, what makes this piece tick, run, and flow is the exquisite supporting cast. This is always the case with these BBC/A&E productions, and it may be what is really their core secret. People a town with geniuses, and any idiot can run the place . Well, that is what they do with their actors. Penelope Wilton has the standout performance as a desperate, emotional, miscalculating Queen Mum. David Suchet is simply perfect, and so far from Poirot you need to remind yourself that this is the same actor. Diana Rigg and Nigel Hawthorne also lend gravitas to production.
This production also features some really beautiful castle/historic locations, but this one is probably only for those who are addicted to the anglo-miniseries. (Almost exclusively indoor and talky, so boys will probably feel as pent up and useless as Albert did.)