| Laetitia Casta | ... | Thérèse | |
| Frédéric Diefenthal | ... | Firmin | |
| Arielle Dombasle | ... | Madame Numance | |
| John Malkovich | ... | Monsieur Numance | |
| Charles Berling | ... | Reveillard | |
| Johan Leysen | ... | Rampal | |
| Edith Scob | ... | Première femme veillée | |
| Christian Vadim | ... | Le pasteur | |
| Carlos López | ... | Le muet | |
| Monique Mélinand | ... | Thérèse âgée | |
| Jacqueline Staup | ... | Deuxième femme veillée | |
| Corine Blue | ... | Jeune femme veillée | |
| Aimé Lebedel | ... | Vieux chanteur | |
| Nathalie Boutefeu | ... | Charlotte | |
| Marc Dantes | ... | Forgerons | |
| Eric Pasturel | ... | Forgerons | |
| Wladimir Ivanovsky | ... | Gourgeon | |
| Thierry Melia | ... | L'aubergiste | |
| Eugène Bouscarle | ... | Le chef | |
| André Delmas | ... | Client 1 | |
| Manuel Villalba | ... | Client 2 | |
| Antoine Chain | ... | Jeune homme | |
| Anna Queytan | ... | La mercière | |
| Christine Borredon | ... | La modiste | |
| Josette Pons | ... | La gouvernante | |
| Roger Pons | ... | Jardinier | |
| Sylvain Valentin | ... | Gendarme | |
| Isabelle Delaunay | ... | Diaconesse | |
| Emmanuel Depoix | ... | Jeune curé | |
| Jacques Rouault | ... | Ouvrier | |
| Louis-Charles Sirjacq | ... | Le médecin |
Directed by | |||
| Raoul Ruiz | |||
Writing credits | ||
| Jean Giono | (novel) | |
| Alexandre Astruc | (screenplay, adaptation and dialogue) & | |
| Mitchell Hooper | (screenplay, adaptation and dialogue) and | |
| Alain Majani d'Inguimbert | (screenplay, adaptation and dialogue) & | |
| Eric Neuhoff | (screenplay, adaptation and dialogue) | |
Produced by | |||
| Jacques de Clercq | .... | co-producer | |
| Dimitri de Clercq | .... | producer | |
| Marc de Lassus Saint-Geniès | .... | producer | |
| Alain Majani d'Inguimbert | .... | producer | |
Original Music by | |||
| Jorge Arriagada | |||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Béatrice Clérico | |||
| Valeria Sarmiento | |||
Casting by | |||
| Sylvie Brocheré | |||
Production Design by | |||
| Bruno Beaugé | |||
Costume Design by | |||
| Marielle Robaut | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Bernard Floch | .... | key makeup artist | |
| Christian Garcia | .... | hair stylist (as Boris Garcia) | |
| Annie Habans | .... | makeup artist | |
| Isabelle Luzet | .... | key hair stylist | |
| Gill Robillard | .... | makeup artist | |
| Lyda Sanchez | .... | hair stylist | |
| Marc Villeneuve | .... | hair stylist | |
| Catherine Vrignaud | .... | makeup artist | |
Production Management | |||
| Jacques Arhex | .... | production manager | |
| Arnaud Kerneguez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Olivier Bouffard | .... | second assistant director | |
| Florence Rauscher | .... | trainee assistant director | |
| Guillaume Roitfeld | .... | first assistant director | |
Art Department | |||
| Lucien Eymard | .... | props | |
| Gil Mas | .... | first assistant art director | |
| François Peyon | .... | assistant art director | |
Sound Department | |||
| Germain Boulay | .... | sound editor | |
| Germain Boulay | .... | sound effects editor | |
| Nicolas d'Halluin | .... | sound recordist | |
| William Flageollet | .... | sound mixer | |
| William Flageollet | .... | sound | |
| François-Joseph Hors | .... | sound re-recording mixer | |
| Patrick Lemaire | .... | cable person | |
| Jérôme Lévy | .... | foley artist | |
| Georges-Henri Mauchant | .... | sound designer | |
| Georges-Henri Mauchant | .... | sound editor | |
| Christian Monheim | .... | sound | |
| Laurent Quaglio | .... | sound editor | |
| Laurent Quaglio | .... | sound | |
| Seppe van Groeningen | .... | boom operator | |
Special Effects by | |||
| Christian Bourqui | .... | rain | |
| Neill Gorton | .... | special effects makeup (as Neil Gorton) | |
| Robert Mayor | .... | special effects makeup | |
| Steve Painter | .... | special effects makeup | |
| Steve Scotton | .... | special effects technician | |
Camera and Electrical Department | |||
| Marion Befve | .... | second assistant camera | |
| François Berroir | .... | chief electrician | |
| Justine Bourgade | .... | trainee camera | |
| Xavier Cholet | .... | electrician | |
| Dominique Fayos | .... | grip | |
| Irina Lubtchansky | .... | first assistant camera | |
| Tudor Mircea | .... | camera operator | |
| Denis Scozzesi | .... | key grip | |
| Paul Triboulet | .... | grip | |
| Laurence Trémolet | .... | still photographer | |
Casting Department | |||
| Louise Arhex | .... | trainee extras casting | |
| Frédérique Juhel | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sophie Dieu | .... | key wardrobe | |
| Nicole Meyrat | .... | costumer | |
| Mirna Rossi-Favier | .... | seamstress (as Mirna Favier) | |
| Priscillia Van Sprengel | .... | trainee costume designer | |
Music Department | |||
| Richard Gallet | .... | music recordist | |
| Jean-Louis Négro | .... | conductor | |
| Béatrice Uria-Monzon | .... | musician: mezzo-soprano | |
Other crew | |||
| Corine Blue | .... | assistant to director | |
| Jean-Paul Cauvin | .... | publicist | |
| Barbara Constantine | .... | script supervisor | |
| Marceline Corthesy | .... | dialogue coach: John Malkovich | |
| Patrick Lemaire | .... | horse master | |
| Rob Mayor | .... | prosthetic artist | |
| Charles-Edouard Renault | .... | legal counsel | |
Thanks | |||
| Nathalie Bloch-Lainé | .... | thanks | |
| Richard Boidin | .... | thanks | |
| Sylvie Durbet Giono | .... | special thanks | |
| Isabelle Gallimard | .... | thanks | |
| Pierre Héros | .... | thanks | |
| Alain Lanceron | .... | thanks | |
| Jacques Meny | .... | thanks | |
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| Madame Bovary | Love in the Time of Cholera | The Bridge of San Luis Rey | My Father's Glory | Giant |
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| News articles | IMDb Drama section | IMDb France section |
Despite the unquestioned talent of Raul Ruiz, this movie is an unqualified disaster. The plot drifts aimlessly, tv-series like, coupled with inadequate acting and over-elaborate voice-over in order to further the "action" in an ad-hoc manner. Practically very little of any importance actually happens, even less of what occurs on the screen is dramatically convincing in this terminally unexciting journey of a manipulative young girl and her encounters in rural France of the 19th century. Vacuity disguised as ambiguity or worse, profundity. Good cinematography though, but there are far better literary adaptions done recently such as Assayas' "Les destinees sentimentales".