Jacques Laurent made pornographic films in the 1970's and '80's, but had put that aside for 20 years. His artistic ideas, born of the '60's counter-culture, had elevated the entire genre. ... See full summary »
Tiresia is at the same time woman and man, according to Greek Mythology. Here, Tiresia is a Brazilian transexual living with her brother in the outskirts of Paris. Terranova, an admirer of ... See full summary »
A Ma Soeur! is a provocative and shocking drama about sibling rivalry, family discord and relationships. Elena is 15, beautiful and flirtatious. Her less confident sister, Anais, is 12, and... See full summary »
Libero De Rienzo
Jacques Laurent made pornographic films in the 1970's and '80's, but had put that aside for 20 years. His artistic ideas, born of the '60's counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself... Written by
Performed by Philip Glass Ensemble
Music by Philip Glass
(P) 1982 Sony Music Entertainment Inc.
Avec l'aimable autorisation de Premiere Music Group
et de Sony Music Entertainment (France) S.A. See more »
It's truly riling when a film reeking of self importance and supposed deep meaning is so obviously a total fake. There may have once been French films in which great existential truths were told with a particularly somber French seriousness. This must have made a lasting impression on many a future director who dreamed of one day putting some of their own deep truths on screen. This led to too many pretentious French films which really have little if anything of importance to say, other than some empty platitudes in the guise of a intellectualism. These films tend to give you the feeling of inadequacy. While others around are imbibing the pearls of wisdom you may sit dumbfounded wondering what it's all about. Don't be fooled for a minute by this hollow pretense.
"Le Pornographe" is a prime example. It's a total bluff and in cinematic terms a complete mess. Jean-Pierre Leaud trades off his legendary younger days as Truffaut's alter ego. This may lend a certain weight to the character, but again it's a mere cloak for the nothingness beneath. The actors are constantly brooding, with a vacant expressionless stare. This is not meaningful as director Bonello would want us to believe, it's simple a façade. Jeremie Renier, one of the more promising young French actors is wasted in this vacuous exercise.
You might think a statement would be made about the nature of pornography, a subject begging out for a truly insightful cinematic investigation. But even that is skirted. What remains is an extremely irritating and decidedly boring film. Even the inclusion of two hard core (though distantly shot) sex scenes, both totally devoid of any eroticism, fails to inject some life into this abomination.
Fakery of the very worst kind.
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