| Photos (see all 8 | slideshow) |
| Candace Evanofski | ... | Nasia | |
| Donald Holden | ... | George | |
| Damian Jewan Lee | ... | Vernon | |
| Curtis Cotton III | ... | Buddy | |
| Rachael Handy | ... | Sonya | |
| Paul Schneider | ... | Rico Rice | |
| Eddie Rouse | ... | Damascus | |
| Janet Taylor | ... | Aunt Ruth | |
| Derricka Rolle | ... | Whitney | |
| Ebony Jones | ... | Denise | |
| Jonathan Davidson | ... | Euless | |
| Scott Clackum | ... | Augie | |
| Beau Nix | ... | Rico's Father | |
| Jason Shirley | ... | Railroad Worker | |
| William Tipton | ... | Railroad Worker | |
| Balla Keita | ... | Railroad Worker | |
| Will Janowitz | ... | Railroad Worker | |
| Shannon Davis | ... | Railroad Worker | |
| Ryan Morris | ... | Railroad Worker | |
| Christian Gustaitis | ... | Tyler | |
| Joyce Mahaffey | ... | Tyler's Mom | |
| Johnny 'Blue' Gardner | ... | George's Doctor | |
| Rudy Anderson | ... | Sonya's Attorney | |
| Henry Harris | ... | Baptist (as Henry A. Harris) | |
| Alan Thompson | ... | George's Father | |
| Stephanie Grant | ... | Buddy's Momma | |
| Tabitha Bell | ... | Interviewer | |
| Chris Kennedy | ... | Strong Man | |
| Richard Skaggs | ... | Uncle Sam | |
| Stephen Vazquez | ... | Boy at the Wreck | |
| Jocelyn Bond | ... | Nasia's Friend | |
| Kimberley Rogers | ... | Nasia's Friend | |
| Olivia Walker | ... | Nasia's Friend | |
| Yolanda Hairston | ... | News Woman | |
| Thomas Cormier | ... | Camera Man | |
| Christof Gebert | ... | The sound Man | |
| Clinton Campbell Jr. | ... | Photographer | |
| Smokey | ... | The Dog |
Directed by | |||
| David Gordon Green | |||
Writing credits | ||
| David Gordon Green | (written by) | |
Produced by | |||
| Sam Froelich | .... | executive producer | |
| David Gordon Green | .... | producer | |
| Sacha W. Mueller | .... | producer | |
| Lisa Muskat | .... | producer | |
| Erin Aldridge Orr | .... | co-producer (as Erin Aldridge) | |
| Darius Shahmir | .... | line producer (as Daria Shahmir) | |
| Craig Zobel | .... | co-producer (as R. Craig Zobel) | |
Original Music by | |||
| Michael Linnen | |||
| David Wingo | |||
Cinematography by | |||
| Tim Orr | (director of photography) | ||
Film Editing by | |||
| Zene Baker | |||
| Steven Gonzales | |||
Production Design by | |||
| Richard A. Wright | (as Richard Wright) | ||
Art Direction by | |||
| Richard A. Wright | (as Richard Wright) | ||
Costume Design by | |||
| Michael Tully | |||
Makeup Department | |||
| Jeremy Macklem | .... | special makeup effects artist | |
| Michael Tully | .... | makeup artist | |
Production Management | |||
| David C. Cook | .... | post-production supervisor (as David Cook) | |
Second Unit Director or Assistant Director | |||
| Benji Gillespie | .... | first assistant director | |
| Andrew Gillis | .... | second unit director | |
| Danny McBride | .... | additional second unit director | |
Art Department | |||
| Mike Chapman | .... | art | |
| Charlie Dugan | .... | swing | |
| Berndt Mader | .... | swing | |
Sound Department | |||
| C-Note | .... | sound effects editor | |
| Scott Elliot | .... | sound assistant | |
| E-Rod | .... | dialogue editor | |
| Bino Espinoza | .... | sound effects editor | |
| Christof Gebert | .... | location sound engineer | |
| Charlie Harring | .... | foley artist (as Charles Harring) | |
| Thomas Kilzer | .... | foley recordist | |
| David Kitchens | .... | sound supervisor | |
| Jacky Kreple | .... | sound assistant | |
| Michael Kreple | .... | sound effects editor | |
| Chris McDonough | .... | sound coordinator | |
| Paige Pollack | .... | foley artist | |
| Eliza Pollack Zebert | .... | dialogue editor (as Eliza Zebert) | |
| Eric Reuveni | .... | sound coordinator | |
| Ken Skoglund | .... | sound re-recording mixer | |
| Peter Webb | .... | sound assistant | |
| Suzanne Willard | .... | assistant sound | |
| David Wingo | .... | boom operator | |
| Ben Zarai | .... | foley recordist | |
| Ben Zarai | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Scott Gardner | .... | assistant camera: second unit | |
| Jason Musco | .... | second assistant camera | |
| Ryan Nelson | .... | grip | |
| Brian Nisbett | .... | dolly grip | |
| Brian Nisbett | .... | still photographer | |
| Steve Pedulla | .... | additional photographer | |
| Steve Pedulla | .... | gaffer | |
| Matthew A. Petrosky | .... | first assistant camera | |
| Brian Sides | .... | grip | |
| David Speck | .... | clapper loader | |
| Ray Stilson | .... | grip | |
| Adam Stone | .... | additional photographer | |
| Adam Stone | .... | director of photography: second unit | |
| Adam Stone | .... | lighting: second unit | |
| Karey Williams | .... | additional photographer | |
| Karey Williams | .... | key grip | |
| Karey Williams | .... | underwater director of photography | |
| Kenneth Wilson II | .... | assistant camera | |
| Kenneth Wilson II | .... | best boy | |
Costume and Wardrobe Department | |||
| Jessica Mickey | .... | wardrobe supervisor | |
Editorial Department | |||
| Ivo Stainoff | .... | color timer | |
Other crew | |||
| Ryan Arnett | .... | production assistant | |
| Anna Dudley | .... | continuity | |
| Charlie Dugan | .... | wrangler | |
| Emmy Ellison | .... | production coordinator (as Elizabeth Ellison) | |
| Chris Gonzales | .... | computer consultant | |
| Elaine Green | .... | teacher | |
| Laura Thompson | .... | assistant to director | |
| Laura Thompson | .... | assistant to director | |
Thanks | |||
| Wade Adams | .... | thanks | |
| Lantz Barbour | .... | thanks | |
| Ben Best | .... | thanks | |
| Molly Bradford | .... | thanks | |
| Peter Broderick | .... | thanks | |
| Rick Brophy | .... | thanks | |
| Shawn Byrd | .... | thanks | |
| Matt Chapman | .... | thanks | |
| Mike Chapman | .... | thanks | |
| Robert E. Collins | .... | thanks (as Robert Collins) | |
| Kevan Cyka | .... | thanks | |
| Clarke Dummit | .... | thanks | |
| Giuli Dummit | .... | thanks | |
| Joe Dunton | .... | thanks | |
| Pat Dye | .... | thanks | |
| Patty Dye | .... | thanks | |
| Ralph Fairweather | .... | the producers wish to thank: Apple Computer | |
| Peter F. Fedak III | .... | thanks (as Peter Fedak) | |
| Butter Fisher | .... | thanks | |
| Carlos Gallardo | .... | thanks | |
| Ralph Gibson | .... | the producers wish to thank: Oakview Barbershop | |
| Gordon Green | .... | thanks | |
| Jeanne Green | .... | thanks | |
| Sam Grogg | .... | thanks | |
| Brian Harrison | .... | the producers wish to thank: Apple Computer | |
| Gary Hawkins | .... | thanks | |
| Gill Holland | .... | thanks | |
| Anne Hunter | .... | thanks | |
| Bryan Johnson | .... | thanks (as Big) | |
| Erv Karwelis | .... | the producers wish to thank: Idol Records (as Erv) | |
| Loran Kary | .... | the producers wish to thank: Film Logic | |
| Ida Keptner | .... | thanks | |
| Ron Keptner | .... | thanks | |
| Robert Kessel | .... | thanks | |
| Terry King | .... | thanks | |
| David Kitchens | .... | thanks | |
| Bryan Kupko | .... | thanks (as Brian Kupco) | |
| Nan Mahle | .... | thanks | |
| James Marcovitz | .... | thanks (as James Marcowitz) | |
| Dominic Mouzon | .... | thanks | |
| Douglas Nabors | .... | thanks (as Doug Nabors) | |
| Phil Newsome | .... | thanks | |
| Anis Panjwani | .... | thanks | |
| Sarah Pillsbury | .... | thanks | |
| Harvey Platt | .... | thanks | |
| Sandy Platt | .... | thanks | |
| Dale Pollock | .... | thanks | |
| Janice Price | .... | thanks | |
| Christopher Quinn | .... | thanks | |
| Susan Quinn | .... | thanks | |
| Dean Ramser | .... | thanks | |
| Brian Reis | .... | thanks | |
| Eric Reuveni | .... | thanks | |
| Greg Ridge | .... | thanks | |
| Sylvia Ridge | .... | thanks | |
| Midge Sanford | .... | thanks | |
| Sandra Schulberg | .... | thanks | |
| Sharon Sklar | .... | thanks (as Sharan Sklar) | |
| Milton Tabbot | .... | thanks | |
| Onur Tukel | .... | thanks | |
| Chris Waldorf | .... | thanks | |
| Dave Webb | .... | thanks | |
| Janice Lauf Wellerstein | .... | thanks (as Janice Wellerstein) | |
| Karey Williams | .... | thanks | |
| Pete 'The Dog Man' Zellmer | .... | thanks | |
| Pat Zobel | .... | thanks | |
| Roger Zobel | .... | thanks | |
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GEORGE WASHINTON / (2000) ***1/2 (out of four)
By Blake French:
"George Washington" details the drowsy lives of several preteen friends during their last summer of childhood, and it feels so accurate how the characters behave in the slumberous, low standard society. This is the summer where their first crushes arrive and flowering sexuality gives them confidence instead of confusion. It is a summer where the heat is consistent and the days seemingly last forever with nothing to do. The movie is about how a tragedy can forever change the course of individual lives so unexpectedly and abruptly.
The setting is North Carolina on an industrial landscape, where we meet several black kids between the ages of ten and thirteen. The preteens are Buddy (Curtis Cotton III), who has a crush on Nasia (Candace Evanofski). She leaves him a young fellow named George (Donald Holden). George is a very interesting character; the plates in his skull did not meet correctly, so he must wear a protective helmet to cover his delicate head. George saves a child from drowning, even though his head is never supposed to get wet. He then walks around with a cape on, feeling accomplished like a hero. Then an accident happens, leaving the remaining characters with a lot to think about.
There is not a lot of active conflict here, just an examination of behaviors of a variety of characters. They are not your typical characters, though; they are so brilliantly portrayed they feel like regular, ordinary people. The performances are extraordinary. The atmosphere and melancholy setting play large roles in the monotonous tone, comparable conceivably with the work of Terence Malick. There is an honest and true sentimentality here, like the director, David Gordon Greene, wanted to inject personal and thought-provoking ideas in his innovative style, which sometimes seems a bit preachy.
"George Washington" is one of the most under appreciated movies of 2000. As I look over the Academy Award nominees I am disturbed. For the first time in a long time the members chose box-office successes over movie quality. Among the movies missing from the ballot are "Human Resources," "The Virgin Suicides," and "George Washington." The film is one of the year's most poignant and heartbreaking. Everything that happens here is so lively, so convincing, so extraordinarily absorbing. It is a movie not to be missed by those looking for great underrated movies.