A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world's best scratchers, beat-diggers, ... See full summary »
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between ... See full summary »
'Lee' George Quinones,
Fab 5 Freddy
Stretch and Bobbito: Radio That Changed Lives explores the social impact of what the Source Magazine in 1998 voted, "The Best Hip Hop Radio Show Of All-Time." The documentary film is the ... See full summary »
In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include ... See full summary »
Through archival footage Nicholson tells the story of the real Warriors that walked the streets of New York City in the 1970s and the harsh reality of gang life in a city that seemed to be falling apart.
Our Vinyl Weighs a Ton is a feature-length documentary about avant-garde Los Angeles-based record label Stones Throw Records. The film weaves together rare concert footage, never-before-see... See full summary »
From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality. Written by
This documentary had a lot of potential, but I feel that it is pretty weak. Most of the legendary freestyle footage shown in this film has been available for years in hip hop circles, so if you've already seen it (like the biggy street corner free) there really isn't a whole lot of reason to watch this movie. There are a lot of nobodies dropping weak freestyles in this film. If you've ever been in a real cypher you know that half the stuff in this film is garbage. You get some dope freestyles by Supernat and some others, but overall, this film is not the amazing, eye-opening opus that the blurbs on cover would have you believe. I guess if your just getting into hip hop there is some appeal in this movie, but if your a life long dedicated fan and participant, this film has very little to offer.
5 of 13 people found this review helpful.
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