A film diary divided into three episodes. The first part reflects Jonas Mekas of his time as emigrant in 50th century New York, after leaving the home country of Lithuania. The second part ... See full summary »
The impact of the decline of heavy industry on workers and their families in the Tiexi district of Shenyang, China, at the turn of the 21st century, documented unflinchingly by a fly-on-the-wall camera.
This is a soundless story of the building of 'Toledo Spirit', the container ship, its sailing and eventual beaching. Insignificant men crawl on cranes and gantries to build it and other men, sans the equipment, scrape it after beaching.
One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be ... See full summary »
Mekas seemingly attempts to re/de construct his life, splicing together apparently random snippets of home movies he shot over the past 30-odd years. Birthdays, Travels, Picknicks in Central Park, his daughters first steps, a parade in New York City, jumbled and bunched together, occasionally introduced or accompanied by short bits of rumination in written or spoken form. Mekas comments his own life (at least the parts he decided to show us), talks of friends and family and things past. And of his Faible for all things unimportant, which is the core of this work of life. In the end it's an hypnotic, melancholic piece of epic proportions, an Ode to the small wonders of life, those "glimpses of beauty".
3 of 8 people found this review helpful.
Was this review helpful to you?
| Report this