Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »
In this interesting drama, three sequences which could have formed separate stories are linked together, like cars on a train, to give a larger perspective on the nature of reality and film... See full summary »
Mourning his dead child, a haunted Vietnam War veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
"If you don't take risks, you'll have a wasted soul." - Drew Barrymore. Ever since the second grade when he first saw her in E.T. The Extraterrestrial, Brian Herzlinger has had a crush on ... See full summary »
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins. Written by
Jon Reeves <firstname.lastname@example.org>
The vintage magazine clipping on the wall of one of the rooms at the Danvers Hospital was featured on the website www.yourprops.com after it was rescued from the building before the building was torn down. However, most of the other photos and clippings on the walls couldn't be salvaged because they were destroyed by mold and humidity. See more »
Peter Mullan kept forgetting to limp during his scenes resulting in many continuity errors. These are noted in the director's commentary as well. See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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No point in mincing words: Brad Anderson's Session 9 is the best horror movie I've seen in a long time. It's intelligent, well-written, it's completely unpredictable, it looks great (I didn't really notice until the second viewing how well the editing and the photography work together), and the soundtrack is downright creepy. Until recently only two films had managed to make me lie awake at night: Dario Argento's "Opera" and Tobe Hooper's "Texas Chain Saw Massacre". Well, now the list includes three films. Honestly, there is no excuse not to see this one, folks. Horror doesn't get any better than this.
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