Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins. Written by
Jon Reeves <email@example.com>
During the scene shot outside Danvers when Bill (Paul Guilfoyle) and Gordon (Peter Mullan) are discussing the bid for the asbestos abatement job, a student pilot was flying circles overhead for about 3 hours. This forced the talent and crew to film the sequence in spurts starting when the plane was furthest away and stopping as it grew nearer. See more »
At the very end of this movie there's a typo in the copyright notice. The word motion, as in motion picture, is spelled "motin". See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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With a brilliant premise, "Session 9" is a slow build of genuine atmospheric creepiness. More akin to Nicolas Roeg's classic "Don't Look Now" than more recent horror fare with high body counts, director Brad Anderson effectively builds tension in layers of voiceovers and (mostly subtle) foreshadowing to build to a climax of madness, with sparing use of the cheaper horror devices. Unfortunately the characters are not as fleshed out as one would have hoped, so we are left with some unanswered questions (we would have liked to have met Gordon's family and Hank's girlfriend. Why did Mike drop out of law school?). Though the subtle horrors of this film may fail to grasp the short attention spans of younger moviegoers who consider "I Know What You Did Last Scream" to be the de facto standard of the genre, this is a very cleverly executed, if imperfect, thriller.
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