In this action comedy, Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled ... See full summary »
J. Neil Schulman
For the third time, HBO cameras go inside Trenton State Maximum Security Prison--and inside the mind of one of the most prolific killers in U.S. history--in this gripping documentary. Mafia... See full summary »
Obsessed with making a movie with Hollywood actress Anne Hathaway, a young man in Romania goes to shocking extremes using three local actresses to shoot scenes from the movie to send to Anne as proof of his filmmaking skills.
Feature film examining the existence of films in which people are murdered on camera and the culture surrounding them. Through interviews with former FBI Profilers, Cultural Academics, and ... See full summary »
Paul von Stoetzel
Larry C. Brubaker,
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins. Written by
Jon Reeves <firstname.lastname@example.org>
In the documents Mike comes across Mary Hobbs diagnosis is D.I.D. In the time period of the tapes D.I.D was still labeled as Multiple Personality Disorder, it was not until 1994 they changed it to Dissociative Identity Disorder to accommodate the DSM-IV-TR (a mental disorder diagnostic guide). See more »
Gordy? You look tired, man. You look beat. Your turn to feed Emma?
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Session 9 is the creepiest horror film I've seen in years. Brad Anderson has made a movie that is subtle, and features actors playing everyday people who not only act and talk like real people (which means none of the usual horror atrocities of going off in the dark alone, etc), but also aren't killed off one by one according to their billing in the credits. The tension builds slowly, without a cheap shock scene in sight, until it is almost unbearable. Towards the end, the plot runs out of steam and the twists are a bit anti-climatic. However, everything is so well-crafted and executed in this picture, from the writing, cinematography and acting to the use of sound and digital film, that it's a moot point. Anyone with an ounce of interest in the horror genre should rent this little known gem.
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