Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren't quite that simple, and Johnny doesn't want to be found. Let's just say that, amongst the period ... See full summary »
An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil's old girlfriend, and Gordon's new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins. Written by
Jon Reeves <firstname.lastname@example.org>
No point in mincing words: Brad Anderson's Session 9 is the best horror movie I've seen in a long time. It's intelligent, well-written, it's completely unpredictable, it looks great (I didn't really notice until the second viewing how well the editing and the photography work together), and the soundtrack is downright creepy. Until recently only two films had managed to make me lie awake at night: Dario Argento's "Opera" and Tobe Hooper's "Texas Chain Saw Massacre". Well, now the list includes three films. Honestly, there is no excuse not to see this one, folks. Horror doesn't get any better than this.
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