One dark and stormy night, a middle age prison escapee haphazardly breaks into the luxurious mason of a wealthy and privileged family and rapes the young wife in front of her bound husband.... See full summary »
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
The Burning Moon centers on two bedtime stories that a delinquent brother reads his kid sister. These disturbingly morbid stories focus on a serial killing blind date and a murderous, ... See full summary »
"Subconscious Cruelty" is divided in four segments: Ovarian Eyeball - a naked woman is sliced by a sharp blade and an eyeball is removed from her belly. Human Larvae - a deranged man that ... See full summary »
Two short stories set in Edo during the Shogun era. 1. During a time when Christians are persecuted vehemently, Iori falls in love with young Christian girl. When she and her family are ... See full summary »
Ninety nine percent of the worlds has been destroyed by a bio-chemical war. Technology is obsolete and the soil has been polluted leaving people with barely any food. The survivors try to ... See full summary »
I worked on The Bride of Frank and if memory serves, I was present during the shooting of every scene. Whether or not you like this movie obviously depends on your taste in movies - some love it, some hate it. But please don't expect it to be anything it's not. The people who deride BoF for its production values just don't get it.
The original idea for the project was that Steve Ballot, the writer/director, wanted to shoot a movie that combined the sickest things he could think of, and use the various characters in and around the Newark warehouse where he worked as his actors. The plot, as it was, merely stitched these scenes together. Most of it was shot on weekends. Steve usually sketched out the dialog and storyboarded the scenes on Friday night, then we shot them on Saturday.
We used the best equipment we could get at the time, high-end consumer and low-end professional analog video and audio gear of the early 1990s. It's easy to make a great-looking amateur movie now, with HD and digital editing available to everyone for next-to-nothing, but back then it was almost impossible. Steve spent a lot of time trying to figure out ways to, for example, save one generation of tape in the editing process. That it looks as good as it does is a near-miracle.
Those who see this as some sort of sad exploitation of Frank are dead wrong. I can promise you that Frank had a fantastic time making BoF. He used to spend his weekends sitting alone in the warehouse watching TV (exactly as depicted in the movie). Shooting BoF got him out on the weekends, gave him a lot more social contact than he was used to, put a lot of great food in his stomach (Steve paid the actors mostly in good lunches), gave him the chance to touch women's breasts and asses, and gave him the chance to be revered and loved for exactly who he is.
Trash BoF all you want, but this cheap little movie was released in the U.S. and eight other countries. It played at festivals in NYC, Chicago, San Francisco, Italy, Switzerland, and England - and those are just the ones we know about. Frank came along for most of these, and after the movie screened people would go up to him and greet him like he was Clint Eastwood.
Sadly, many of the people involved in BoF have passed on, including the director. If I may speak for him, let me say to all his detractors ... well, nothing he would have to say to you would be printable. And it would all be correct.
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