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Las aventuras de Dios (2000)
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Overview
User Rating:
Director:
Writer:
Eliseo Subiela (writer)
Release Date:
26 September 2002 (Argentina)
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Awards:
1 win
&
2 nominations
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User Comments:
A surrealistic adventure through dreamscape and life
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Cast
(Credited cast)| Pasta Dioguardi | ... | Protagonist | |
| Flor Sabatella | ... | Valeri | |
| Daniel Freire | ... | Jesus Christ | |
| Lorenzo Quinteros | |||
| María Concepción César | |||
| José María Gutiérrez | |||
| Walter Balzarini | |||
| Enrique Blugerman | |||
| rest of cast listed alphabetically: | |||
| Mariana Arias | ... | Guest #1 | |
| Victoria Bertone | ... | Huésped 2 | |
| Ana María Giunta | ... | Guest 4 | |
| Jorge Lira | ... | Hombre Boquilla | |
| Lalo Mir | ... | Huésped 3 | |
| Pino Paperella | ... | Sr. Petersen | |
| Carmen Renard | ... | Madre en Bolsa | |
| Sandra Sandrini | ... | Esposa | |
Additional Details
Also Known As:
The Adventures of God (International: English title)
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Parents Guide:
Runtime:
84 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Certification:
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Finally, tempered surrealism hits the screen. Unlike early works from the 30s, this film delivers a moderated flow of strangeness which is used to accentuate the director's vision-- While at times some events and characters may seem gratuitously inserted, almost without exception they resolve their merits.
There are some scenes which are beautiful in a more classic way, and the director's mastery of the film medium is very evident. The acting is very compelling, and at times, I felt a strong urge (or perhaps a connection) to act as did the protagonist, and I felt like something was pulling me into the film itself, feeling its emotions, and thinking as did its characters speak, which is very appropriate for this film.
I saw this film at the Chicago International Film festival, 2000. For those of us non-Spanish speakers, the subtitling there was done in chunks. At first, I found this to be distracting, and sometimes it ruined the punchline of the jokes (I wasn't laughing at the same time as the native or learned speakers), but it also allowed me to more appreciate the visual and literary mastery of the film.