| Helena Ramos | ... | Laura | |
| Romeu de Freitas | ... | Lili Marlene | |
| Vanessa Alves | ... | Cristina (credit only) | |
| André Loureiro | ... | Marcos | |
| Alvamar Taddei | ... | Carla | |
| Germano Vezzani | ... | Milton | |
| rest of cast listed alphabetically: | |||
| Eduardo Abbas | |||
| Edna del Corso | |||
| Kátia Keller | |||
| Ruy Leal | |||
| Katie Marie | |||
| Zélia Nunes | |||
| Ana Paula | |||
| Rosa Ribeiro | |||
| Paula Sanches | |||
| Suzan | |||
| Cláudia Wonder | |||
Directed by | |||
| John Doo | |||
Writing credits(in alphabetical order) | ||
| Milton Donara | story | |
| Ody Fraga | ||
Produced by | |||
| Manoel C. Alonso | .... | producer (as Manoel Carmona Alonso) | |
| M. Augusto de Cervantes | .... | producer (as Miguel Augusto de Cervantes) | |
Cinematography by | |||
| Cláudio Portioli | |||
Film Editing by | |||
| João de Alencar | |||
Art Direction by | |||
| Campelo Neto | |||
Costume Design by | |||
| Campelo Neto | |||
Makeup Department | |||
| Maria Antonia Lombardi | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Maria Helena Castro | .... | assistant director | |
Sound Department | |||
| Júlio Perez Caballar | .... | sound | |
| Eduardo Santos | .... | sound | |
Camera and Electrical Department | |||
| Luiz Antônio | .... | electrician | |
| Ozualdo Ribeiro Candeias | .... | still photographer | |
| Concórdio Matarazzo | .... | assistant camera | |
| Cláudio Portioli | .... | camera operator | |
| Waldomiro Reis | .... | electrician (as Miro Reis) | |
| José Valêncio | .... | electrician | |
Costume and Wardrobe Department | |||
| Dannys Fraga | .... | costume assistant | |
Editorial Department | |||
| Jurandir Pizzo | .... | color consultant | |
Other crew | |||
| Dorival Dalossa | .... | production assistant | |
| Rubens de Souza | .... | production assistant | |
| Eduardo Santos | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Brazil section |
This movie is part of the Pornochanchada film movement in Brazil, which was very popular cinema roughly between 1977-1985. At this time, these soft-porn movies were pushing the envelope of sexuality about as far as it could go. Virtually nothing was off limits in these films and they even explored taboos including explicit rape and misogyny, bestiality, necrophilia, water-sports, adolescent sex... you name it, they covered it. Volúpia de Mulher is not extreme and does not contain any of the previous content however it exemplifies "over- the-top" sexuality just the same. All the actresses, including Brazilian goddess Helena Ramos and Vanessa Alves are totally nude throughout most of the film along with the rest of the female cast. The sex is plentiful and explicit.
Beautiful Helena Ramos plays a hospital worker and her boyfriend is a painter who of-course paints nude models. Vanessa Alves's character must become a prostitute in order to help her child.
What makes this film and many other Brazilian erotic films from this era unique is the the fact the lead actresses would often play nearly their entire role nude. Yet still there exists a story, a plot and even some acting. Here we see lovely Vanessa Alves trying to make ends meet and ends up posing nude for the painter only to end up prostituting herself. She eventually ends up having a sexual affair with the painter.
Nude Brazilian bodies fill the screen and nicely illustrates what movie-goers in 1980s Brazil were taking in at the box office. Sex!