Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic ... Written by
Buddy Christ (dogma 1999) can be seen on the dashboard of the car Carrie fisher is driving. See more »
When Silent Bob is bong-sabering with Cockknocker, at one point if the movie is paused you'll notice that Cockknockers dildo-saber is just a white stick with a red glow to it. See more »
Silent Bob's Mother:
Bobby Boy, stay here while mommy picks up the free cheese, kay? Here, this will keep the sun out of your eyes.
[puts a baseball cap on his head backwards]
Silent Bob's Mother:
You be good, now.
[walks in store, then Jay and his Mom arrive]
Alright, don't you fuckin' move you little shit machine. Your Momma's going to try to score.
What the hell? 'Scuse me. Who's watching these babies?
Uh... the fat one's watchin the little one?
Oh yeah, nice parenting. Leave 'em out here like that and see what happens.
[...] See more »
Near the end of the credits, it says: How's our driving? Let us know at www.viewaskew.com See more »
Whatever went wrong with Kevin Smith's 1995 film Mallrats has been fixed in Jay and Silent Bob Strike Back. Now in 2001, Kevin Smith devotes ninety-five minutes of film to himself. Any negative reviews you may read are surely written by critics who weren't big fans of Smith's previous efforts (especially Mallrats). J&SBSB is a movie for the View Askew fans. The film contains many references to Clerks (1994), Mallrats (1995), Chasing Amy (1997), and Dogma (1999) as well as the Clerks comic books and the Jay and Silent Bob comic book, Chasing Dogma, that bridges the gap between Chasing Amy and Dogma (actually, a great deal of the film's road trip comes directly from this book).
J&SBSB (the fifth film in the New Jersey Trilogy, much like The Hitchhiker's Guide five-part trilogy) is filled to the brim with crude humor that usually turns off most movie critics, but it's crude humor with Kevin Smith's familiar wit. It's written for Jason Mewes to really shine in his performance (I never thought I'd say that).
The major part of this film that stood out for me is the craft. The craft?! What the hell could I be talking about? As many know, Kevin Smith's movies are notorious for having almost zero camera moves. This is Kevin Smith's most technically superior film (probably because it's his highest budget). There are camera moves and excellent camera angles. In Smith's last film, Dogma, as well as this one, he utilizes the 2.35:1 aspect ratio. Why in the world he feels that he needs to use such scope in these films is beyond me.
Jay and Silent Bob Strike Back is not a "real" movie. Chasing Amy is the closest Smith has come to that. For the View Askew/Kevin Smith fans, this is his best film. It will certainly be interesting to see what kind of movies Smith decides to make now that his New Jersey Trilogy has come to a close and he doesn't have the familiar characters to fall back on.
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