The comic 'Bluntman and Chronic' is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
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A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional Disney-McDonald's-style fast-food empire.
Director:
Kevin Smith
Stars:
Brian O'Halloran,
Jeff Anderson,
Jason Mewes
Labeled an outcast by his brainy family, a bouncer overcomes long odds to lead a team of under performing misfits to semi-pro hockey glory, beating the crap out of everything that stands in his way.
Director:
Michael Dowse
Stars:
Seann William Scott,
Jay Baruchel,
Alison Pill
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
As the result of a childhood wish, John Bennett's teddy bear, Ted, came to life and has been by John's side ever since - a friendship that's tested when Lori, John's girlfriend of four years, wants more from their relationship.
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
Director:
Martin McDonagh
Stars:
Sam Rockwell,
Colin Farrell,
Christopher Walken
Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic ... Written by
Lordship
Brodie's comic book store, "Brodie's Secret Stash," is a slightly altered version of Kevin Smith's real-life comic book store, Jay and Silent Bob's Secret Stash, in Red Bank, New Jersey. See more »
Goofs
The girls run out of the diamond exchange before they can put on their shoes, but as they get into their car, they are wearing shoes again. See more »
Quotes
[first lines]
Silent Bob's Mother:
Bobby Boy, stay here while mommy picks up the free cheese, kay? Here, this will keep the sun out of your eyes.
[puts a baseball cap on his head backwards]
Silent Bob's Mother:
You be good, now.
[walks in store, then Jay and his Mom arrive]
Jay's Mother:
Alright, don't you fuckin' move you little shit machine. Your Momma's going to try to score.
Passerby:
What the hell? 'Scuse me. Who's watching these babies?
Jay's Mother:
Uh... the fat one's watchin the little one?
Passerby:
Oh yeah, nice parenting. Leave 'em out here like that and see what happens.
Jay's Mother:
...
[...] See more »
Crazy Credits
Malcom Ingram is credited as a "Mewes Wrangler", a reference to Jason Mewes's struggles at the time. See more »
"Tougher Than Leather"
Written by Run-D.M.C.
Performed by Run-D.M.C. (as Run D.M.C.) and David Reeves (as Davy D)
for Dee-Jay-Run Productions
Used by permission of Protoons, Inc./Rush Groove Music (ASCAP)
Courtesy of Arista/Profile Records See more »
Kevin Smith's previous movies always seemed to be something of a mixed bag. Whether ambitious thematically, ("Dogma", "Chasing Amy"), or outright comedy, ("Mallrats"), the movies as a whole were less satisfactory than their many very funny parts. The sporadic appearances of the second string character duo of Jay and Silent Bob were always a welcome event.
The big question was whether this 2001 styled Laurel and Hardy, when promoted to center stage, could carry a movie. The answer much to my surprise was a resounding yes. Smith outdoes himself, producing an exceptional comedy. It's consistently inventive, with surprises, in jokes and many cameos from Smith regulars, all who seem to be genuinely having a ball. Never has irreverence and bad language been done with so much charm.
Those who disliked Smith's previous works would do well to stay away, they are unlikely to be converted. But for fans, Smith really does deliver the goods, in a big way.
I was totally baffled by reading that certain gay groups took offence to this movie. It would seem to me a total misreading as well as a great deficiency in the humor department. Apart from the fact that Smith lampoons all and sundry, it actually struck me as a particularly gay friendly movie. The fact that a gay character sums the movie up as one big gay joke should be taken as a compliment more than anything else.
It's clear that this brings Smith's cycle to a close. He couldn't have wished for a better ending.
36 of 52 people found this review helpful.
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Kevin Smith's previous movies always seemed to be something of a mixed bag. Whether ambitious thematically, ("Dogma", "Chasing Amy"), or outright comedy, ("Mallrats"), the movies as a whole were less satisfactory than their many very funny parts. The sporadic appearances of the second string character duo of Jay and Silent Bob were always a welcome event.
The big question was whether this 2001 styled Laurel and Hardy, when promoted to center stage, could carry a movie. The answer much to my surprise was a resounding yes. Smith outdoes himself, producing an exceptional comedy. It's consistently inventive, with surprises, in jokes and many cameos from Smith regulars, all who seem to be genuinely having a ball. Never has irreverence and bad language been done with so much charm.
Those who disliked Smith's previous works would do well to stay away, they are unlikely to be converted. But for fans, Smith really does deliver the goods, in a big way.
I was totally baffled by reading that certain gay groups took offence to this movie. It would seem to me a total misreading as well as a great deficiency in the humor department. Apart from the fact that Smith lampoons all and sundry, it actually struck me as a particularly gay friendly movie. The fact that a gay character sums the movie up as one big gay joke should be taken as a compliment more than anything else.
It's clear that this brings Smith's cycle to a close. He couldn't have wished for a better ending.