A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic ... Written by
The fictitious website "Movie Poop Shoot" is a major plot point. Movie Poop Shoot existed as an actual website before the film's release. An obvious parody of film websites, the site contained inflammatory posts toward "Bluntman and Chronic Strike Back" which were later read in the movie (including the immortal "Fuck Jay and Silent Bob, fuck them up their stupid asses"). The thread ends with Jay's "You are the ones who are the ball-lickers." The false site also served as the home of the internet-only trailers for the film. Movie Poop Shoot has recently been converted into a bona fide website, containing news and columns about movies, comic books, and music. See more »
After the animal rescue, the van that Jay and Silent Bob traveled in blows up. You can clearly see the van door get blown off and then hit an invisible wall and bounce back rather than hit the police car that is parked next to it. See more »
Silent Bob's Mother:
Bobby Boy, stay here while mommy picks up the free cheese, kay? Here, this will keep the sun out of your eyes.
[puts a baseball cap on his head backwards]
Silent Bob's Mother:
You be good, now.
[walks in store, then Jay and his Mom arrive]
Alright, don't you fuckin' move you little shit machine. Your Momma's going to try to score.
What the hell? 'Scuse me. Who's watching these babies?
Uh... the fat one's watchin the little one?
Oh yeah, nice parenting. Leave 'em out here like that and see what happens.
[...] See more »
Near the end of the credits, after the "no animals were harmed" statement: No gay people were harmed during the making of this film (however, some were used as test dummies in the creative process). Anybody who uses the insults contained in this film on any gay, lesbian, bisexual, transgender or heterosexual person --real, perceived or imaginary-- is a total dumbass! See more »
CU Film Critic takes on "Jay and Silent Bob Strike Back."
Whether or not you enjoy `Jay and Silent Bob Strike Back' is going to depend a lot on whether or not you enjoy director Kevin Smith. I, for one, think the guy is a genius. If you don't mind my lauding his name, read on. First, a little background for the uninitiated.
Kevin Smith's movies (Clerks, Mallrats, Chasing Amy, Dogma, and now JSBSB) are a world created by the director himself, in the sense that all are interconnected by characters, plot points, and subtle references. The one constant, though, is the entity known as Jay and Silent Bob, a pair of pot dealers who have more or less spent their entire lives standing in front of the Quik-Stop convenience store. Jay (Jason Mewes) is the long-haired guy we all knew in high school, his endless stream of four-letter epithets almost endearing because the goofy guy just doesn't know any better. Silent Bob (played by director Kevin Smith), Jay's self-described `hetero life-mate' stands by without speaking a word and provides some sort of moral counterpoint for the duo.
In Smith's `Chasing Amy,' Banky and Holden (Jason Lee and Ben Affleck, respectively) created a comic book entitled `Bluntman and Chronic,' based on their real-life buddies Jay and Silent Bob. Fast-forward to `Jay and Silent Bob Strike Back.'
Banky has sold the rights to his comic to Miramax pictures, leaving Jay and Silent Bob in the dark about the business deal. Jay and Bob, with help from Holden, discover via the Internet (`What's the Internet?' asks Jay) that a movie based on them is about to start production. Realizing that they won't see a dime of the money, and even more upset by their defamation on Internet message boards, they decide to truck across the country to stop the film from being produced.
It's important to note that while the comedy is crude, slapstick, and even resorts to fart jokes, it's not dumb comedy, it's satire at it's finest, reminiscent of such self-deprecating masterpieces as `Pee-Wee's Big Adventure' and `Blazing Saddles.' After the fairly serious `Chasing Amy' and the spiritually overtoned `Dogma,' we see that Smith has decided to get together with his buddies and put together one big inside joke. Fortunately, he's decided to let a few of us in on it. The viewer's enjoyment of the movie is going to depend completely on his or her knowledge of Smith's previous films and characters.
Smith's friends show up in cameos, from Chris Rock to Will Ferrell to Alanis Morrissette to Carrie Fisher to Mark Hamill (Smith is an infamous Star Wars fanatic). You can literally see a man's childhood dream coming true when at one point, Smith's Bob gets to carry on a lightsaber duel with Hamill.
Local interest: In one of the many subplots, a group of female jewel thieves bring Jay and Silent Bob to our very own Boulder, Colorado, to steal a monkey from a medical testing facility. `Jay and Silent Bob Strike Back' is a comedy, and doesn't try to be anything else. The only thing I felt was missing was one of Jason Lee's inspired monologues bitterly bemoaning the state of society. Some of Shannon Elizabeth's screen time could have been cut, I felt, in favor of some trademark Smith dialogue.
Smith now intends to focus his time on more dramatic pursuits, and we are given this as the fifth and last film in his so-called `Jersey Trilogy.' The bottom line is, Smith loves his fans, and this film was created for the loyal. A fitting send-off for Jay and Silent Bob, this film gets an `A-.'
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