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Ruby's Bucket of Blood (2001)

PG-13 | | Drama, Music | TV Movie 1 December 2001
A Louisiana juke joint owner loses her star entertainer and hires a white singer to fill in.

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Writers:

(play), (teleplay)
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Cast

Cast overview, first billed only:
...
Ruby Delacroix
...
Billy Dupre
...
Earl Delacroix
...
Emerald Delacroix (as Jurnee Smollett)
...
Johnny Beaugh
...
Betsy Dupree (as Angelica Torn)
...
Silas Bonner
Martin Villafana ...
Jack Nagim
Ruby Webb ...
Sydney Beaugh
Rudy Webb ...
Sydney Beaugh
Cabral Richards ...
Handsome Man
David Ferry ...
Sheriff Robicheaux
Mailka Oakley ...
Regina
Karen Andrew ...
Bootsie
...
Miss Lemonn
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Storyline

A Louisiana juke joint owner loses her star entertainer and hires a white singer to fill in.

Plot Summary | Add Synopsis

Taglines:

Passion knows no rules.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for a scene of violence, some sensuality, drug use and language
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Details

Country:

Language:

Release Date:

1 December 2001 (USA)  »

Also Known As:

L'amour n'a pas de couleur  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Goofs

The cymbals on the drum set in the club are Sabian. Sabian cymbals were not manufactured prior to 1981, twenty years after the time in which the movie is set. See more »

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User Reviews

Great sound track; pretty good story
9 December 2001 | by (Calif. - East Bay) – See all my reviews

As with "O Brother, Where Art Thou," the music in this film is a major reason to watch it--if you like The Blues, that is. In fact, the first half of the film is mostly filled with terrific performances of blues music (with dashes of jazz and cajun.) In 1961, in a Louisiana backwater, Billy Dupree, a white singer (played by Broadway's Kevin Anderson) lands a gig at Ruby's joint, whose clientele is black, when she suddenly needs a replacement act. Angela Bassett is Ruby, one tough cookie, who inexplicably doesn't realize her own sexy beauty. Her philandering fool of a husband walks out on her early on. Of course, Billy proves himself as a blues belter and romance blooms between the two singers, despite the interracial barrier, and despite Billy also being married--to a woman with mental problems. There are sub-plots, one involving Ruby's teen-aged daughter, and one about two of the black band members who are gay. (One wants to leave for New Orleans to find fame while the other is content where he is.) But this is mainly a love story. Despite a somewhat predictable plot and some credibility lapses (given the severe black anti-gay prejudice today, would the two musicians be so open about their attraction 40 years ago?) this is an engrossing film--well acted and directed--that will appeal to blues fans.


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