April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives ... See full summary »
A group of old friends gets together for a weekend in a mountain cabin. Years have gone by and yet nothing seems to have changed between them. But lurking behind the laughter and stories is... See full summary »
Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.
Daniel Giménez Cacho,
Marina, a woman with a glass eye, has the bad luck to be the victim of an assault witnessed by Rafael, a goodhearted butcher, who rescues her from her attacker, a man named Daniel. Rafael ... See full summary »
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Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
Gonzalo Suárez has only really stood out in his superb TV adaptation of "Los Pazos de Ulloa" based on the novel by Emilia Pardo Bazán, and going by what other light fare he has produced to date, I did not expect much from "El Portero".
Which is what I got.
I cannot help thinking that if you get a bit stuck with the same old faces over and over again, your credibility wanes, to such a degree that you begin to question casting criteria. Carmelo Gómez seemed off key, and Antonio Resines has made a few films - not many - which are worth remembering, but above all seems to go in for more trivial matters. Together with Maribel Verdú and Elvira Mínguez - probably the best in this film - the cast would suggest being something like being called attractive. However, something failed to click; maybe because the film was on too late at night; maybe I have already seen too many films harking back to the Franco era.......
A supposedly famous goalkeeper from Madrid whose claim to fame stems from having stopped nine successive penalty kicks in league matches, turns up in the middle of beautiful post civil war Asturias, and gets entangled with the "maquis".
The "maquis" were groups of men, with a few women, who took to the mountains after the civil war, dedicating their time to blowing up or sabotaging anything which would upset the Franco régime. These groups mostly operated in Asturias, but also in Euskadi (Basque Country), Navarra, Cantabria (Santander) and a few in Galicia. To get an idea of their operations you might like to read Hemingway's novel "For Whom the Bell Tolls" set in the "sierras" north of Madrid, and also turned into a film. A few isolated "maquis" were still operating well into the 1960s. They lived on what they could hunt, what local people gave them, or what they stole.
The story being enacted just did not appeal to me very much and I could not suppress several yawns amid yearnings to tuck myself into bed just as soon as possible.
Magnificent photography in the splendour of Asturias, which alone made it worth while keeping with the film to the end credits.
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