"Piñero" tells the story of the explosive life of a Latino icon, the poet-playwright-actor Miguel Piñero, whose urban poetry is recognized as a pre-cursor to rap and hip-hop. After doing ... See full summary »
This story is set in 1930, at the time when French colonial rule in Indochina is ending. An unmarried French woman who works in the rubber fields, raises a Vietnamese princess as if she was... See full summary »
Linh Dan Pham
Gustavo is a young Havana Communist who believes in the revolution; he hopes for a scholarship to study aeronautical engineering in Prague. But his faith in the new Cuba is tested: his ... See full summary »
"Piñero" tells the story of the explosive life of a Latino icon, the poet-playwright-actor Miguel Piñero, whose urban poetry is recognized as a pre-cursor to rap and hip-hop. After doing time in hard-core Sing-Sing for petty thefts and drug dealing, Piñero's prison experiences developed into the 1974 Tony-nominated play Short Eyes. The resulting notoriety and fame was too much for the Latino bad-boy genius who retreated to the darker corners of New York City. Written by
Hey, what's happenin', what's happenin'?
We'll just start from the top.
Well, I guess I started stealing when I was eight. Stealing bread for my baby sister and brother. And other times you walk into the supermarket and just eat the food right out of the aisles, and not even pay. We'd walk right outside, you know? Now when you think about Latin writers, you probably think about Senior Márquez, Neruda, Cortazar - the magic realism. Not here, not this. There are no ...
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Catch Me I'm Falling
Written by Jade Starling and Whey Cooler
Published by Genetic Music (BMI)
Performed by Pretty Poison featuring Jade Starling
Courtesy of Svengali Records
By Arrangement with The Royalty Network, Inc. See more »
A great story, a great performance, an average movie.
They'd do well to replace the words 'Director's Cut' with 'Director's Slice'. I was fascinated by Miguel Piñero's life, inspired by his poems, and blown away by Benjamin Bratt's performance, but the director and editor conspired to mug an otherwise good movie.
Put simply, Leon Ichaso tried to use an "edgy" style to mimic Piñero's edgy life and it's agonizing to watch. I've come to accept the conceit of the fractured narrative, but I just can't stomach the unending jump-cuts, unnecessary camera refocusing, and worst of all the switches between professional-looking color film and the sort of push-button, digital, black & white that I associate with low-budget TV shows. If any of this was innovative I'd accept it as the director's prerogative, but even in 2001 it wasn't the least bit innovative.
As I said it is a good story and Bratt exceeded my expectations by a power of ten. I actually recommend 'Piñero' strongly, it's an enjoyable and worthwhile film that deserves to be seen. I just wonder what it could have been if MTV's shadow wasn't looming over it.
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