Maria Callas in Concert - Hamburg, 16 March 1962 (1962)

TV Special  -   -  Music
8.8
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.8/10 from 42 users  
Reviews: 2 user

A filmed record of two concerts given in Hamburg, Germany, by opera star Maria Callas in 1958 and 1962.

0Check in
0Share...

Connect with IMDb


Share this Rating

Title: Maria Callas in Concert - Hamburg, 16 March 1962 (1962– )

Maria Callas in Concert - Hamburg, 16 March 1962 (1962– ) on IMDb 8.8/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Maria Callas in Concert - Hamburg, 16 March 1962.

Photos

Edit

Cast

Cast overview:
...
Sopran
Georges Prêtre ...
Dirigent
Edit

Storyline

A filmed record of two concerts given in Hamburg, Germany, by opera star Maria Callas in 1958 and 1962.

Plot Summary | Add Synopsis

Genres:

Music

Edit

Details

Country:

Language:

|

Also Known As:

Maria Callas in Concert: Hamburg, 1959 and 1962  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Soundtracks

Ernani, Atto I: Surta è la notte... Ernani!... Ernani, involami (Cavatina di Elvira)
Music by Giuseppe Verdi
Performed by Maria Callas
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Historic Document
9 October 2005 | by (Greece) – See all my reviews

The 1959 Hamburg concert finds Callas just one year before the loss of her voice and although her voice is not what it was in 1952 you can still hear the Vocal Miracle. The repertoire interchanges between heavy dramatic soprano (Lady Macbeth, Elisabetta), to soprano coloratura (Rosina) and to soprano dramatico d'agilita (Imogene in Pirata, Gulia). The maturity of the interpretation regarding the legatti, the phrasing is astounding and Callas dominates each aria singing them in the only possible way.

"Tu che invoco" appears as a cataract of dramatic phrases in a fine classical style of this classical period opera, then Lady Macbeth appears diabolical and dark although she avoids keeping her voice in the high C, her Rosina is sparkling and facile in the coloratura as if it is a natural way of speaking and Elisabetta is where time stops: the drama in this aria holds a metaphysical aura. Finally her entire Mad Scene from Pirata shows all her talent as an actress and bel canto singer.

The 1962 Hamburg concert finds Callas in a very tired voice but nevertheless exciting. Overall this one of the very few operatic visual documents of the Greatest Operatic Singer who ever lived!


0 of 0 people found this review helpful.  Was this review helpful to you?

Message Boards

Contribute to This Page

Create a character page for:
?