| Leslie Bais | ... | Anna | |
| Caelum Vatnsdal | ... | Osip | |
| Shaun Balbar | ... | Nikolai | |
| Greg Klymkiw | ... | Akmatov (as Hryhory Yulyanovitch Klymkyiev) | |
| rest of cast listed alphabetically: | |||
| Tammy Gillis | ... | Mary Magdalene (uncredited) | |
| Carson Nattrass | ... | Centurion (uncredited) | |
Directed by | |||
| Guy Maddin | |||
Writing credits(in alphabetical order) | ||
| Guy Maddin | writer | |
Produced by | |||
| Niv Fichman | .... | executive producer | |
| Jody Shapiro | .... | producer | |
| Jennifer Weiss | .... | co-producer | |
Cinematography by | |||
| Guy Maddin | (director of photography) | ||
Film Editing by | |||
| deco dawson | (co-editor) | ||
| Guy Maddin | (co-editor) | ||
Casting by | |||
| Barbara Pritchard | (as Barb Pritchard) | ||
Production Design by | |||
| Réjean Labrie | (as Rejean Labrie) | ||
Art Direction by | |||
| Olaf Dux | |||
Set Decoration by | |||
| Natalie Armstrong | (decors) | ||
| Lillian Bryant | (decors) | ||
| Maryam Decter | (decors) | ||
| Tessa Emery | (decors) | ||
| Don Greenberg | (decors) | ||
| Craig Guiboche | (decors) | ||
| Erin Haluschuk | (decors) | ||
| Francis Hans | (decors) | ||
| Erin Hershberg | (decors) | ||
| Matt Holm | (decors) | ||
| Simon Hughes | (decors) | ||
| David Kufflick | (decors) | ||
| Vanessa Loewen | (decors) | ||
| Michelle Quirion | (decors) | ||
| David Sonnenschein | (decors) | ||
| Maria Voulgaris | (decors) | ||
| Dan Walechuk | (decors) | ||
| Kristin Wisener | (decors) | ||
| Jason Woloski | (decors) | ||
Costume Design by | |||
| Meg McMillan | |||
Makeup Department | |||
| Beverley Hamilton | .... | hair stylist (as Beverly Hamilton) | |
| Beverley Hamilton | .... | makeup designer (as Beverly Hamilton) | |
| Frances Hans | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Andrew Cullen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Javier Cámera | .... | second assistant director | |
| Maiah Levene | .... | first assistant director | |
| Glen Philpot | .... | first assistant director | |
Art Department | |||
| Alex Count | .... | carpenter | |
| Kim Hamin | .... | prop master | |
| Toni Scinocca | .... | graphics (as Toni Sinnocca) | |
| Craig Walls | .... | construction coordinator | |
| Keith Walls | .... | carpenter | |
Sound Department | |||
| David McCallum | .... | sound designer | |
| Lou Solakofski | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| deco dawson | .... | co-camera operator | |
| Jason Heke | .... | lighting | |
| Joao Holowka | .... | lighting (as John Holowka) | |
| Zac Rothman | .... | lighting (as Zach Rothman) | |
| Brendon Sawatzky | .... | lighting | |
| Paul Suderman | .... | lighting | |
| deco dawson | .... | still photographer (uncredited) | |
Music Department | |||
| Vladimir Gabyshev | .... | music coordinator | |
Other crew | |||
| Lois Raymond | .... | liaison | |
Thanks | |||
| Jeff Andruchuk | .... | thanks | |
| Michael Drabot | .... | special gratitude | |
| Buffalo Gal | .... | thanks | |
| Noam Gonick | .... | thanks | |
| Laura Michalchyshyn | .... | thanks | |
| Steve Morrison | .... | thanks | |
| Lois Raymond | .... | thanks | |
| Recent Posts (updated daily) | User |
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| Watch it here | icecream_headache |
| Favorite part? | guimauve0000 |
| Try This Link | bigmuggs |
| Music | jmarks-5 |
| Where do you find this film? | teriousplayer19 |
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| Sweet Movie | Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity | For Ever Mozart | Orgazmo | The Saddest Music in the World |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb Canada section | Add this title to MyMovies |
6 minutes of my movie viewing life. I was amazed at the emotional impact of this short, the music, editing, visuals and subject matter all combine to make this a masterpiece of cinema...and it is a black and white, silent film at that. Just as satisfying as INTOLERANCE. To some and maybe the casual viewer this may come across as a cheap and quickly thrown together film, but with repeated viewings, you can see the care and time that Maddin lavished on this production, the pace is frantic and actually leaves you gasping for breath...and thinking what did I just see! A highly recommended film and one to include in a library of important and significant works of art cinema.