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Don't Say a Word (2001)

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When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...

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(novel), (screenplay) | 1 more credit »
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4,705 ( 181)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Detective Sandra Cassidy
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Alex Campbell ...
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Storyline

A group of thieves steal a rare gem, but in the process, two of the men double cross the leader of the thieving group, Patrick, and take off with the precious stone. Ten years later, prominent psychiatrist Nathan Conrad is invited to examine a disturbed young woman named Elisabeth. Patrick immediately kidnaps Nathan's daughter, forcing Nathan to attempt to get Elisabeth to reveal a secret number which will ultimately lead Patrick to the whereabouts of the precious gem that has eluded him. Written by Anna <dimenxia@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

You want what they want, don't you... I'll never tell... any of you. See more »


Motion Picture Rating (MPAA)

Rated R for violence, including some gruesome images, and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

28 September 2001 (USA)  »

Also Known As:

Ni una palabra  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$17,090,474 (USA) (28 September 2001)

Gross:

$54,997,476 (USA) (25 January 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Canal Street subway station was actually filmed in Toronto's "Bay Lower" unused subway station. $150,000 was spent on set dressing alone. The TTC (Toronto Transit Commission) was so impressed with the New York conversion that they actually requested the set to be left up after filming was completed to attract future filming revenue. The set remained for about three weeks until TTC fire inspectors deemed the set a hazard (steel girders, signs and benches were plastic and wood), so the set was torn down and disposed of. See more »

Goofs

When Sofia opens the door on Mrs Conrad (around 55th minute) and the latter says "Sofia" there's an error in the cut, a house exterior is shown for a few frames. See more »

Quotes

[trying to get Dr. Sax to tell her what the deal is]
Detective Cassidy: Why don't you quit wasting my fucking time and tell me who's we?
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Connections

Referenced in Saturday Night Live: Blake Lively/Rihanna (2009) See more »

Soundtracks

Pink Toenails
Written by Laura Lynch Tull and Martie Maguire (as Martie (Erwin) Seidel)
Sung a cappella by Skye McCole Bartusiak
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User Reviews

Entertaining but never manages to make you forget that it's daft
18 February 2002 | by (United Kingdom) – See all my reviews

Renowned psychiatrist Nathan Conrad visits an 18 year old woman who is mentally disturbed with his colleague Dr Sachs. The next morning he awakes to find his daughter kidnapped and him and his wife under surveillance by a shadowy group of men. He is given until 5pm that day to get the patient to reveal a 6 digit number to him that is locked up in her head. Meanwhile his wife is trapped in their flat and police woman Cassidy is piecing together a puzzle that begins with the discovery of two related murders.

It doesn't matter how daft a story is if it manages to convince you for as long as it's on screen. For example Face/Off has the most absurd plot in the world, but for 2 hours it doesn't matter and it carries you along. This doesn't quite manage the same trick. The plot is daft - every single part of it is silly from the idea of a girl being unreachable is daft, the idea of the gang doing this is daft and the way that with very little notice the gang manage to set up cameras everywhere.

That said it has it's moments - the opening robbery is good and some of the drama works well. However for too much of the film you feel like the director is really trying to make it feel more tense than it is - witness the scene where Conrad first finds talks to Patrick Koster on the phone, the camera spins wildly all round him. Similarly he uses a lot of handheld stuff to give the impression of more action than is really happening, he also uses other lazy tricks like having everyone shouting their lines at times and making everyone squeal their tyres etc when they drive! These combined with the silly plot make it hard to get into.

Douglas is OK but he doesn't convince as the strong father figure that saves the day - he looks too old to take on Bean in a fight. He also looks far to old to have a beauty like Famke Janssen. She does well despite being stuck indoors all the time - the only problem with her is that she is far to warm and perfect a character. Murphy is good although she has moments where she's too hammy. Bean and his gang are good but they are distant from the action and never feel like a real threat - in fact you could almost sympathise with Bean, having been double-crossed at the start and wasting 10 years of his life. Esposito is OK but she doesn't really have a character - she tries to be tough and slightly sassy (a role she did so well everyday in Spin City) but she comes across as nondescript as her black leather coat. Victor Argo is a pleasure to see, but he's wasted here with nothing to do in a really small role. Fans of Abel Ferrera will know him while he's been in other things (notably the two Smoke films) and know how good a character actor he can be.

Overall this never manages to rise above it's silly plot. It has it's moments but with lesser stars this would have been just another silly straight-to-video thriller.


15 of 25 people found this review helpful.  Was this review helpful to you?

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