| Rachel Sheppard | ... | Maria Beltran | |
| Tatiana Cohen | ... | Beatriz Arenas | |
| Oliver Dennis | ... | Greg Wise | |
| Lina Romay | ... | Tora | |
| Roger Pavlovich | ... | Leonardo Radek | |
| Linnea Quigley | ... | Serena Erwin | |
| Steve Barrymore | ... | Howard Vernon | |
| Paul Lapidus | ... | Martinez | |
| Mavi Tienda | ... | Melissa Byrd | |
| Robert King | ... | Duarte | |
| Joaquin Phre | ... | Bodyguard | |
| Brian D. Horrorwitz | ... | Bodyguard | |
| Peter Evanko | ... | Luis the Bartender | |
| Exequiel Caldas | ... | Tora's Thug (as Ezequiel Cohen) | |
| Emilio Schargorodsky | ... | Tora's Thug | |
| rest of cast listed alphabetically: | |||
| Johnnie Carson | ... | Junco (as Johnny Carson) | |
| Genevieve Geneslay | ... | House cleaner | |
| Hazzel Lennon | ... | Maria's aunt | |
Directed by | |||
| Jesus Franco | (as Jess Franco) | ||
Writing credits(in alphabetical order) | ||
| Kevin Collins | (as Kevin J. Collins) | |
| Jesus Franco | additional dialogue (as Jess Franco) | |
| Jesus Franco | story (as Jess Franco) | |
| J. Douglas Wentworth | (as J. Douglas Foxworth) | |
Produced by | |||
| Florence Coakley | .... | line producer | |
| Kevin Collins | .... | producer | |
| Michael Coughlan | .... | line producer | |
| Teresa Coughlan | .... | associate producer: USA | |
| Peter Evanko | .... | producer (as Peter J. Evanko) | |
| Neil C. Kalbacher | .... | associate producer: USA | |
| Qin Li | .... | line producer | |
| Darrin Person | .... | line producer | |
| Karen Wong | .... | producer | |
Original Music by | |||
| Jesus Franco | (as Jess Franco) | ||
| Brian D. Horrorwitz | |||
| Randy Manos | |||
| Daniel White | (as Daniel J. White) | ||
Cinematography by | |||
| Emilio Schargorodsky | |||
Film Editing by | |||
| Guillermo A. Morales | |||
Casting by | |||
| Sol Clink | |||
| Stella Maris | |||
Art Direction by | |||
| Ignasi Roig | |||
Makeup Department | |||
| Maria Rodona | .... | makeup artist | |
Production Management | |||
| Rolf Goulet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Exequiel Caldas | .... | second assistant director (as Ezequiel Coen) | |
| Lina Romay | .... | first assistant director (as Rosa Almirall) | |
Sound Department | |||
| Guillermo A. Morales | .... | sound recording engineer | |
| Karl Pinto | .... | sound editor | |
| Willem Van | .... | direct sound | |
| John Wood | .... | assistant sound editor | |
Special Effects by | |||
| Bob Balabam | .... | special effects | |
| Joaquin Phre | .... | special effects (as Joaquin Phré) | |
Camera and Electrical Department | |||
| Al Gutierrez | .... | assistant camera (as A. Gutierrez) | |
| Maria Kafer | .... | electrician | |
| A. Ripoll | .... | electrician | |
| Emilio Schargorodsky | .... | still photographer | |
Costume and Wardrobe Department | |||
| Karen Wong | .... | wardrobe provider: Ms. Quigley | |
Transportation Department | |||
| Dee Snider | .... | additional transportation | |
Other crew | |||
| Juan Carlos | .... | production assistant | |
| Kurro Maiden | .... | digital master | |
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| Foreign Correspondent | The Ghost Writer | The Dancer Upstairs | Iron Man | The A-Team |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Spain section |
It is a welcome pleasure to watch Franco do with video that so many talentless hacks are incapable of. We get exotic locales, a fine story line, albeit a little confusing, but that is the Jess Franco way. In addition to all of this the lead actress is gorgeous and has a smouldering fire underneath her performance. Add to that the lovely Lina Romay who is always a joy to see before the camera and if that wasn't enough... LInnea Quigley! My favorite scream queen actually being used for her thespian skills in a magnificent role! On the DVD there are deleted scenes with commentary that at first you're like, so what? Then we get this great shot that I assumed was a crane shot. The producer explains that they stole three picnic tables from a nearby park, stacked them one on top of the other and set the camera on top of them. Of course Jess wanted to be sure that the shot was in frame and in focus so this little, old man scuttled up the top of the stack to make sure that they got the shot! This is professionalism in a medium that has never been real kind to Jess. The man deserves better and the viewing public needs to recognize his genius for what it truly is.