| Rachel Sheppard | ... | Maria Beltran | |
| Tatiana Cohen | ... | Beatriz Arenas | |
| Oliver Dennis | ... | Greg Wise | |
| Lina Romay | ... | Tora | |
| Roger Pavlovich | ... | Leonardo Radek | |
| Linnea Quigley | ... | Serena Erwin | |
| Steve Barrymore | ... | Howard Vernon | |
| Paul Lapidus | ... | Martinez | |
| Mavi Tienda | ... | Melissa Byrd | |
| Robert King | ... | Duarte | |
| Joaquin Phre | ... | Bodyguard | |
| Brian D. Horrorwitz | ... | Bodyguard | |
| Peter Evanko | ... | Luis the Bartender | |
| Exequiel Caldas | ... | Tora's Thug (as Ezequiel Cohen) | |
| Emilio Schargorodsky | ... | Tora's Thug | |
| rest of cast listed alphabetically: | |||
| Johnnie Carson | ... | Junco (as Johnny Carson) | |
| Genevieve Geneslay | ... | House cleaner | |
| Hazzel Lennon | ... | Maria's aunt | |
Directed by | |||
| Jesus Franco | (as Jess Franco) | ||
Writing credits(in alphabetical order) | ||
| Kevin Collins | writer (as Kevin J. Collins) | |
| Jesus Franco | additional dialogue (as Jess Franco) | |
| Jesus Franco | story (as Jess Franco) | |
| J. Douglas Wentworth | writer (as J. Douglas Foxworth) | |
Produced by | |||
| Florence Coakley | .... | line producer | |
| Kevin Collins | .... | producer | |
| Michael Coughlan | .... | line producer | |
| Teresa Coughlan | .... | associate producer: USA | |
| Peter Evanko | .... | producer (as Peter J. Evanko) | |
| Neil C. Kalbacher | .... | associate producer: USA | |
| Qin Li | .... | line producer | |
| Darrin Person | .... | line producer | |
| Karen Wong | .... | producer | |
Original Music by | |||
| Jesus Franco | (as Jess Franco) | ||
| Brian D. Horrorwitz | |||
| Randy Manos | |||
| Daniel White | (as Daniel J. White) | ||
Cinematography by | |||
| Emilio Schargorodsky | |||
Film Editing by | |||
| Guillermo A. Morales | |||
Casting by | |||
| Sol Clink | |||
| Stella Maris | |||
Art Direction by | |||
| Ignasi Roig | |||
Makeup Department | |||
| Maria Rodona | .... | makeup artist | |
Production Management | |||
| Rolf Goulet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Exequiel Caldas | .... | second assistant director (as Ezequiel Coen) | |
| Lina Romay | .... | first assistant director (as Rosa Almirall) | |
Sound Department | |||
| Guillermo A. Morales | .... | sound recording engineer | |
| Karl Pinto | .... | sound editor | |
| Willem Van | .... | direct sound | |
| John Wood | .... | assistant sound editor | |
Special Effects by | |||
| Bob Balabam | .... | special effects | |
| Joaquin Phre | .... | special effects (as Joaquin Phré) | |
Camera and Electrical Department | |||
| Al Gutierrez | .... | assistant camera (as A. Gutierrez) | |
| Maria Kafer | .... | electrician | |
| A. Ripoll | .... | electrician | |
| Emilio Schargorodsky | .... | still photographer | |
Costume and Wardrobe Department | |||
| Karen Wong | .... | wardrobe provider: Ms. Quigley | |
Transportation Department | |||
| Dee Snider | .... | additional transportation | |
Other crew | |||
| Juan Carlos | .... | production assistant | |
| Kurro Maiden | .... | digital master | |
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| The Dancer Upstairs | Foreign Correspondent | Femme Fatale | The Manchurian Candidate | A History of Violence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Spain section | Add this title to MyMovies |
It was during my teenage years in the 1970s that I was introduced to Jess Franco's movies: Shlocky horror, sexy babes, European locations, poor scripting and bad acting. Many people don't care for this. As an immature teenager I loved it. Now as a 40-something man, I consider it a sinful pleasure. Yes, of course I still love it! Therefore, when I came across this recent Franco production boasting exotic locations, spies, international intrigue, and of course sexy babes, I was expecting to be entertained! WRONG! What the hell was this?? Franco's movies have gotten worse. Or rather, he was not able to make the transition from film to video. That is the only way to explain the terrible editing and choppy sound throughout this movie. A major distraction was when voices were recorded (reading a script, blandly and calmly) inside a sound stage while the actors are running outside. Also, the lack of ambient noise made the viewing experience seem "fake"; and there were cuts where other sound sources awkwardly chimed in. I had the DVD and expected to hear the director comment about how the sound and negatives had been damaged before the movie was released, but they were able to re-create the movie by splicing together different parts that had been saved. This at least would have made sense...
Too bad! Please let me repeat, when I watch a Franco movie I expect an outrageous script and bad acting. This movie was happily full of both, and no comments are needed. But I also expected a basic standard of cinematography, which Franco was capable of 30 years ago. What went wrong? The esteemed Jess Franco should be embarrassed! A high school film making class could have produced a better product. Oh well.