| Aurélie Dupont | ... | Les Étoiles | |
| Laurent Hilaire | ... | Les Étoiles | |
| Nicolas Le Riche | ... | Les Étoiles | |
| Manuel Legris | ... | Les Étoiles | |
| José Martinez | ... | Les Étoiles | |
| Elisabeth Platel | ... | Les Étoiles | |
| Jean-Guillaume Bart | ... | Les Premiers Danseurs | |
| Marie-Agnès Gillot | ... | Les Premiers Danseurs | |
| Clairemarie Osta | ... | Les Premiers Danseurs | |
| Nathalie Riqué | ... | Les Premiers Danseurs | |
| Wilfried Romoli | ... | Les Premiers Danseurs | |
| Céline Talon | ... | Les Premiers Danseurs | |
| Miteki Kudo | ... | Corps de Ballet (Sujet) | |
| Sylvain Durand | ... | Les Pianistes de cours | |
| rest of cast listed alphabetically: | |||
| Claude Bessy | ... | La Directrice de l'École de Danse | |
| Maurice Béjart | ... | Choreographer | |
| Jirí Kylian | ... | Choreographer | |
| Brigitte Lefevre | ... | Directrice de la Danse | |
Directed by | |||
| Nils Tavernier | |||
Writing credits(in alphabetical order) | ||
| Nils Tavernier | ||
Produced by | |||
| Agathe Berman | .... | executive producer | |
| Frédéric Bourboulon | .... | producer | |
| Agnès Le Pont | .... | producer | |
Cinematography by | |||
| Dominique Le Rigoleur | |||
| Nils Tavernier | |||
Film Editing by | |||
| Florence Ricard | |||
Production Management | |||
| Pierre Carrique | .... | production manager | |
| Abraham Goldblat | .... | post-production manager | |
Sound Department | |||
| Christian Fontaine | .... | sound mixer | |
| Denis Martin | .... | sound | |
| Hamid Naghibi | .... | sound mixer | |
| Xavier Piroëlle | .... | sound (as Xavier Pirroëlle) | |
| Denis Tribalat | .... | sound (as Denis Triballat) | |
| Stéphane Venet | .... | sound | |
Editorial Department | |||
| Frédéric Casnin | .... | color timer | |
| Christine Maffre | .... | assistant editor | |
Music Department | |||
| Collegium Instrumental de Brugges | .... | orchestra | |
| Sylvain Durand | .... | composer: additional music "Celtic Folk" and "Adage" | |
| Sylvain Durand | .... | musician: piano for "Les choses de la vie", "Don Quichotte", "Celtic Falk" and "Adage" | |
| Richard Rodgers | .... | composer: song "My Funny Valentine" | |
Other crew | |||
| George Balanchine | .... | choreographer: ballet "Apollon Musagète" | |
| Dominique Baron | .... | production administrator | |
| Gilles Baron | .... | choreographer: ballet | |
| Sandrine Brauer | .... | clearances | |
| Maurice Béjart | .... | choreographer: ballet "La IXème Symphonie" | |
| Florence Dard | .... | staff: Little Bear | |
| Pierre Darde | .... | choreographer: ballet "Orison" | |
| Jirí Kylian | .... | choreographer: ballet "Doux Mensonges" | |
| Pierre Lacotte | .... | choreographer: "La Syphide" | |
| Agnès Le Pont | .... | staff: Little Bear | |
| Veronique Marty | .... | production assistant | |
| Rudolf Nureyev | .... | choreographer: ballet "Le Lac des Cygnes" (as Rudolf Noureev) | |
| Timothée Pamart | .... | staff: Little Bear | |
Thanks | |||
| Hugues R. Gall | .... | thanks: Directeur de l'Opéra National de Paris | |
| Muriel Hallé | .... | thanks: Délégués du ballet | |
| Brigitte Lefevre | .... | thanks: Directrice de la Danse | |
| Laurent Queval | .... | thanks: Délégués du ballet | |
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| The Red Shoes | Every Little Step | Black Swan | Mao's Last Dancer | Nijinsky |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb France section |
The general message of this video is that it's extremely difficult and physically demanding to be a dancer. This is an idea that was probably absorbed by the dance public quite a while ago and I, for one, am not anxious to hear it again. And yet, this video drums it into our heads repeatedly while showing the brutality of the "Etoile" (star) survival-of-the-fittest system.
I also fail to see why so much is made of Bejart's work. And especially since the "Ninth Symphony", admittedly not a ballet but more of a "circus" in my opinion, is set to Beethoven's music. For some reason, Beethoven, for all his greatness, seems to be one of the least danceable composers to ever be choreographed. Maybe his actual ballet music like "The Creatures of Prometheus" might be done more successfully.
To me, the Kylian section is more interesting.
I found this video to be quite tedious despite some passing pleasures along the way. No doubt it would be of greater interest to dancers and ballet fans.