Catherine, refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Scrambling to find someone willing to pose as his best pal, François enlists the services of a charming taxi driver to play the part.
The solitary Daniel and Sonia share an uneasy love/hate relationship. Daniel's life is disrupted by the appearance of a stranger that proceeds to insinuate himself in his life. The man's ... See full summary »
A "normal" guy who is married to a hot actress gets worried that she is involved with her costar. This worry turns into jealousy and causes problems in their relationship. This is a story about trust and a comedy about the actions between men and women.
Charlotte (Gainsbourg) is being raised without a mother. She is only 13 but ready to be an adult. She meets an older boy and begins a relationship while teaching a young friend about life and learning the ropes herself.
Twelve-year-old Antoine falls profoundly in love with a voluptuous but suicidal hairdresser, a formative experience he never forgets. Much later in life, he seeks to repeat his romance by ... See full summary »
Many women are attending Bertrand Morane's burial. They are all the ones that 40 years old engineer loved. Flashback : Bertrand's life and love affairs, told by himself while writing an ... See full summary »
In a small town in post-World-War-II France, an unhappy sixteen-year-old (Janine Castang) tries to escape her dreary situation by any means at her disposal. Three successive friends (Michel... See full summary »
Simon de La Brosse
Christmas, family, and infidelity. Yvette's husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas,... See full summary »
Leconte hits a rare sour note in this aimless film.
An American interviewing Patrice Leconte remarked that, since he had never seen a film by the French director that wasn't good, perhaps Leconte was incapable of making a bad film. To which Leconte quipped back that obviously this man had not seen all of his films. After witnessing "Felix and Lola" at a Leconte retrospective, I see what he meant. It's a real clunker, the first of Leconte's films I haven't liked. Once again exploring an offbeat relationship of an eccentric couple (as in "Monsieur Hire," "The Hairdresser's Husband," and "The Girl on the Bridge"), Leconte sets this story in a traveling carnival, where Felix (Phillippe Torreton), the man who runs the bumper car concession, falls for Lola (Charlotte Gainsbourg), a mysterious woman who obviously has sought him out. We learn little about her except that she looks scrawny and sad, smokes and lies a lot, and is stalked by an old lover. Felix is a decent chap but in fact is a lonely sad sack himself, pushing forty with few prospects. Since neither Felix nor Lola has more than a thimble full of brio, it is unsurprising that their encounters don't produce sparks or any real joy. The story goes round and round, like one of the carnival rides, but gets nowhere. Our glimpses of the hovering ex-lover are confused by the presence of yet another, somewhat older man who bears a facial resemblance to the other. Lola can be seen as a `borderline personality,' someone characteristically depressed and dependent who feels so insubstantial that she makes up stories about herself to enhance her sense of personal identity. Lola may not even be her name. The tests of love that she arranges for Felix would make any fellow with half a brain drop her like a hot potato. The precipitous ending does not ring true. The best things about this film are its amusement park visuals and the caring family of carneys who watch Felix's new love unfold, cheering him on even as they fret about whether things can work out for him with this odd and unpredictable woman. Neither romance nor any other sort of dramatic tension is conjured in this film; small wonder it never found a U.S. distributor.
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